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Their historic background, romance of stitchery, and method of making.
The art of rug hooking, which consists of pulling dyed and cut wool fabric pieces through a backing, has typically been associated with New England, the South and Canada. Yet rugs from the American Midwest have contributed just as much to the development of the craft and its continuing popularity. The story of hooked rugs in the Midwest is a ragbag blending of romance, folklore, myth and common sense told through the colors of barns and sky, golden wheat, farm ponds, red clay, red brick, steel, glass and fountains. In this vividly illustrated history, Mary Collins Barile shakes out the dust from the Midwestern hooked rug with the vigor its unique blend of utility and imagination deserves.
Here’s a fresh take on the crafts of rugmaking and knitting—the very first book of its kind. These 21 stylish rug projects are so eye-catching that it’s hard to believe that even novice knitters can create them. But they can, thanks to a thorough section on knitting basics, sumptuously illustrated with more than 60 how-to photographs; advice on embellishments, including embroidery, fringes, and tassels; and instruction on finishing touches, such as weaving ends, sewing seams, blocking, backing, and lining. Put this knowledge to work on a multicolored Big Needle Garter Stitch Rug, Knit and Purl Oval Rug, Thunderbird Wall Tapestry, and others. Every rug is beautifully photographed in a home setting, and includes patterns and ideas for modifying the design. The author lives in Longmont, CO.
"The rugs used in Craftsman interiors are, arguably, the most under-studied of all the decorative arts of the Arts and Crafts movement. These rugs were at once useful and beautiful, and they added subdued color, rugged texture, and understated pattern to the rooms they graced, playing a fundamental role in the visual harmony of the Craftsman domestic interior. Though Stickley was primarily a furniture maker and a publisher and did not manufacture rugs, he did choose them, and his choices completed the elegant simplicity of the Craftsman house. He often considered the art of rug making in The Craftsman, and he also used the magazine to advertise the affordable, well-designed rugs that he sold in his retail stores and mail-order catalogs for at least thirteen years." "Arts and Crafts Rugs for Craftsman Interiors considers both the rugs that The Craftsman recommended and designs by artists who influenced the work and philosophy of Stickley. Among the rugs discussed are works by British Arts and Crafts luminaries William Morris, Gavin Morton, C. F. A. Voysey, and Evelyn Gleeson; druggets imported from India; Navajo blankets and rugs; and rare Crex and Abnakee examples. Presenting an engaging study of an overlooked aspect of the Arts and Crafts movement, this essential publication includes more than 125 color and black-and-white illustrations, many of them featuring rugs drawn primarily from the collection of Crab Tree Farm." --Book Jacket.
This index is designed to answer "how to make it" questions.