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Marien and Robin Hood's daughter must join the Merry Men to save her parents.
A dark, engrossing, blood-drenched tale of the familiar threats to female power—and one girl’s journey to regain it. Five starred reviews greeted this powerful story from Elana K. Arnold, author of the Printz Honor winner Damsel. You are alone in the woods, seen only by the unblinking yellow moon. Your hands are empty. You are nearly naked. And the wolf is angry. Since her grandmother became her caretaker when she was four years old, Bisou Martel has lived a quiet life in a little house in Seattle. She’s kept mostly to herself. She’s been good. But then comes the night of homecoming, when she finds herself running for her life over roots and between trees, a fury of claws and teeth behind her. A wolf attacks. Bisou fights back. A new moon rises. And with it, questions. About the blood in Bisou’s past, and on her hands as she stumbles home. About broken boys and vicious wolves. About girls lost in the woods—frightened, but not alone.
From the New York Times bestselling author of Room, Hood is a tale of grief and lust, frustration and hilarity, death and family. “Hood is thoroughly contemporary in how richly it depicts a beloved's death to review a couple's bumpy love history...This book's real pleasures lie in its intimate insights, its accurate characters and its sharp, rich observations... the greatest achievement of Hood is how it captures the domesticity of erotic passion” – Boston Globe Penelope O’Grady and Cara Wall are risking disaster when, like teenagers in any intolerant time and place—here, a Dublin convent school in the late 1970s—they fall in love. Yet Cara, the free spirit, and Pen, the stoic, craft a bond so strong it seems as though nothing could sever it: not the bickering, not the secrets, not even Cara’s infidelities. But thirteen years on, a car crash kills Cara and rips the lid off Pen’s world. Pen is still in the closet, teaching at her old school, living under the roof of Cara’s gentle father, who thinks of her as his daughter’s friend. How can she survive widowhood without even daring to claim the word? Over the course of one surreal week of bereavement, she is battered by memories that range from the humiliating, to the exalted, to the erotic, to the funny. It will take Pen all her intelligence and wit to sort through her tumultuous past with Cara, and all the nerve she can muster to start remaking her life. Donoghue’s Hood is a masterfully crafted narrative of relationships and a daring, deft exploration of the love’s imperfection—and how it can nonetheless dominate our lives as we grow and change.
The year 2011 brings us the sesquicentennial celebration of the American Civil War. Surprisingly, 150 years later, students continue to find themselves asking many of the same questions about the great national tragedy faced during the centennial in 1961. For example, did slavery cause the great conflict, or did constitutional questions act as the catalyst? Does the Battle of Gettysburg represent the turning point of the War, or did that occur elsewhere? In connection with the last question, Lost Cause advocates, those great pro-Confederacy propagandists, found convenient villains to blame for the Southern defeat. One of these, Confederate General John Bell Hood, plays an important role. This paper contends that in his case, the Lost Cause is wrong and that Hoods historical treatment has been false. Standard critical treatment of John Bell Hood over the years has tended to characterize the general as rash, overaggressive, and lacking in strategic imagination. For such critical historians, Hood appears as old-fashioned and someone limited logistically to the frontal assault. These accounts mainly stress his negative aspects as a soldier and tend to center around the Battle of Franklin. This thesis, by analyzing every battle that Hood commanded as a leader of the Army of Tennessee, particularly those fought around Atlanta, reveals him to have been a far more bold, imaginative, and complex leader than has previously been portrayed.
Lee Hood set in motion a revolution that is personalizing medicine. His pioneering work on automated DNA sequencing gave scientists access to the genome, the code of life. In an accessible, fast-moving narrative, award-winning journalist Luke Timmerman tells the story of this forceful and flawed personality who transformed our world.
“A wonderfully illustrated biography” of one of history’s greatest warships whose sinking “signaled the end of the surety that Britannia ruled the waves” (War History Online). Unmatched for beauty, unequalled for size, for twenty years the HMS Hood was the glory ship of the Royal Navy, flying the flag across the world in the twilight years of the British Empire. Here, in words, photos and color illustrations, is the story of her life, her work and her people from keel-laying on the Clyde in 1916 to destruction at the hands of the Bismarck in 1941. Among the eyecatching strengths of the book is a unique gallery of photos, including stills from a recently discovered piece of color footage of the ship, plus a spectacular set of computer-generated images of both the exterior and interior by the world’s leading exponent of the art—a man who worked with the film director James Cameron (of Titanic fame). A wealth of new information on Hood’s structure and operation make it essential reading for the enthusiast, modeler and historian alike. Hugely successful from its first publication, this is the third printing of the ultimate book on the ultimate ship of the pre-war era. “The most comprehensive study of a modern warship ever undertaken.”—Warship World
Who was Robin Hood? Throughout history the figures of the hooded man of Sherwood forest and his band of outlaws have transfixed readers and viewers; but where does the myth come from? The story appeared out of the legend of the Green man but found its location during the reign of Richard II, the Lionheart, who was away from England fighting in the crusades. In his absence his brother John lay waste to the country. But does this tell the full story? Was Robin a bandit prince ahead of a troop of brigands? Who was the Sherrif and was he in fact the legitimate law in the land fighting vigilantes?
In one volume for the first time, this revised and updated examination of how J.R.R. Tolkien came to write his original masterpiece The Hobbit includes his complete unpublished draft version of the story, together with notes and illustrations by Tolkien himself. The Hobbit was first published on September 21,1937. Like its sequel, The Lord of the Rings, it is a story that "grew in the telling," and many characters and plot threads in the published text are quite different from the story J.R.R. Tolkien first wrote to read aloud to his young sons as one of their "fireside reads." Together in one volume, The History of the Hobbit presents the complete text of the unpublished manuscript of The Hobbit, accompanied by John Rateliff’s lively and informative account of how the book came to be written and published. Recording the numerous changes made to the story both before and after publication, he examines—chapter by chapter—why those changes were made and how they reflect Tolkien’s ever-growing concept of Middle-earth. As well as reproducing the original version of one of the world’s most popular novels—both on its own merits and as the foundation for The Lord of the Rings—this book includes many little-known illustrations and draft maps for The Hobbit by Tolkien himself. Also featured are extensive commentaries on the dates of composition, how Tolkien’s professional and early mythological writings influenced the story, the imaginary geography he created, and how Tolkien came to revise the book years after publication to accommodate events in The Lord of the Rings. Endorsed by Christopher Tolkien as a companion to his essential 12-volume The History of Middle-earth, this thoughtful and exhaustive examination of one of the most treasured stories in English literature offers fascinating new insights for those who have grown up with this enchanting tale, and will delight any who are about to enter Bilbo’s round door for the first time.
For the past 20 years, a range of scholars, educators, and cultural workers have examined dominant discourses of «childhood» using critical, feminist, and other postmodern perspectives. Located in a variety of disciplines, these poststructural, deconstructive, and even postcolonial critiques have challenged everything from notions of the universal child, to adult/child dualisms, to deterministic developmental theory. The purpose of this volume is to acknowledge the profound contributions of that large body of literature, while demonstrating the ways that critical analyses can be used to generate avenues/actions that increase possibilities for social justice for those who are younger while, at the same time, avoiding determinism. In this time of globalization, hyper-capitalism, and discourses that would control and disqualify through constructions like accountability, we believe that projects such as this are of utmost importance. The volume is divided into four major sections to reflect the multiplicity of human voices and perspectives (section I), contemporary circumstances and dominant discourses within which we all attempt to function (sections II and III), and the generation of new possibilities for constructing relationships together (section IV). Finally, a voice from the «heart» within a «reconceptualist» social science agenda for early childhood studies is presented.