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The Aloha State enters the Akashic Noir Series arena with a riveting collection, exploring shadows and corners of Honolulu that will never be found in a tourist brochure FEATURING BRAND NEW STORIES BY: Don Wallace, Stephanie Han, Christy Passion, Morgan Miryung McKinney, Alan Brennert, Lono Waiwai’ole, Kiana Davenport, Mindy Eun Soo Pennybacker, Scott Kikkawa, Tom Gammarino, B.A. Kobayashi, Michelle Cruz Skinner, and Chris McKinney. Two thousand miles away from the rest of the country, an American city evades the mind’s eye of the empire that claimed it, peddled it as paradise, then largely ignored it. And yet, Honolulu likes its anonymity. Tourists and outsiders corral themselves in hotels and resorts, vacation eyes glued to their beachfront sunsets and mai tais while the people who live here get on with their affairs. And sometimes it’s dirty business. Honolulu Noir comprises stories about the people of the city, written by those who know this place best. The volume opens with a story featuring Chang Apana, the Native Hawaiian/Chinese real-life cop who was the inspiration for the controversial Charlie Chan. It ends with a supernatural journey from the Philippines to Hawaii. In between, readers will find multicultural tales of invasion (whether yakuza, ISIS recruiters, or vampires), madness, addiction, and murder—all the stuff that many people don’t know happens here. Unbeknownst to the rest of the country, Honolulu can be a very dangerous place. Here, even the alluring crystal-blue waters might kill you. Chris McKinney says, “When the opportunity to edit Honolulu Noir was presented to me, I jumped at the chance. I’d been aware of the outstanding reputation of Akashic’s Noir Series, and as someone who was born and has lived and worked in just about every neighborhood in this city, I felt up to the task.” E komo mai to Honolulu Noir.
The Aloha State enters the Akashic Noir Series arena with a riveting collection, exploring shadows and corners of Honolulu that will never be found in a tourist brochure
In East Jerusalem Noir—published simultaneously with West Jerusalem Noir—the Akashic Noir Series turns its gaze to one of the world’s most fascinating locales, in this volume from the perspective of Palestinian writers; translated from Arabic "East Jerusalem's thorny politics run through each of the thirteen stories comprising this sturdy entry in Akashic's long-running regional noir series, which is being published simultaneously with West Jerusalem Noir . . . Written with passion and empathy, the volume's strength lies in giving voice to the varied experiences of Palestinians who live, work, and write in one of the world's most complicated cities. It's a fascinating glimpse of life under occupation." —Publishers Weekly FROM THE EDITOR'S INTRODUCTION: "When you move through the streets of Jerusalem today, you will notice that history surrounds you from all sides. You hear Adhan, the Islamic call to prayer, recited by the muezzin from the Dome of the Rock; you hear the bells of the Church of the Holy Sepulchre, where the Christians pray, accompanied by the voices of the Jewish worshippers at the Wailing Wall. You are filled with awe and stand helpless to do anything except feel both joy and sadness at the same time. Your feelings mingle, your thoughts get confused, and you peer at the sky waiting for God's mercy and relief . . . The stories here are varied, and I did not interfere with the writers' content. I asked them to portray the city of Jerusalem as they live it, as they feel it, as they appreciate it, as they fear it, as they want it to be, and as they imagine it in the past, the present, and the future . . . And now we put the black box in your hands! Kindly open it to reveal the secrets of Jerusalem and its people, who wake up to the sound of a forgotten rooster from a previous era to declare the beginning of a new dawn, so that life will not stop recording its new diary entries." Featuring brand-new stories by: Nuzha Abu Ghosh, Ibrahim Jouhar, Osama Alaysa, Rahaf al-Sa'ad, Ziad Khadash, Mahmoud Shukair, Iyad Shamasnah, Rafiqa Othman, Dima al-Samman, Majid Abu Ghosh, Muhammad Shuraim, Jameel al-Salhout, and Nuzha al-Ramlawi. Translated from Arabic by: Roger Allen, Marilyn Booth, Catherine Cobham, Raphael Cormack, Sawad Hussain, Dr. Nazih Kassis, Nancy Roberts, and Max Weiss. East Jerusalem Noir is being published simultaneously with West Jerusalem Noir, edited by Maayan Eitan. The companion volume explores the city with brand-new stories by Israeli authors.
ITW Finalist Eric Redman is back in this thrilling second installment of his Hawaiian murder mystery series, perfect for fans of Anne Hillerman. When bodies start piling up and the list of suspects growing long, Detective Kawika Wong must dig into his own past to solve a Big Island murder. It’s been twelve long years since Detective Kawika Wong was tasked with solving the brutal murder of the infamous real-estate developer Ralph Fortunato—a case that led to more bodies than answers and a slew of complicated and ancient secrets, a case that made his career. Now, the once rookie detective is next in line to be Honolulu’s next Chief of Police. But all is not well on Oʻahu or the Big Island. For weeks, Kawika and his team have failed to catch an elusive serial killer known as the “Slasher.” He strikes quickly and efficiently, and he doesn’t make mistakes. But when a freshly decapitated body is found at a previous dump site, Kawika’s gut tells him something isn’t quite right. Who is this victim, and why does Kawika feel that this one doesn’t belong to the Slasher? To make matters worse, a hungry young journalist, Zoë Akona, is investigating the questionable outcome Kawika and his then-superior Terry Tanaka produced in the Fortunato case, and her snooping leads to an official review that jeopardizes everything Kawika’s worked so hard for. But Detective Wong knows that, no matter what, he must find a second murderer even while the “Slasher” continues to strike. The investigation takes him back to the Big Island – and to the long-dormant case the reporter Zoë Akona won’t leave alone. Kawika is about to discover what happens when the secrets of the past catch up with the promises of his future.
KONA WINDS is a hard-boiled noir murder mystery set in Honolulu in 1953, when Hawai'i was changing from a racially stratified, near-feudal plantation colony to the multi-ethnic 50th State. This debut novel by Japanese American author Scott Kikkawa was written with the firm belief that Hawai'i is more than just a pretty backdrop for the mischief of tourists. It can be, and was, a terrifying, sodden place whose social realities were ugly not so long ago and continue in some respect to go unresolved. In addition, the novel provides a glimpse into the police work of postwar Honolulu, which has been rarely written in this way before. Fiction. Asian & Asian American Studies.
Whether presented as exotic fantasy, a strategic location during World War II, or a site combining postwar leisure with military culture, Hawaii and the South Pacific figure prominently in the U.S. national imagination. Hollywood’s Hawaii is the first full-length study of the film industry’s intense engagement with the Pacific region from 1898 to the present. Delia Malia Caparoso Konzett highlights films that mirror the cultural and political climate of the country over more than a century—from the era of U.S. imperialism on through Jim Crow racial segregation, the attack on Pearl Harbor and WWII, the civil rights movement, the contemporary articulation of consumer and leisure culture, as well as the buildup of the modern military industrial complex. Focusing on important cultural questions pertaining to race, nationhood, and war, Konzett offers a unique view of Hollywood film history produced about the national periphery for mainland U.S. audiences. Hollywood’s Hawaii presents a history of cinema that examines Hawaii and the Pacific and its representations in film in the context of colonialism, war, Orientalism, occupation, military buildup, and entertainment.
Winner of the 2022 Edgar Award for Best Novel “War, imprisonment, torture, romance…The novel has an almost operatic symmetry, and Kestrel turns a beautiful phrase.” New York Times Five Decembers is a gripping thriller, a staggering portrait of war, and a heartbreaking love story, as unforgettable as All the Light We Cannot See. nominated for Best Novel in the 2022 EDGAR AWARDS NOMINATED FOR BEST THRILLER IN THE 2022 BARRY AWARDS FINALIST FOR THE HAMMETT PRIZE 2021 "Read this book for its palpitating story, its perfect emotional and physical detailing and, most of all, for its unforgettable conjuring of a steamy quicksilver world that will be new to almost every reader." Pico Iyer December 1941. America teeters on the brink of war, and in Honolulu, Hawaii, police detective Joe McGrady is assigned to investigate a homicide that will change his life forever. Because the trail of murder he uncovers will lead him across the Pacific, far from home and the woman he loves; and though the U.S. doesn't know it yet, a Japanese fleet is already steaming toward Pearl Harbor. This extraordinary novel is so much more than just a gripping crime story—it's a story of survival against all odds, of love and loss and the human cost of war. Spanning the entirety of World War II, FIVE DECEMBERS is a beautiful, masterful, powerful novel that will live in your memory forever.
This new “Col. Primrose Mystery Novel” might have well been called "The New Mrs. Latham Mystery Novel," because Mrs. Latham plays almost as important a part in it as the Colonel. The scene is Hawaii, and practically all of the action takes place in and around a house high up on the mountainside above Honolulu. It is the story of a black-sheep American, whose family had lived in Hawaii for generations, but who went to Japan and, sometime after Pearl Harbor, decided to come back and play traitor to his country. Mrs. Latham is present when he makes his first appearance in his family’s house, she is present when his murdered body is discovered -- and disposed of -- and she is deeply involved in the circumstances that lead up to the second murder, that of a beautiful Hawaiian- American girl who is engaged to marry an American aviator. In fact, Mrs. Latham this time is so much involved that Colonel Primrose accuses her of completely spoiling an air-tight case for him and calls her a nitwit. Shortly after that, for the first time in these stories, he proposes to Mrs. Latham. For the answer, reader, you may write your own ticket! "HONOLULU STORY will be enthusiastically revived by mystery fans who have learned to expect good entertainment from Leslie Ford's novels. In this book the usual excellent performance is turned in by that fictional threesome, Colonel Primrose, special agent in military intelligence, his aide, the intrepid Sgt. Phineas Buck, and likable Grace Latham, socially prominent Washington widow." -- The Nebraska State Journal "Miss Ford at her best." -- The Hartford Courant
Pilikia means "trouble" in the Hawaiian language and pilikia is exactly what private investigator, Val Lyon, finds on the mean streets of Honolulu. What starts off as a simple assignment to find a young boy who is the object of a custody battle turns into a fight for survival as death threats come in and bodies drop. Val's task pits her against a prominent feminist activist, a politically-connected clergyman, and a powerful local family. The case takes Val from the canyons of downtown Honolulu to the leper colony of Molokai and back with a killer dogging her footsteps the entire way.
A comprehensive guide to the "special" restaurants and dining spots on the island of Oahu covering all tastes and styles with priced menu samples included for budgeting.