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God only knows what possessed Bill Bryson, a reluctant adventurer if ever there was one, to undertake a gruelling hike along the world's longest continuous footpath—The Appalachian Trail. The 2,000-plus-mile trail winds through 14 states, stretching along the east coast of the United States, from Georgia to Maine. It snakes through some of the wildest and most spectacular landscapes in North America, as well as through some of its most poverty-stricken and primitive backwoods areas. With his offbeat sensibility, his eye for the absurd, and his laugh-out-loud sense of humour, Bryson recounts his confrontations with nature at its most uncompromising over his five-month journey. An instant classic, riotously funny, A Walk in the Woods will add a whole new audience to the legions of Bill Bryson fans.
If you’ve suffered from setbacks or trauma in life, discover a path forward by learning to embrace the power of nature and the beauty in your experiences and pains. As a young, single?mother, Sara Schulting Kranz discovered her path to forgiveness and healing from the scars of sexual abuse and the trauma of an unexpected divorce started with a daily practice of actively embracing the power and beauty of nature. Along the way, Sara learned a key lesson that to heal from anything you must walk through it on your own terms. In?this book, life coach and certified wilderness guide Sara shares a step-by-step handbook that shows you how to reconnect with nature--wherever you may be--and begin your healing journey. In Walk Through This, you’ll be equipped with tools to use along the way, such as: Foundational information about nature deficit disorder and the negative impact it has on our minds and bodies Exercise prompts to help you evaluate where you are on the path and check your progress along the way Meditations to guide you deeper into the process Practical steps to guide you to forgiveness To heal from anything, you have to feel everything. You must walk through your experiences and your pains, and you have to embrace everything around you that got you to where you are at this moment. Everyone has the capacity to forgive and to heal. All you need to do is take that first step.
How should Christian readers of scripture hold appropriate and constructive tensions between exegetical, critical, hermeneutical, and theological concerns? This book seeks to develop the current lively discussion of theological hermeneutics by taking an extended test case, the book of Numbers, and seeing what it means in practice to hold all these concerns together. In the process the book attempts to reconceive the genre of "commentary" by combining focused attention to the details of the text with particular engagement with theological and hermeneutical concerns arising in and through the interpretive work. The book focuses on the main narrative elements of Numbers 11–25, although other passages are included (Numbers 5, 6, 33). With its mix of genres and its challenging theological perspectives, Numbers offers a range of difficult cases for traditional Christian hermeneutics. Briggs argues that the Christian practice of reading scripture requires engagement with broad theological concerns, and brings into his discussion Frei, Auerbach, Barth, Ricoeur, Volf, and many other biblical scholars. The book highlights several key formational theological questions to which Numbers provides illuminating answers: What is the significance and nature of trust in God? How does holiness (mediated in Numbers through the priesthood) challenge and redefine our sense of what is right, or "fair"? To what extent is it helpful to conceptualize life with God as a journey through a wilderness, of whatever sort? Finally, short of whatever promised land we may be, what is the context and role of blessing?
This book investigates the adaptation and transformation of the European peripatetic tradition in nineteenth-century America; in particular Henry David Thoreau's literary walks and their visual counterparts in American landscape painting. Although Thoreau's perambulations in New World nature have been stated in scholarship, no study has offered a comparative analysis, nor has the philosophic-contemplative aspect of his 'art of Walking" been sufficiently studied. The present study puts his walking pattern into a transatlantic as well as interdisciplinary context and illuminates the uniquely American aesthetic-philosophic considerations underlying the genre of the walk in American nineteenth-century literature and painting.
"The Wilderness is new--to you. Master, let me lead you." Emily Dickinson wrote these words to her mentor shortly after his wife died, inviting him to trust her intimate knowledge of grief's landscape. In Grief's Compass, Patricia McKernon Runkle takes Dickinson for her guide after the devastating loss of her brother. As she charts a path through the holy madness of grief and the grace of healing, she finds no stages. Instead, she finds points on a compass and lines from Dickinson that illuminate them. Gently suggesting that you can take your time healing, she becomes your patient companion. "The 'hand you stretch me in the Dark, ' I put mine in," Dickinson wrote. Here is Patricia's hand, reaching for yours.
ONE OF THE BEST BOOKS OF THE YEAR: THE NEW YORK TIMES • NPR • THE GUARDIAN From pole to pole and across decades of lived experience, National Book Award-winning author Barry Lopez delivers his most far-ranging, yet personal, work to date. Horizon moves indelibly, immersively, through the author’s travels to six regions of the world: from Western Oregon to the High Arctic; from the Galápagos to the Kenyan desert; from Botany Bay in Australia to finally, unforgettably, the ice shelves of Antarctica. Along the way, Lopez probes the long history of humanity’s thirst for exploration, including the prehistoric peoples who trekked across Skraeling Island in northern Canada, the colonialists who plundered Central Africa, an enlightenment-era Englishman who sailed the Pacific, a Native American emissary who found his way into isolationist Japan, and today’s ecotourists in the tropics. And always, throughout his journeys to some of the hottest, coldest, and most desolate places on the globe, Lopez searches for meaning and purpose in a broken world.
Arctic researcher, author, and photographer Norman Hallendy’s journey to the far north began in 1958, when many Inuit, who traditionally lived on the land, were moving to permanent settlements created by the Canadian government. In this unique memoir, Hallendy writes of his adventures, experiences with strange Arctic phenomena, encounters with wildlife, and deep friendships with Inuit elders. Very few have worked so closely with the Inuit to document their traditions, and, in this book, Hallendy preserves their voices and paints an incomparable portrait of a vibrant culture in a remote landscape.
We live in times of quiet desperation. As our culture removes itself from the natural world, we have lost the truth of who we are. Could Wilderness be our only hope? Come along on a spiritual journey, away from a chaotic world of details, obligations, smartphones and noisy machines, to a place that is unspoiled, untamed, and free. Mostly solo, Stillman guides us into the heart of American Wilderness where we uncover timeless wisdom, ancient magic, and a Gateway to the Soul. Could our truth be hidden deep in the cracks and fissures of the Earth? You'll adore this love letter to Mother Earth because it captures the essence of what wilderness and solitude can offer to the human soul. It's hard to put down. Get it now.
The author analyzes three books on escapism and the various ways in which it is represented in them. He focuses on Alex Garland’s backpacker cult novel 'The Beach' and William Sutcliffe’s satire of the gap-year traveler 'Are You Experienced?' as well as Jon Krakauer’s non-fiction book 'Into the Wild'.The first part of the analysis deals with the influence of literary genres like the Bildungsroman and travel literature. Unreliable narration as a narrative strategy is taken into consideration, as well as the colonial subtext of 'The Beach' and 'Are You Experienced?'. In 'Into the Wild' nature writing and road narratives are an integral part of the narrative.The second part deals with cultural aspects such as questions of authenticity that are raised during the narratives, the role of drugs as a means of escape, and also the problematic relationship between travelers and tourists. Finally, the author compares two film adaptations, Danny Boyle’s 'The Beach' (2000) and Sean Penn’s 'Into the Wild' (2007), with their corresponding literary source texts.