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A portrait of the land and people of wilderness Alaska presented through the experiences of an orphan whose year of decisions, responsibilities, and growth help him to accept the future.
The sixtieth parallel marks a borderland between the northern and southern worlds. Wrapping itself around the lower reaches of Finland, Sweden, and Norway, it crosses the tip of Greenland and the southern coast of Alaska, and slices the great expanses of Russia and Canada in half. The parallel also passes through Shetland, where Malachy Tallack has spent most of his life.In Sixty Degrees North, Tallack travels westward, exploring the landscapes of the parallel and the ways that people have interacted with those landscapes, highlighting themes of wildness and community, isolation and engagement, exile and memory.An intimate journey of the heart and mind, Sixty Degrees North begins with the author's loss of his father and his own troubled relationship with Shetland, and concludes with an embrace of the place he calls home.
This is a celebration of North Carolina--the people, scenery, food, history, and much more. Color and black-and-white photographs.
There is a sliver of sand that extends itself into the sea beyond the usual coastline of North Carolina. Rich in pirate lore, ghost stories, nor'easters, and unpredictable weather, the Outer Banks continues to leave an indelible impression on those who are receptive. A reflection of three generations in the changing landscape of the North Carolina Outer Banks, Coming Home takes readers back to the more innocent era of the 1920s and 1930s, followed by accounts of the legendary Casino, the shifting sand of Jockey's Ridge, and other memories too good to lose from the 1950s and '60s. This reflection comes full circle with stories from vacationers who 'wrote' parts of this ode to the Outer Banks through their own real-life experiences. Author Sally Nixon Haines invites readers to see this place as locals do, offering insider information, travel tips, and amusing anecdotes—all sprinkled with a hearty dose of humor and nostalgia. Whether you're a native to the area, a frequent visitor, or a tourist in the making, you'll enjoy Coming Home: The North Carolina Outer Banks, which urges you to discover the beauty that remains...and don't forget to pack the memories when you leave.
Introducing readers to women whose Civil War experiences have long been ignored, Judith Giesberg examines the lives of working-class women in the North, for whom the home front was a battlefield of its own. Black and white working-class women managed farms that had been left without a male head of household, worked in munitions factories, made uniforms, and located and cared for injured or dead soldiers. As they became more active in their new roles, they became visible as political actors, writing letters, signing petitions, moving (or refusing to move) from their homes, and confronting civilian and military officials. At the heart of the book are stories of women who fought the draft in New York and Pennsylvania, protested segregated streetcars in San Francisco and Philadelphia, and demanded a living wage in the needle trades and safer conditions at the Federal arsenals where they labored. Giesberg challenges readers to think about women and children who were caught up in the military conflict but nonetheless refused to become its collateral damage. She offers a dramatic reinterpretation of how America's Civil War reshaped the lived experience of race and gender and brought swift and lasting changes to working-class family life.
Between 1968 and 1980, fears about family deterioration and national decline were ubiquitous in American political culture. In No Direction Home, Natasha Zaretsky shows that these perceptions of decline profoundly shaped one another. Throughout the 1970s, anxieties about the future of the nuclear family collided with anxieties about the direction of the United States in the wake of military defeat in Vietnam and in the midst of economic recession, Zaretsky explains. By exploring such themes as the controversy surrounding prisoners of war in Southeast Asia, the OPEC oil embargo of 1973-74, and debates about cultural narcissism, Zaretsky reveals that the 1970s marked a significant turning point in the history of American nationalism. After Vietnam, a wounded national identity--rooted in a collective sense of injury and fueled by images of family peril--exploded to the surface and helped set the stage for the Reagan Revolution. With an innovative analysis that integrates cultural, intellectual, and political history, No Direction Home explores the fears that not only shaped an earlier era but also have reverberated into our own time.
Due to changing climates and demographics, questions of policy in the circumpolar north have focused attention on the very structures that people call home. Dwellings lie at the heart of many forms of negotiation. Based on years of in-depth research, this book presents and analyzes how the people of the circumpolar regions conceive, build, memorialize, and live in their dwellings. This book seeks to set a new standard for interdisciplinary work within the humanities and social sciences and includes anthropological work on vernacular architecture, environmental anthropology, household archaeology and demographics.
Leaving behind a sparkling social life and a successful journalism career, Eleni Gage moved from New York City to the remote Greek village of Lia. Lia is the same village where her father was born and her grandmother murdered, and which her father, Nicholas Gage, made famous twenty years ago with his international bestseller Eleni. Her four aunts (the diminutive but formidable thitsas) warned Eleni that she'd get killed by Albanians and eaten by wolves if she moved to Lia, invoking the curse her grandmother placed on any of her descendants who returned to Greece. But Eleni was determined to rebuild the ruins of her grandparents' house and to come to terms with her family's tragic history. Along the way, she learned to dodge bad omens and to battle the scorpions on her pillow and the shadows in her heart. She also came to understand that Greece and its memories were not only dark and death-filled, and that memories of the dead can bring new life to the present. Part travel memoir and part family saga, North of Ithaka is, above all, a journey home.
Since the 2016 presidential election, Americans have witnessed countless stories about Appalachia: its changing political leanings, its opioid crisis, its increasing joblessness, and its declining population. These stories, however, largely ignore black Appalachian lives. Karida L. Brown's Gone Home offers a much-needed corrective to the current whitewashing of Appalachia. In telling the stories of African Americans living and working in Appalachian coal towns, Brown offers a sweeping look at race, identity, changes in politics and policy, and black migration in the region and beyond. Drawn from over 150 original oral history interviews with former and current residents of Harlan County, Kentucky, Brown shows that as the nation experienced enormous transformation from the pre- to the post-civil rights era, so too did black Americans. In reconstructing the life histories of black coal miners, Brown shows the mutable and shifting nature of collective identity, the struggles of labor and representation, and that Appalachia is far more diverse than you think.
Glory Boughton has returned to Gilead to care for her dying father. soon her brother, Jack—the prodigal son of the family, gone for twenty years—comes home too, looking for refuge and trying to make peace with a past littered with torment and pain. A troubled boy from childhood, an alcoholic who cannot hold a job, Jack is one of the great characters in recent literature. He is perpetually at odds with his surroundings and with his traditionalist father, though he remains Reverend Boughton’s most beloved child. Brilliant, beguiling, lovable and wayward, Jack forges an intense new bond with Glory and engages painfully with John Ames, his godfather and namesake. Home is a moving and healing book about families, family secrets and the passing of the generations, about love and death and faith. It is arguably Marilynne Robinson’s greatest work, an unforgettable embodiment of the deepest and most universal emotions.