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The Sound of Light is a sweeping overview of the history of gospel music. Powerful and incisive, it traces contemporary Christianity and Christian music to the 16th century and the Protestant Reformation after examining music in the Bible and early church music. From the psalms of the early Puritans through the hymns of human composure of Isaac Watts and the social activism of the Wesleys, gospel music was established in 18th century America. With the camp meeting songs of the Kentucky Revival, the spirituals that came from the slave culture, and the hymns from the great revival after the Civil War, gospel music advanced through the 19th century. The 20th century brought recording technology and electronic media to the table. Gospel music has developed with Christian revivals and the history of American gospel music is the history of Christianity in America. Gospel music reflects the American spirit of freedom and the free market as a Christian culture emerges in the 20th century, providing a spiritual as well as economic foundation. The Sound of Light presents gospel music as part of the history of contemporary Christianity. It is a work broad in scope that defines a music essential to understanding American culture as well as American music in the 20th century. Don Cusic is the author of ten books, including the biography Eddy Arnold: I'll Hold You in My Heart and an encyclopedia of cowboys, Cowboys and the Wild West: An A-Z Guide from the Chisholm Trail to the Silver Screen. He joined the faculty at Middle Tennessee State University in 1982, teaching courses in the music business. He earned a Masters and Doctorate in Literature from MTSU. Since August of 1994, Cusic has been Professor of Music Business at Belmont University.
A drunken poet obliged to choose between Art and Love. What could possibly go wrong?Rock Oyster Island. It's a slack kind of place, but that's the way the locals like it: lifestyle farmers, pensioned-off bikers, seekers and healers, meth cooks and fishing guides. It's only a ferry ride to the city but the modern world feels blessedly remote. Working hard is not greatly valued. Mild Pacific sunshine pours down unfailingly.When Arthur Bardruin, fugitive poet, washes up on Marigold Ingle's beach, he dares to imagine he may be safe from the gaze of the Continence Police. With Marigold and her parrot, Chuck, he finds an indulgent sanctuary. But the reach of aesthetic decorum is long. A chill wind is blowing through Paradise.Meanwhile, at the local health farm, Juanita D&íaz, Lacanian analyst, has problems with dissolute musician Frank Hortune, who has problems with his mother and a glad eye for Juanita's lover.Where did Chuck learn his bad-tempered Spanish? Can Juanita keep her man on the couch? Can Bardruin keep his trousers on? Will poetry be the winner on the day?John Newton's verse novel Escape Path Lighting is a throwaway epic, a romp, a curmudgeonly manifesto. The verse bowls along like a summer breeze. The satire leaves no target unscathed.
Tells how a renowned preacher left her ministry to rediscover the authentic heart of her faith. A moving reflection on keeping faith amidst the relentless demands of modern life.
“Fans of live music will get a kick out of” this Texas Country Music Hall of Famer’s “fond but brutally honest memories, playing gigs with Willie Nelson” (Publishers Weekly). When it comes to Texas honky-tonk, nobody knows the music or the scene better than Johnny Bush. Author of Willie Nelson’s classic concert anthem “Whiskey River,” and singer of hits such as “You Gave Me a Mountain” and “I’ll Be There,” Johnny Bush is a legend in country music, a singer-songwriter who has lived the cheatin’, hurtin’, hard-drinkin’ life and recorded some of the most heart-wrenching songs about it. He has one of the purest honky-tonk voices ever to come out of Texas. And Bush’s career has been just as dramatic as his songs—on the verge of achieving superstardom in the early 1970s, he was sidelined by a rare vocal disorder. But survivor that he is, Bush is once again filling dance halls across Texas and inspiring a new generation of musicians. In Whiskey River (Take My Mind), Johnny Bush tells the twin stories of his life and of Texas honky-tonk music. He recalls growing up poor and learning his chops in honky-tonks around Houston and San Antonio. Bush vividly describes life on the road in the 1960s as a band member for Ray Price and Willie Nelson. Woven throughout Bush's autobiography is the never-before-told story of Texas honky-tonk music, from Bob Wills and Floyd Tillman to Junior Brown and Pat Green. For everyone who loves genuine country music, Johnny Bush, Willie Nelson, and stories of triumph against all odds, Whiskey River (Take My Mind) is a must-read.
African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation. Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.
"A compassionate yet clear-eyed" (Washington Post) portrait of country music’s founding father and "Hillbilly King." Mark Ribowsky’s Hank has been hailed as the "greatest biography yet" (Library Journal, starred review) of the beloved icon. Hank Williams, a frail, flawed man who had become country music’s first real star, instantly morphed into its first tragic martyr when he died in the backseat of a Cadillac at the age of twenty-nine. Six decades later, Ribowsky traces the miraculous rise of this music legend?from the dirt roads of rural Alabama to the now-immortal stage of the Grand Ole Opry, and, finally, to a lonely end on New Year’s Day in 1953. Examining Williams’s chart-topping hits while also re-creating days and nights choked in booze and desperation, Hank uncovers the real man beneath the myths, reintroducing us to an American original whose legacy, like a good night at the honkytonk, promises to carry on and on.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Haunting suspense and captivating villains, the hallmark of James Lee Burke’s bestselling novels of evil and redemption, are brilliantly evoked in his new Billy Bob Holland opus, the follow-up to the popular and critically acclaimed Bitterroot. “James Lee Burke tells a story in a style all his own, in language that's alive, electric. He's a master at setting mood, laying in atmosphere, all with quirky dialogue that's a delight.” —Elmore Leonard In James Lee Burke’s last novel featuring Billy Bob Holland, Bitterroot, the former Texas Ranger left his home state to help a friend threatened by the most dangerous sociopath Billy Bob had ever faced. After vanquishing a truly iniquitous collection of violent individuals, Billy moved his family to west Montana and hung out a shingle for his law practice. But in In the Moon of Red Ponies, he discovers that jail cells have revolving doors and that the government he had sworn to serve may have become his enemy. His first client in Missoula is Johnny American Horse, a young activist for land preservation and the rights of Native Americans. Johnny is charged with the murder of two mysterious men—who seem to have recently tried to kill Johnny themselves, or at least scare him off his political causes. As Billy Bob investigates, he discovers a web of intrigue surrounding the case and its players: Johnny's girlfriend, Amber Finley, as reckless as she is defiant—and the daughter of one of Montana's US senators; Darrel McComb, a Missoula police detective who is obsessed with Amber; and Seth Masterson, an enigmatic government agent whose presence in town makes Billy Bob wonder why Washington has become so concerned with an obscure murder case on the fringes of the Bitterroot Mountains. As complications mount and the dead bodies multiply, Billy Bob is drawn closer to the truth behind Johnny American Horse’s arrest—and discovers a greater danger to himself and to his whole family. How Billy Bob strikes back at evil and protects his kin is the masterful triumph of In the Moon of Red Ponies. Beautifully written, with an intriguing plot and characters whose conflicts seem as real as life itself, this novel shows James Lee Burke again in the top form that has made him a critical favorite and a national bestseller.