Download Free Horror Cannibal Movies Book in PDF and EPUB Free Download. You can read online Horror Cannibal Movies and write the review.

This book, by horror legend Lucifer Fulci, is a quick reference guide to the Italian Cannibal Boom, the films that may have inspired it, and to the movies that are a continued exploration into the world of the violent, gory and often criticized gut munching cannibal film.
Cannibal films, alternatively known as the cannibal genre or the cannibal boom, are a subgenre of exploitation films made predominantly by Italian filmmakers during the 1970s and 1980s. This subgenre is a collection of graphically violent movies that usually depict cannibalism by primitive, Stone-age natives deep within the Asian or South American rainforests. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. Contents of the book: Horror Cannibal Movies: Characteristics, History, Directors, Actors, Films by year, Censorship, Cannibal Holocaust, Video nasty. Cannibal Movie Most Representative: Cannibal Apocalypse, Cannibal Ferox, Eaten Alive!, The Mountain of the Cannibal God, Orgasmo Nero. Of each film plot, criticism, posters, scenes from the film and more.
From the 1970s to the 1990s, Italian moviemakers produced the goriest exploitation films ever made, using recurring plot devices of cannibalism and putrefied zombie flesh eaters. Eaten Alive! dissects this outrageous period, setting it within its cultural and cinematic context. With an introduction explaining the origins of the gruesome genre, the book charts every bloody step, from the renowned Pasolini, who employed cannibalism as a satirical metaphor, to shocking "documentaries" such as Cannibal Holocaust, an acknowledged influence on The Blair Witch Project. Informed, irreverent contributions from legends of the modern horror scene round out this fascinating book.
Can you tell your Dagobah from your Delos and your Ming from your Morlock? Do you need help understanding 2001: A SPACE ODYSSEY? From the classic low-budget Flash Gordon tales to the slick CGI-realised world of THE MATRIX, science-fiction films have long pushed the boundaries of the visually and dramatically fantastic. 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE is your perfect one-stop guide to them all. Science fiction allows every other movie genre to leap - quite literally - into another dimension. Take a classic police chase and set it on Mars. Create a haunted house story, then add the robots. Take the classic boy-meets-girl story, then make them mutants. Great sci-fi movies turn the known world onto its head, play with the laws of physics and all the while hold the viewer spellbound with a gripping vision of future worlds. With insight from critics, film historians, and academics, 101 SCI-FI MOVIES YOU MUST SEE BEFORE YOU DIE, applies knowledge and passion to a century of close encounters, distant planets, time travel, black holes, strange outfits, futuristic technology, inexplicable forces, fantastic spaceships, fluorescent drinks and subterranean societies. Strap yourself in: you′re set for a rocket ride to sci-fi heaven.
This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.
Today's top addiction consultants guide families devastated by a loved one’s addiction. As countless families can attest, addiction is a disease that destroys families, not just individuals. Secrecy, depression, anger, and confusion are hallmark traits of addicted families. Addiction wrecks the family's home life, consumes the family's financial resources, and depletes the family's emotional reserves. Now, having helped thousands of families confront addiction, two of the nation's leading interventionists, Robert Poznanovich and Andrew T. Wainwright, have created a survival guide for families. With compelling case histories and real-life scenarios, the authors set forth a practical course of action for families to break free from the grip of addiction, a process that culminates with an intervention for the addict. The process liberates and forever changes the family. Even if the addict refuses treatment, truth about addiction has been spoken during the intervention and the family is free to move ahead with or without the addict. In 2001, authors Andrew T. Wainwright and Robert Poznanovich founded Addiction Intervention Resources, Inc. (AIR), a national behavioral health consulting, intervention and recovery management company that provides solutions to families and organizations that are struggling as a result of addictions, eating disorders, and mental illness in their homes and offices. They specialize in alcohol intervention, drug addiction intervention, sex addiction intervention, gambling intervention, eating disorder intervention and other compulsive self-destructive behavior interventions as well as mental health intervention and crisis management.
An engrossing A-Z of over 60 gory years of slasher and splatter movies, from Danny Boyle's 28 Days Later to Lucio Fulci's Zombie Flesh Eaters. Here you will find the low-down on over 250 movies with entries from 23 different countries. The index, which includes every movie mentioned in the A-Z and accompanying notes, runs to 540 movies. The book includes the list of video nasties which the UK government attempted to ban.
Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema—including giallo films, named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films—and develops a theory that explains their renewed appeal to audiences today.
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • In this taut, chilling story, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance. "Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.