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January 1889. German and American naval forces are engaged in an escalating confrontation in Samoa in the South Pacific. Warships are at battle stations. Naval reinforcements from both nations are on the way. The press in Berlin, Hamburg, Washington, and San Francisco is calling for national honor to be defended. At any minute, open warfare may erupt. All it will take is one spark. President Grover Cleveland orders Commander Peter Wake, Office of Naval Intelligence, to clandestinely accomplish one of two things: either somehow prevent all-out war between Germany and America, or win it decisively at the outset to prevent combat from spreading worldwide. Coming up with an admittedly makeshift plan along the way, Wake enlists the help of an unlikely trio he encounters in the Pacific: a Hawaiian artillery officer, a renegade Methodist minister, and a beautiful widow. Unfortunately for Wake—and unbeknownst to him—each of them has his or her own motives for heading to Samoa. If he fails, thousands across the world will die. It is a dilemma right out of today's headlines: When do you cross the line of civilized behavior to potentially save lives? How do you live with the consequences? Amidst this dilemma, Wake decides to employ a repulsive tactic that results in horror for a member of his team, something he will regret for the rest of his life. The intrigue is as deadly as the action in this novel, which culminates in one of the most significant events in Pacific—and American—naval history.
The memoirs of RADM Peter Wake, USN, steam into the twentieth century in Full Naval Honors. This final volume finds the admiral dealing with European and Japanese spies and assassins in the Pacific while on a “diplomatic” recon mission ahead of the Great White Fleet‘s epic 1907-09 voyage around the world. The action continues at the beginning of World War I, as Wake clashes with a German espionage network in the Central American jungle. The reader will be at Wake‘s side when he visits his friend Theodore Roosevelt‘s New York home in 1918, as that family learns of their tragic war loss. Following that war, readers will learn the poignant story of Peter Wake‘s final years in Key West with his beloved Maria. But Peter Wake‘s story doesn‘t end there, for the call of duty lives on in his descendants as they are plunged into the midst of World War I, World War II, Vietnam, and the First Gulf War. From a clandestine mission by Wake‘s son inside the Crimea at the chaotic end of World War I and the start of the Russian Civil War, to a World War II minesweeper commanded by Wake‘s grandson in 1941 at the doomed Philippines, the reader is enveloped in a new era of adventure with the Wake family. On the other side of World War II, we find another Wake grandson training Cuban sailors in anti-submarine warfare, giving them critical skills for their famous 1943 victory against a Nazi U-boat on the Cuban coast. The Wake legacy continues as Wake‘s great-grandson skippers a Swift boat in 1968 Vietnam, later becoming a CIA operative with a crucial role in the 1990 Iraqi invasion of Kuwait. With the 2023 commissioning of Peter Wake‘s great-great-great grandchild as a U.S. naval officer, his descendants continue their service to Navy and Nation into the uncertain twenty-first century. Some things never change, however. Shadowy espionage, world-changing events, crucial split-second decision-making, gut-wrenching combat, tragic losses and great loves—and above all, a never-ending sense of honor and duty—they all form part of the Wake family‘s character as America depends on each generation of them. Full naval honors, indeed.
In Honor Thy Gods Jon Mikalson uses the tragedies of Aeschylus, Sophocles, and Euripides to explore popular religious beliefs and practices of Athenians in the fifth and fourth centuries B.C. and examines how these playwrights portrayed, manipulated, and otherwise represented popular religion in their plays. He discusses the central role of honor in ancient Athenian piety and shows that the values of popular piety are not only reflected but also reaffirmed in tragedies. Mikalson begins by examining what tragic characters and choruses have to say about the nature of the gods and their intervention in human affairs. Then, by tracing the fortunes of diverse characters -- among them Creon and Antigone, Ajax and Odysseus, Hippolytus, Pentheus, and even Athens and Troy -- he shows that in tragedy those who violate or challenge contemporary popular religious beliefs suffer, while those who support these beliefs are rewarded. The beliefs considered in Mikalson's analysis include Athenians' views on matters regarding asylum, the roles of guests and hosts, oaths, the various forms of divination, health and healing, sacrifice, pollution, the religious responsibilities of parents, children, and citizens, homicide, the dead, and the afterlife. After summarizing the vairous forms of piety and impiety related to these beliefs found in the tragedies, Mikalson isolates "honoring the gods" as the fundamental concept of Greek piety. He concludes by describing the different relationships of the three tragedians to the religion of their time and their audience, arguing that the tragedies of Euripides most consistently support the values of popular religion.