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Restoration and Eighteenth-Century Poetry 1660-1780, originally published in 1981, considers poetry written between 1660 and 1780, a period which, although largely recovered from its nineteenth-century reputation, still attracts widely varying critical responses. Abandoning the old labels such as ‘neoclassicism’, ‘romanticism’ and ‘sensibility’, the author focuses on descriptions of genres and their formal elements and traces the broader patterns of literary and historical change running through the period. Eric Rothstein describes different poetic modes- panegyric, satire, pastoral and topographical poetry, the epistle, and the ode- to suggest their aesthetical possibilities as well as their process of change. He also considers style and the uses of the past, topics which have often caused particular problems for the students of the period. What becomes clear is the extraordinary originality, flexibility and power with which Restoration and eighteenth-century poets handles the stylistic assumptions and the body of poems they inherited and employed in their own works.
"This work explores the patriot clergymen's arguments for the legitimacy of political resistance to the British in the early stages of the American Revolution. It reconstructs the historical and theological background of the colonial clergymen, showing the continued impact that Stuart absolutism and Reformed resistance theory had on their political theology. As a corrective to previous scholarship, this work argues that the American clergymen's rationale for political resistance in the eighteenth century developed in general continuity with a broad strand of Protestant thought in the sixteenth and seventeenth centuries. The arguments of Jonathan Mayhew and John Witherspoon are highlighted, along with a wide range of Whig clergyman on both sides of the Atlantic. The agreement that many British clergymen had with their colonial counterparts challenges the view that the American Revolution emerged from distinctly American modes of thought"--
Reprint of the original, first published in 1837.
This book assesses the mediating role played by 'affections' in eighteenth-century contestations about reason and passion, questioning their availability and desirability outside textual form. It examines the formulation and idealization of this affective category in works by Isaac Watts, Lord Shaftesbury, Mary Hays, William Godwin, Helen Maria Williams, and William Wordsworth. Part I outlines how affections are invested with utopian potential in theology, moral philosophy, and criticism, re-imagining what it might mean to know emotion. Part II considers attempts of writers at the end of the period to draw affections into literature as a means of negotiating a middle way between realism and idealism, expressivism and didacticism, particularity and abstraction, subjectivity and objectivity, femininity and masculinity, radicalism and conservatism, and the foreign and the domestic.