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Abraham Lincoln's remarkable emergence from the rural Midwest and his rise to the presidency have been the stuff of romance and legend. But as Douglas L. Wilson shows us in Honor's Voice, Lincoln's transformation was not one long triumphal march, but a process that was more than once seriously derailed. There were times, in his journey from storekeeper and mill operator to lawyer and member of the Illinois state legislature, when Lincoln lost his nerve and self-confidence - on at least two occasions he became so despondent as to appear suicidal - and when his acute emotional vulnerabilities were exposed. Focusing on the crucial years between 1831 and 1842, Wilson's skillful analysis of the testimonies and writings of Lincoln's contemporaries reveals the individual behind the legends. We see Lincoln as a boy: not the dutiful son studying by firelight, but the stubborn rebel determined to make something of himself. We see him as a young man: not the ascendant statesman, but the canny local politician who was renowned for his talents in wrestling and storytelling (as well as for his extensive store of off-color jokes). Wilson also reconstructs Lincoln's frequently anguished personal life: his religious skepticism, recurrent bouts of depression, and difficult relationships with women - from Ann Rutledge to Mary Owens to Mary Todd. Meticulously researched and well written, this is a fascinating book that makes us reexamine our ideas about one of the icons of American history.
Through intimate photographs and poignant stories, this heart-rending book showcases the courage, heroics, and sacrifice of selected U.S. soldiers and veterans. This deeply moving, timely celebration of veterans highlights the heroes in our midst by bringing these brave men and women to life. Veterans Voices blends beauty and impact and gorgeous photographic displays with inspiring storytelling.
Winner of CILIP Kate Greenaway Medal Winner of the TD Canadian Children’s Literature Award A young boy wakes up to the sound of the sea, visits his grandfather’s grave after lunch and comes home to a simple family dinner with his family, but all the while his mind strays to his father digging for coal deep down under the sea. Stunning illustrations by Sydney Smith, the award-winning illustrator of Sidewalk Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig. With curriculum connections to communities and the history of mining, this beautifully understated and haunting story brings a piece of Canadian history to life. The ever-present ocean and inevitable pattern of life in a Cape Breton mining town will enthrall children and move adult readers.
Vocal expression is a part of nearly everyone's workday, yet most of us are unaware of how much influence our voice exerts over our effectiveness. McAfee's work shows how we can deliberately marshal the power of our voices to support our intentions, aspirations, and relationships.
An innovator in contemporary thought on economic and political development looks here at decline rather than growth. Albert O. Hirschman makes a basic distinction between alternative ways of reacting to deterioration in business firms and, in general, to dissatisfaction with organizations: one, “exit,” is for the member to quit the organization or for the customer to switch to the competing product, and the other, “voice,” is for members or customers to agitate and exert influence for change “from within.” The efficiency of the competitive mechanism, with its total reliance on exit, is questioned for certain important situations. As exit often undercuts voice while being unable to counteract decline, loyalty is seen in the function of retarding exit and of permitting voice to play its proper role. The interplay of the three concepts turns out to illuminate a wide range of economic, social, and political phenomena. As the author states in the preface, “having found my own unifying way of looking at issues as diverse as competition and the two-party system, divorce and the American character, black power and the failure of ‘unhappy’ top officials to resign over Vietnam, I decided to let myself go a little.”
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
After its initial publication in 1993, this book quickly became an essential book for country music scholars and fans. Now back in print, with updated material, an additional chapter, and new photos, this volume is poised to reach a whole new generation of country music fans. From country's earliest pioneers to its greatest legends, this book documents the lives of the female artists who have shaped the music for over two hundred years. Through interviews, photos, and primary texts, the authors weave a vast and complex tapestry of personalities and talent. Long overlooked and underappreciated by scholars, female country music artists have always been immensely popular with fans. This book gets to the heart of the special bond female artists have with their audiences. People seeking to understand the context out of which mega-stars such as Shania Twain, Faith Hill, and the Dixie Chicks emerged need look no farther than this book.
"Distant voices drawing near is a tribute to the scholarly career of Antoinette Clark Wire, the Robert S. Dollar Professor of New Testament at the San Francisco Theological Seminary. In recognition of her work, the contributors to the volume have critically engaged the areas of Christian origins and the role of women in the biblical world, hermeneutics and feminist perspectives in biblical interpretation, and cross-cultural study of the Bible."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Born in Minnesota in 1890 and raised and educated in Massachusetts, Marjory Stoneman Douglas came to Florida in 1915 to work for her father, who had just started a newspaper called the Herald in a small town called Miami. In this "frontier" town, she recovered from a misjudged marriage, learned to write journalism and fiction and drama, took on the fight for feminism and racial justice and conservation long before those causes became popular, and embarked on a long and uncommonly successful voyage into self-understanding. Way before women did this sort of thing, she recognized her own need for solitude and independence, and built her own little house away from town in an area called Coconut Grove. She still lives there, as she has for over 40 years, with her books and cats and causes, emerging frequently to speak, still a powerful force in ecopolitics. Marjory Stoneman Douglas begins this story of her life by admitting that "the hardest thing is to tell the truth about oneself" and ends it stating her belief that "life should be lived so vividly and so intensely that thoughts of another life, or a longer life, are not necessary." The voice that emerges in between is a voice from the past and a voice from the future, a voice of conviction and common sense with a sense of humor, a voice so many audiences have heard over the years—tough words in a genteel accent emerging from a tiny woman in a floppy hat—which has truly become the voice of the river.
The throat, located just one energy center north of the heart and one jump south of the mind, is in a precarious position in the body. A short journey from heart to mind and back down to the throat takes mere seconds, but many detours are taken en route. For today's spiritually traumatized, broken-hearted and soul-wounded, the process of revealing what rests on the heart can be a paralyzing challenge. To clear the path of negative imprint, one must declare the intention to speak to what matters most and set about the task of discerning what that is. One can make a choice now to stand up to the fears that mangle the truth into expressions more palatable for others, cause explosions of rage, freezing up, or cut-and-run behavior. This book takes aim at strengthening the confident voice of the individual while emphasizing relational communications. Each prayer concentrates on an aspect of healing the voice: Honoring Clarity, Humility, Advocacy, Sorrow, Fear, Rage, and Protection. The book includes: Foreword written by Elena Brower Suggestions for how to use the book as a personal companion for healing voice as well as ways to bring it into your classes and curriculums. An introduction to each of the Four Directions and properties 28 prayers, 7 for each of the Four Directions blank pages on the left side of each prayer for note-taking, collaging, and making the book your own. one page of journal questions for each section lined pages at the end of each section for recording your thoughts, prayers, and notes about your own spiritual awakenings