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Horror books have been part of the literary world for years, but it seems like horror in all its mediums has been on the upswing in recent times. Maybe people are realizing just how satisfying it is to settle into a scary story, feel the rush of adrenaline, and then close the book, turn off the movie, or walk away from that haunted house at the end. To help you on your own hair-raising journey, we’ve put together a list of the best horror classics books of all time. The following works were included in the collection of 25 stories: Edgar Allan Poe - The Fall of the House of Usher, H.P. Lovecraft - The Call of Chtulhu, Algernon Blackwood - The Willows, Ambrose Bierce - The Death of Halpin Frayser, Chickamauga, An Occurrence at Owl Creek Bridge, E.F. Benson - Mrs Amworth, Naboth's Vineyard, At the Farmhouse, Negotium Perambulans, The Wishing Well, The Terror by Night, The Thing in the Hall, The Cat, The Sanctuary, Robert W. Chambers - The Repairer of Reputations, The Mask, In the Court of the Dragon, The Yellow Sign, W. W. Jacobs - The Monkey's Paw, Francis Marion Crawford - The Upper Berth, For the Blood Is the Life, The Screaming Skull, The Doll's Ghost, Man Overboard!
"This collection of chilling horror stories from the maestro of suspense contains nearly 20 of Edgar Allan Poe's best known stories"--Amazon.com
An inspired selection of ghost stories chosen for their literary style, psychological complexity, and enduring power to electrify both the imagination and the senses. Includes H. P. Lovecraft's essay, "On the Supernatural in Poetry."
Critical reviews of classic and otherwise noteworthy horror movies are organized according to single film and recurrent motif or theme
Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. ‘Horror and the Horror Film’ conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres – such as the vampire movie – from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
This richly illustrated anthology gathers together classic short stories from masters of supernatural fiction including M. R. James, Sheridan Le Fanu and Arthur Machen, alongside lesser-known voices in the field including Eleanor Scott and Margery Lawrence, and popular writers less bound to the horror genre, such as Thomas Hardy and E. F. Benson. These are damnable tales, selected and beautifully illustrated by Richard Wells. They stalk the moors at night, the deep forests, cornered fields and dusky churchyards, the narrow lanes and old ways of these ancient places, drawing upon the haunted landscapes of folk-horror – a now widely used term first applied to a series of British films from the late 1960s and 1970s: Witchfinder General (1968), Blood on Satan’s Claw (1971), and The Wicker Man (1973). But as this collection shows, writers of uncanny fiction were dabbling in the dark side of folklore long before. These twenty-two stories take the reader beyond the safety and familiarity of the town into the isolated and untamed wilderness. Unholy rites, witches’ curses, sinister village traditions and ancient horrors that lurk within the landscape all combine to remind us that the shiny modern, urban world might not have all the answers...
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.
Eleven classic whodunits starring master sleuths such as Sherlock Holmes, Hercule Poirot, and Father Brown. A superstar lineup of detectives—including Sherlock Holmes, C. Auguste Dupin, and Hercule Poirot—headlines this elegant leather-bound edition of classic mystery stories. Short stories such as Edgar Allan Poe’s “The Murders in the Rue Morgue” and G. K. Chesterton’s “The Blue Cross” are ideal for a cozy evening by the fire, while novels like Agatha Christie’s The Murder on the Links and Jules Verne’s An Antarctic Mystery will keep you engrossed for days. The eleven works in this volume are preceded by a scholarly introduction that explores the origins of the genre, as well as the development of the modern mystery story and the contributions made by each author. Works Included Short stories: "The Murders in the Rue Morgue," Edgar Allan Poe "The Adventure of the Creeping Man," Sir Arthur Conan Doyle "The Blue Cross," G. K. Chesterton "The Coin of Dionysius," Ernest Bramah "The Anthropologist at Large," R. Austin Freeman "The Most Dangerous Game," Richard Connell Novels: The Murder on the Links, Agatha Christie Whose Body?, Dorothy Sayers The Thirty-nine Steps, John Buchan An Antarctic Mystery, Jules Verne Room 13, Edgar Wallace
Collins Classics brings you a haunting selection of the finest horror stories from classic literature - featuring works by Bram Stoker, Edgar Allan Poe, Robert Louis Stevenson and Mary Shelley - with additional content.