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In this stunning debut collection, Inglewood-raised poet féi hernandez weaves an intricate latticework of stories in the betwixt and between. Hood Criatura explores the intersections of trans and queer resilience, citizenship and belonging, and resistance against gentrification that threatens both city and the body. hernandez's poems take us through a coming-of-age story that delineates the existential wars of gender, race, sexuality, and im/migration, as well as the pains and joys that bind communities, family, and love. In a world that seeks to simplify and reduce the self to binary boundaries, Hood Criatura serves as a reminder of what it means to exist unbounded, to claim all of the multitudes within us that make us who we are. Masterfully juxtaposed in myriad poetic forms throughout the book, these poems are a love letter to all of us who exist within liminal spaces and who dare to claim one's true self.
In this spellbinding debut, Los Angeles–born poet Janel Pineda sings of communal love and the diaspora and dreams for a liberated future. Lineage of Rain traces histories of Salvadoran migration and the US-sponsored civil war to reimagine trauma as a site for transformation and healing. With a scholar’s caliber, Pineda archives family memory, crafting a collection that centers intergenerational narratives through poems filled with a yearning to crystallize a new world—one unmarked by patriarchal violence. At their heart, many of these poems are an homage to women: love letters to mothers, sisters, and daughters. Lineage of Rain moves from los campos de El Salvador to the firework-laden streets of South Gate to the riverbanks of England. Pineda’s masterful stroke weaves together these seemingly disparate worlds, illustrating the complicated reality of living as a first-generation student. As the speaker navigates elitism and the violence of the English language, she lays bare their ties to power. And yet, these poems rebel through revel, asking: how do we hold each other tenderly in a world replete with pain and many forms of violence? With dreams made possible through collective struggle, Pineda returns us to the seeds from which we bloom: family, history, and community. All the while, this collection never fails to capture often overlooked moments of joy—the mundane yet monumental—showing the reader that the world we dream is already ours. Through Lineage of Rain, Pineda emerges as a seminal contributor to the canon of Central American diasporic writing.
From controversial cryptozoologist and explorer Dr. Veronica Wigberht-Blackwater, The Compendium of Magical Beasts is a definitive field guide that explores the history, biology, and anatomy of mythological creatures. Approaching the fantastic with a scientific eye, Dr. Wigberht-Blackwater explains the history, habits, and biology of each creature's existence with equal attention to detail. Her research is accompanied by stunning scientific illustrations of each specimen's anatomy, providing a comprehensive view of creatures most often dismissed as pure fantasy. Combining biological fact with folklore, cultural studies, and history, this volume is crucial to science both fringe and mainstream. Locked in a dusty attic for almost a century, Dr. Wigberht-Blackwater's trailblazing work was recently discovered by writer Melissa Brinks, who spent months transcribing the journals she found. Brinks joined forces with artist Lily Seika Jones to digitize the doctor's amazingly detailed anatomical diagrams in order to share these revolutionary findings with the world for the first time. The Bestiary: Mermaid, Unicorn, Wild Man, Gnome, Werewolf, Troll, Fairy, Jackalope, Winged Horse, Centaur, Minotaur, Vampire, Dragon, Sea Monsters/Loch Ness/Kraken, Goblin, Sphinx, Phoenix, Harpy, Cyclops, Banshee, Incubus/Succubus, Nymph, Ghoul, Selkie, Kelpie
Fantasy-roman.
A bold mix of photographs and short essays in which artists, writers, and theorists investigate and celebrate the rapidly evolving world of gender. Discuss. Discover. Disrupt. We dis- a lot in English, particularly with regard to women and queer people. Our understanding of gender is changing, and with it, so are our questions. Dis…Miss Gender? provides thoughtfully considered contributions from an intrepid group of a hundred artists and writers who explore contemporary concepts of gender. Anchored by lavish illustrations and original essays from prominent gender theorists, including Karen Tongson, Amelia Jones, and Tiffany E. Barber, plus commentary from artists, viewers, and organizations committed to equity and justice, this provocative book is the culmination of a five-year initiative by Anne Bray. Dis… Mis Gender? offers a kaleidoscopic survey of intersectionality and queer thought, as well as fourth-wave feminism, misogyny, and other forms of oppression based on age, ethnicity, ability, or class. As the population of gender nonconforming and people of color grows, so too does their demand for visual representations of themselves in the world at large. Dis…Miss Gender? nourishes the change we need so that we can at last model diverse identities, question our options, reduce our judgments, and destroy stereotypes. Celebrating a joyful plurality, this book is a finger-on-the-pulse revelation of gender in the act of transforming.
New church voice Eric Mason addresses the cultural and spiritual crises within manhood head-on, presenting a gospel-centered vision that points men back to God's original intent for their lives.
In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNEXT celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next.
In 1803 in the colonial South American city of La Plata, Doña Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a “woman in disguise.” Forced to submit to a medical inspection that revealed a woman’s body, Don Antonio confessed to having been María Yta, but continued to assert his maleness and claimed to have a functional “member” that appeared, he said, when necessary. Passing to América is at once a historical biography and an in-depth examination of the sex/gender complex in an era before “gender” had been divorced from “sex.” The book presents readers with the original court docket, including Don Antonio’s extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybañez of her “son María,” both in English translation and the original Spanish. Thomas A. Abercrombie’s analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/María and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to América brings to light a previously obscure case of gender transgression and puts Don Antonio’s life into its social and historical context in order to explore the meaning of “trans” identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website: openmonographs.org.
An exhilarating tale of darkness, love, and redemption inspired by the classic fairy tale Little Red Riding Hood and the extravagant court of Versailles, from the author of Cruel Beauty. A doomed warrior and the king's most notorious bastard must join forces to defeat a dark evil in this gorgeously intricate fantasy—perfect for fans of An Ember in the Ashes and A Court of Thorns and Roses. When Rachelle was fifteen she was good—apprenticed to her aunt and in training to protect her village from dark magic. But she was also reckless—straying from the forest path in search of a way to free her world from the threat of eternal darkness. After an illicit meeting goes dreadfully wrong, Rachelle is forced to make a terrible choice that binds her to the very evil she had hoped to defeat. Three years later, Rachelle has given her life to serving the realm, fighting deadly creatures in a vain effort to atone. When the king orders her to guard his son Armand—the man she hates most—Rachelle forces Armand to help her hunt for the legendary sword that might save their world. Together, they navigate the opulent world of the courtly elite, where beauty and power reign and no one can be trusted. And as the two become unexpected allies, they discover far-reaching conspiracies, hidden magic . . . and a love that may be their undoing. Within a palace built on unbelievable wealth and dangerous secrets, can Rachelle discover the truth and stop the fall of endless night?
Originally published in French under the title: Avril le poisson rouge, 2013.