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Vivid photographs of Hopi Indians and their villages are accompanied by a history of the work of photographers on the Hopi reservation
The work of the seven photographers presented in this book demonstrates that pictures of Hopi Indians and their villages by Hopi photographers have a sensitivity and clarity of meaning that is based on mutual trust and understanding. There is a sense of dignity and grandeur in these vivid pictures which are accompanied by a history of the work of photographers on the Hopi reservation.
169 illus., 137 color, 30 line drawings. Orig. $60.00.
Photographer and filmmaker Victor Masayesva, Jr., was raised in the Hopi village of Hotevilla and was educated at the Horace Mann School in New York, Princeton University, and the University of Arizona. His immersion in photographic experimentation embraces a projection of stories and symbols, natural objects, and locations both at Hopi and worldwide. His work has been exhibited internationally, and he is perhaps best known for his feature-length film Imagining Indians. For Masayesva, photography is a discipline that he approaches in a manner similar to the way that he was taught about himself and his clan identity. As he navigates his personal associations with Hopi subject matter in varied investigations of biology, ecology, humanity, history, planetary energy, places remembered, and musings on things broken and whole, he has created an extraordinary visual cosmography. In this compilation of his photographic journey, Masayesva presents some of the most important and vibrant images of that visual quest and reflects on them in provocative essays.
Lavish art book presents the finest traditional Hispanic and religious arts in New Mexico from the Spanish Colonial period.
The Hopi Indian's rich culture and exciting religious ceremonies continue to thrive. However, outsiders have limited opportunity to witness the exciting Katsina dances and ceremonies of the Hopi, save through the well-known and much prized kachina dolls the Katsina spiritually inform. Presenting work from a select set of recognizable Hopi artists, this book relates the detailed history and culture of the Hopis in tandem with their creative efforts to showcase that framework: from remarkable paintings to the kachina sculptures and dolls that manifest as physical representations of the Katsinam, the Hopis' spiritual beings. These pieces complement the Pecina's studious and informative narrative of chronological vignettes and text based on a careful selection of events in Hopi history, oral teachings of great cultural significance, and legends of the Katsinam. Hopi Kachinas presents a clear and meticulous portrait of the Hopis beliefs, history, legends, their Katsina celebrations, and the personas of the Katsinam. This book illuminates the stage of study for scholars, and is vital for students of the Hopi culture.
In the summer of 1912 Hopi runner Louis Tewanima won silver in the 10,000-meter race at the Stockholm Olympics. In that same year Tewanima and another champion Hopi runner, Philip Zeyouma, were soundly defeated by two Hopi elders in a race hosted by members of the tribe. Long before Hopis won trophy cups or received acclaim in American newspapers, Hopi clan runners competed against each other on and below their mesas—and when they won footraces, they received rain. Hopi Runners provides a window into this venerable tradition at a time of great consequence for Hopi culture. The book places Hopi long-distance runners within the larger context of American sport and identity from the early 1880s to the 1930s, a time when Hopis competed simultaneously for their tribal communities, Indian schools, city athletic clubs, the nation, and themselves. Author Matthew Sakiestewa Gilbert brings a Hopi perspective to this history. His book calls attention to Hopi philosophies of running that connected the runners to their villages; at the same time it explores the internal and external forces that strengthened and strained these cultural ties when Hopis competed in US marathons. Between 1908 and 1936 Hopi marathon runners such as Tewanima, Zeyouma, Franklin Suhu, and Harry Chaca navigated among tribal dynamics, school loyalties, and a country that closely associated sport with US nationalism. The cultural identity of these runners, Sakiestewa Gilbert contends, challenged white American perceptions of modernity, and did so in a way that had national and international dimensions. This broad perspective linked Hopi runners to athletes from around the world—including runners from Japan, Ireland, and Mexico—and thus, Hopi Runners suggests, caused non-Natives to reevaluate their understandings of sport, nationhood, and the cultures of American Indian people.
Includes material on shamanism, death, witchcraft, myth, tricksters, and kachina initiations.