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Mark: Secret Cowboy - Pamela Britton Mark Hansen has hated the wealthy Cody clan his entire life. And he’s secretly loved Nicki Sable just as long. But Nicki is totally beyond this cowboy’s reach. She’s not only tight with the Codys — she’s his boss’s daughter. Nicki has never been shy about going after what she wants. And she wants Mark something fierce. Except now the bad-boy rodeo rider is kicking up dust about a whopper of a secret that could tear two families apart. And Nicki isn’t ready to take sides. Even if Mark is the most trustworthy cowboy she knows. Claim his heritage or blaze his own path? Mark has never chosen the easy road. And now the wrong decision could cost him everything, including the woman he loves. The Camden Cowboy - Victoria Pade When it came to the family company, Lacey Kincaid would prove to her hidebound father that she could play with the big boys. She rode into Northbridge, Montana, to get her way with the mighty Camden conglomerate — and was shocked to find herself up against easygoing rancher Seth Camden. Suddenly, she couldn’t stay out of flirt mode — how her father would crow if he saw her falling for the opposition! More cowboy than CEO, Seth Camden was content to tend the farms in his family’s corporate empire. The pleasure was all his as he showed workaholic Lacey how to relax...until things began to feel so serious, he couldn’t tell if it was alarm bells or wedding bells he heard ringing from his near future... One Brave Cowboy - Kathleen Eagle Behind the bravado was a complex man. War hero. Walking wounded in search of answers. Cougar needed to build a new life, and he’d start with what he loved most. Horses. Which brought him to the Double D Wild Horse Sanctuary, and into the orbit of ranch volunteer Celia Banyon and her very special son. The boy had suffered an unspeakable accident, and his mother felt unspeakable guilt. But something about Cougar brought her back from the brink. He represented her chance to be whole again. Now one name didn’t seem like enough for what they could have together — healing, love, family. A future.
With This Kiss: Part One Lady Grace Ryburn, the daughter of the Duke and Duchess of Ashbrook, has fallen wildly in love with Colin Barry, a dashing young lieutenant serving his country in the Royal Navy. When he returns home to exuberant celebrations, will he even notice the quiet wallflower he grew up with … or will he fall for Grace's sparkling, gorgeous sister? Author's Note: Lady Grace is the eldest daughter of the Duke and Duchess of Ashbrook, from The Ugly Duchess, and Colin is the eldest adopted son of Sir Griffin Barry, from Seduced by a Pirate. In its entirety, With This Kiss is a 200-page double-length novella.
From a Pulitzer Prize-winning investigative reporter at The New York Times comes the troubling story of the rise of the processed food industry -- and how it used salt, sugar, and fat to addict us. Salt Sugar Fat is a journey into the highly secretive world of the processed food giants, and the story of how they have deployed these three essential ingredients, over the past five decades, to dominate the North American diet. This is an eye-opening book that demonstrates how the makers of these foods have chosen, time and again, to double down on their efforts to increase consumption and profits, gambling that consumers and regulators would never figure them out. With meticulous original reporting, access to confidential files and memos, and numerous sources from deep inside the industry, it shows how these companies have pushed ahead, despite their own misgivings (never aired publicly). Salt Sugar Fat is the story of how we got here, and it will hold the food giants accountable for the social costs that keep climbing even as some of the industry's own say, "Enough already."
This text explores the natural history of Texas and more than 2900 springs in 183 Texas counties. It also includes an in-depth discussion of the general characteristics of springs - their physical and prehistoric settings, their historical significance, and their associated flora and fauna.
An absorbing account of the record industry's worst nightmare. In the summer of 1969, Great White Wonder, a collection of unreleased Bob Dylan recordings appeared in Los Angeles. It was the first rock bootleg and it spawned an entire industry dedicated to making unofficial recordings available to true fans. Bootleg! tells the whole fascinating saga, from its underground infancy through the CD 'protection gap' era, when its legal status threatened the major labels' monopoly, to the explosion of trading via Napster and Gnutella on MP-3 files. Clinton Heylin provides a highly readable account of the busts, the defeats and victories in court; the personalities – many interviewed for the first time for this book. This classic history has now been updated and revised to include today's digital era and the emergence of a whole new bootleg culture.
The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.
Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.
Jews and humor is, for most people, a natural and felicitous collocation. In spite of, or perhaps because of, a history of crises and living on the edge, Jews have often created or resorted to humor. But what is humor? And what makes certain types, instances, or performances of humor "Jewish"? These are among the myriad queries addressed by the fourteen authors whose essays are collected in this volume. And, thankfully, their observations, always apt and often witty, are expressed with a lightness of style and a depth of analysis that are appropriate to the many topics they cover. The scholars who contributed to this collection allow readers both to discern the common features that make up "Jewish humor" and to delight in the individualism and eccentricities of the many figures whose lives and accomplishments are narrated here. Because these essays are written in a clear, jargon-free style, they will appeal to everyone—even those who don't usually crack a smile!
Beautiful full color litho cover, stagecoach under attack from Indians, cameo portrait of W.F. Cody.
'I wasn't raped until I was almost ten which is pretty good it seems when I ask around because many have been touched but are afraid to say.' In this stark, powerful and uncompromising novel Andrea Dworkin recreates the experiences of her narrator, a young woman repeatedly raped from childhood to womanhood. The result is MERCY, a monumental work of fiction which asks the questions: In a culture which still believes that rape is every woman's fantasy, how is it possible to tell our story? How do we make ourselves heard? How are we to be believed? And finally, when woman and children are being raped, tortured and abused every minute of every day, where is God? Are we His pornography? In this inspired and brilliantly sustained novel, Dworkin's narrator takes us on her terrifying journey through the man's world in which we all live. She becomes a forceful and potent symbol of the struggle of all women for dignity, self determination and, above all, freedom.