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To Make Wrong / Right / Now draws energies from across the Pacific Ocean to connect indigenous perspectives, knowledge and creative expressions from Asia, the Pacific and the Americas.
In an all-too-brief life and literary career, Wayne Kaumualii Westlake (1947–1984) produced a substantial body of poetry. He broke new ground as a poet, translated Taoist classical literature and Japanese haiku, interwove perspectives from his Hawaiian heritage into his writing and art, and published his work locally, regionally, and internationally. Westlake was born on Maui and raised on the island of O‘ahu, where he attended Punahou School, and later the University of Oregon. He earned his B.A. in Chinese studies at the University of Hawai‘i. At the time of his tragic death in 1984, Westlake was at the height of his poetic career. Unfortunately, the only collection of his poems available at the time was a 32-page, limited edition chapbook independently published by a small press. The present volume, long overdue, includes nearly two hundred of Westlake’s poems—most unavailable to the public or never before published.
Kalahele is a collection of poetry and art by a kanaka maoli poet, artist, and musician. Kalahele's work has been published in such seminal anthologies of native Hawaiian literature as Mälama: Hawaiian Land and Water, Hoomänoa, and Öiwi: A Native Hawaiian Journal.
Beautifully illustrated with more than 700 images, The Aloha Shirt: Spirit of the Islands tells the colourful stories behind the marvellous Hawaiian shirts: as cultural icons, evocative of the mystery and the allure of the Islands; as collectibles, valued by professional collectors and by the millions of tourists who still cherish the shirts hanging in their wardrobes; and as a lifestyle - casual, relaxed and fun. Drawing from hundreds of interviews, newspaper and magazine archives, and personal memorabilia, the author evokes the world of the designers, seamstresses, manufacturers and retailers of the Golden Age of the Aloha shirt (from the 1930s to the end of the 1950s), who created the industry and nurtured it from its single-sewing-machine shop beginnings to an enterprise of international scope and importance. Here are the fun-loving 1960s; interviews with collectors who preserve these shirts as fine works of art; and insights into the roles of coconut buttons, matched pockets, woven labels and exotic fabrics in the evolution of the Aloha shirt.
Sama Alshaibi: Sand Rushes In , the first book by this rising artist, presents work from Silsila , a video and photographic installation that premiered at the 2013 Venice Biennale, as well as other series. Alshaibis lyrical multimedia work explores the landscape of conflict: the ongo - ing competition for land, resources, and power in the Middle East, and the internal battle for control between fear and fearlessness. Additional material, selected from the artists series Negatives Capable Hands, Collapse, and Thowra, is presented in the context of Silsila , meaning chain or link in Arabic. The artist uses the desert, borders, and the body as over - arching symbols of the geopolitical and environmental issues and histories, linking the Arab- speaking world. Alshaibi operates between the United States, western Asia, and North Africa. Much of her work is inspired by and shot onsite in distinct natural landscapes, from the Western Sahara of North Africa to the eastern Arabian Desert on the edges of Iraqhighlighting the jarring contrast between desert and fertile oasis. Alshaibi is often a protagonist in the work, taking on the guise of distinct yet interrelated characters. Edited by Isabella Ellaheh Hughes, a writer and curator based in Abu Dhabi and Honolulu, this book includes an interview between Hughes and Alshaibi, a foreword by Salwa Mikdadi, and an essay by Alfredo Cramerotti.
Asian Settler Colonialism is a groundbreaking collection that examines the roles of Asians as settlers in Hawai‘i. Contributors from various fields and disciplines investigate aspects of Asian settler colonialism to illustrate its diverse operations and impact on Native Hawaiians. Essays range from analyses of Japanese, Korean, and Filipino settlement to accounts of Asian settler practices in the legislature, the prison industrial complex, and the U.S. military to critiques of Asian settlers’ claims to Hawai‘i in literature and the visual arts.
"To accompany the exhibition of the new multi-media work by artist Lisa Reihana in Pursuit of Venus (infected) at Auckland Art Gallery Toi o Tamaki"--Publisher information.
What was the longest and harshest medical quarantine in modern history, and how did people survive it? In Hawaiʻi beginning in 1866, men, women, and children suspected of having leprosy were removed from their families. Most were sentenced over the next century to lifelong exile at an isolated settlement. Thousands of photographs taken of their skin provided forceful, if conflicting, evidence of disease and disability for colonial health agents. And yet among these exiled people, a competing knowledge system of kinship and collectivity emerged during their incarceration. This book shows how they pieced together their own intimate archives of care and companionship through unanticipated adaptations of photography.