Download Free Homilies On The Prophetic Burdens Of Isaiah Book in PDF and EPUB Free Download. You can read online Homilies On The Prophetic Burdens Of Isaiah and write the review.

During his twenty years as abbot of the Yorkshire monastery of Rievaulx, Aelred preached many sermons: to his own monks, in other monasteries, and at significant gatherings outside the cloister. In these thirty-one homilies on Isaiah chapters 13–16, together with an introductory Advent sermon, Aelred interprets the burdens that Isaiah prophesied against the nations according to their literal, allegorical, and moral senses. He sees these burdens as playing a role both in the history of the church and in the progress of the individual soul. This collection of homilies is an ambitious, unified work of a mature monk, synthesizing biblical exegesis, ascetical teaching, spiritual exhortation, and a theory of history.
This book places the life of Aelred of Rievaulx, third abbot of the English Cistercian abbey of Rievaulx, within the hundred-year period from the Norman Conquest of England in October 1066 through Aelred's death in January 1167. While exploring what is known of Aelred's life from his own works and especially from the principal work of Walter Daniel, author of The Life of Aelred of Rievaulx, Burton considers the influence of both English and church history on Aelred's personality and purpose as Christian, abbot, and writer. He emphasizes the place of the crucified Christ at the center of Aelred's life while calling spiritual friendship-not only personal but cosmological-the "hermeneutic key" to his teaching.
In the gospel of Saint Matthew, Jesus is “Emmanuel,” God-with-us, or, as Jesus himself puts it, he is “I-Desire,” “Coming-I-Will-Heal,” and “I-Am-with-You-Always.” The brief commentaries collected here, initially presented by Cistercian abbot Mark A. Scott in a series of chapter talks to his monastic community, will welcome the reader into an intimate encounter with the love of Jesus, as the evangelist Matthew presents him in chapters four through nine of his gospel. These reflections also weave insights from the Rule of Benedict along with reflections on monastic life offering to all ecclesial communities and individual Christians rich nourishment for their loving Jesus in return.
Brill's Companion to Aelred of Rievaulx explores the life, works, and thought of Aelred, Cistercian abbot of Rievaulx Abbey from 1147 to 1167. As well as introducing the three genres of his works —sermons, spiritual teaching, and history— scholars survey such central topics as Marian devotion, love and friendship, the sacramental nature of community, lay spirituality, and saints’ lives. The work also includes the first supplement to the Bibliotheca aelrediana secunda, listing publications by and about Aelred from between 1996 and 2015. Aelred is rapidly becoming one of the best-known and most loved of the 12th-century Cistercians; this book provides welcome new insights into his contributions to the spiritual and political concerns of his place and time. Contributors are Damien Boquet, Pierre-André Burton, Marsha L. Dutton, Elizabeth Freeman, Daniel M. La Corte, Marie Anne Mayeski, Domenico Pezzini, John R. Sommerfeldt, and Katherine Yohe.
Aelred (1110–1167) served Rievaulx Abbey, the second Cistercian monastery in England, for twenty years as abbot. During his abbacy he wrote thirteen treatises, some offering spiritual guidance and others seeking to advise King Henry II. He also wrote thirty-one sermons as a commentary on Isaiah 13–16 and 182 surviving liturgical sermons, mostly addressed to his monks. This volume contains the first half of Aelred's ninety-eight liturgical sermons from the Reading-Cluny collection, Sermons 85 through 133. For the most part, the collection follows the liturgical year, beginning in this volume with three sermons for Advent and ending with five for Pentecost and three for the Solemnity of the Holy Trinity. Sermons 134 through 182, from the Nativity of John the Baptist (June 24) through the Feast of All Saints, will appear in CF 87. These sermons appear to contain evidence of Aelred's editorial additions to the autograph of the sermons, as he added selections from patristic and medieval authors within the sermons and between them.
This volume of previously uncollected studies makes a notable contribution to Merton's extensive and influential legacy. This volume includes pieces on eleventh- and twelfth-century mo­nastics by Thomas Merton, perhaps the most significant American Catholic spiritual writer of the twentieth century. The essays are difficult to locate elsewhere, the conference transcriptions are available only here.
The Meditations, written over a period from 1125 to 1137, are a personal account of William of Saint-Thierry’s ascent into Trinitarian intimacy. Writing to the monks of Mont Dieu sometime around 1144, he proposed the Meditations as helpful in forming minds in prayer. These Meditations, with their accompanying commentary, are now presented as helpful in forming an intimate relationship with the triune God.
Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.
In addition to being a prolific spiritual writer and the abbot of the premier Cistercian monastery in northern England, Aelred of Rievaulx somehow found the time and the stamina to travel extensively throughout the Anglo-Norman realm, acting as a mediator, a problem solver, and an adviser to kings. His career spanned the troubled years of the civil war between King Stephen and the Empress Matilda and reached its zenith during the early years of the reign of Henry II. In this work, Jean Truax focuses on the public career of Aelred of Rievaulx, placing him in his historical context, deepening the reader’s understanding of his work, and casting additional light on his underappreciated role as politician, mediator, and negotiator outside his abbey’s walls.