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Full-color photographs depict all sides of Australia: its urban and rural landscapes, its wildlife, its sealife, its sixty-thousand-year-old Aboriginal culture, and the rest of its society.
Longlisted for the 2019 International DUBLIN Literary AwardLonglisted for the 2019 Walter Scott Historical Fiction PrizeIrene Bobs loves fast driving. Her husband is the best car salesman in rural south eastern Australia. Together with Willie, their lanky navigator, they embark upon the Redex Trial, a brutal race around the continent, over roads no car will ever quite survive.A Long Way from Home is Peter Carey's late style masterpiece; a thrilling high speed story that starts in one way, then takes you to another place altogether. Set in the 1950s in the embers of the British Empire, painting a picture of Queen and subject, black, white and those in-between, this brilliantly vivid novel illustrates how the possession of an ancient culture spirals through history - and the love made and hurt caused along the way.
After hopping on his bike and taking a nine-month, 10,000-mile ride through the Outback, a bold New Englander shares with readers the stories of the colorful characters and idiosyncratic frontier towns he ran into along the way. of color photos.
Made in Australia and Aotearoa/New Zealand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century popular music of Australia and Aotearoa/New Zealand. The volume consists of chapters by leading scholars of Australian and Aotearoan/New Zealand music, and covers the major figures, styles, and social contexts of pop music in Australia and Aotearoa/New Zealand. Each chapter provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Australian or Aotearoan/New Zealand popular music. The book first presents a general description of the history and background of popular music in these countries, followed by chapters that are organized into thematic sections: Place-Making and Music-Making; Rethinking the Musical Event; Musical Transformations: Decline and Renewal; and Global Sounds, Local Identity.
Popular account of authors encounters with Aboriginal people and culture in the Kimberley and Great Sandy Desert; definition of Dreamtime, contemporary political background; based on conversations with Daisy Utemorrah, Ted Carlton, Jim Ward, Danny Wallace, George Wallaby, Reg Birch, Betty Johnston, Jack Rogers, Billy Oscar, Banjo Woorunmarra and David Mowaljarlai; visits to Wandjina art site, Waringarri, Mowanjum, Emu Creek, Kununurra, Balgo, Halls Creek and Yiyilu; relationship to land, parallels with native Americans; land rights; alcohol abuse; station life; mythology (eagle hawk, Billaluna region, Wandjina); mining industry; ATSIC; Christianity; law and punishment; healing; smoking ceremony; music; Pigeon (Jandamarra); Mowaljarlais Body of Australia vision.
One day Wild and Woolly dug such a big hole in their sandpit, that when they fell into it, they came out at the North Pole. Immediately they set out on the journey home... visiting the houses of the most interesting characters along the way.
Poetry. Moving from the Enlightenment science of natural history to the contemporary science of global warming, LIGHT LIGHT is a provocative engagement with the technologies and languages that shape discourses of knowing. It bridges the histories of botany, empire, and mind to take up the claim of "objectivity" as the dissolution of a discrete self and thus explores the mind's movement toward and with the world. The poems in LIGHT LIGHT range from the epigrammatic to the experimental, from the narrative to the lyric, consistently exploring the way language captures the undulation of a mind's working, how that rhythm becomes the embodiment of thought, and how that embodiment forms a politics engaged with the environment and its increasing alterations."LIGHT LIGHT puts the hive back in the archive, the source in the resource. Through Joosten's miraculous mode of attending, through this mind that 'grounds sound to seed, ' we are elemented--'The mind is a mood of electricity, warmth, water, and wind.' We are given a mode of attending that is precarious, is an enactment of the precariousness we are and, with consequence, institute. Each thing this attention falls upon 'is a source of thought, not its object.' So everything is light once we learn to see by it. To honor the field we should 'leave the field, ' but this book we should never leave."--Jane Gregory"A concordance that emerges as material, thought, and material thought, Julie Joosten's LIGHT LIGHT is a most beautiful and rare breed: as if H.D.'s Sea Garden mated with Erasmus Darwins The Loves of the Plants. 'I was to guard the valley, name it, speak to it by name, ' Joosten writes. Hers is a haunting lament. It is what love is. What could be more necessary at this time on this planet?"--Cara Benson
These books are published in partnership with Shakti for Children which is dedicated to teaching children to value diversity and to grow into productive, caring citizens of the world. Shakti for Children is a program of The Global Fund for Children. Meet children all over the world and learn about their home countries in this unique alphabet book. Copyright © Libri GmbH. All rights reserved.
"Sven Lindqvist travels 7,000 miles through Australia in search of places where belief in the rights of the white man and the annihilation of the "lower races" were put into practice. While Australia continues to reckon with its violent past - echoed in the United States' treatment of Native Americans and Europe's colonization of other continents - Lindqvist evokes a history in which young boys were kidnapped to dive for pearls, then whipped and abandoned when the bends ruined them for work; "half-caste" children were taken from their mothers; and natives were misdiagnosed with STDs, put in neck irons, and sent to internment camps on remote islands. Lindqvist also recalls the work of ethnologists who brought their own prejudices to bear in studying Aborigines as primitives close to the origins of civilization, later inspiring Freud and Durkheim. At the same time he describes a beautiful and strange land, sacred to the native people who had inhabited it for centuries and celebrated it in a long tradition on richly symbolic art." "Terra Nullius is the disturbing story of how "no man's land" became the province of the white man."--BOOK JACKET.