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Four alternate selves from radically different realities come together in this “dazzling” and “trailblazing work” (The Washington Post). Widely acknowledged as Joanna Russ’s masterpiece, The Female Man is the suspenseful, surprising, darkly witty, and boldly subversive chronicle of what happens when Jeannine, Janet, Joanna, and Jael—all living in parallel worlds—meet. Librarian Jeannine is waiting for marriage in a past where the Depression never ended, Janet lives on a utopian Earth with an all-female population, Joanna is a feminist in the 1970s, and Jael is a warrior with claws and teeth on an Earth where male and female societies are at war with each other. When the four women begin traveling to one another’s worlds, their preconceptions on gender and identity are forever challenged. With “palpable anger . . . leavened by wit and humor” (The New York Times), Russ both employs and upends genre conventions to deliver a wickedly satiric and exhilarating version of when worlds collide and women get woke. This ebook includes the Nebula Award–winning bonus short story “When It Changed,” set in the world of The Female Man.
The Encyclopedia of Twentieth-Century Latin American and Caribbean Literature, 1900-2003 draws together entries on all aspects of literature including authors, critics, major works, magazines, genres, schools and movements in these regions from the beginning of the twentieth century to the present day. With more than 200 entries written by a team of international contributors, this Encyclopedia successfully covers the popular to the esoteric.The Encyclopedia is an invaluable reference resource for those studying Latin American and/or Caribbean literature as well.
For many years A NEW REFERENCE GRAMMAR OF MODERN SPANISH has been trusted by students and teachers as the standard English-language reference grammar of Spanish. Now updated to include the latest findings of the Royal Spanish Academy's official grammar book, 'La Nueva gramática de la lengua española', making A NEW REFERENCE GRAMMAR OF MODERN SPANISH FIFTH EDITION even more relevant to students and teachers of Spanish. Key features of this fifth edition include: a 'Guide to the Book', enabling you to make the most of this new edition new vocabulary such as topical and technological terms, bringing you up-to-date with contemporary spoken Spanish more Latin-American Spanish, ensuring world-wide coverage aclearer guidance to recommended usage -advice on the Academy's latest spelling rules. Whether a student or a teacher of Spanish, you can be sure that this fifth edition of A NEW REFERENCE GRAMMAR OF MODERN SPANISH will provide you with a comprehensive, cohesive and clear guide to the forms and structures of Spanish as it is written and spoken today in Spain and Latin America.
A New Reference Grammar of Modern Spanish is widely recognised as the standard English-language reference grammar of Spanish. It provides teachers and students of Spanish with a comprehensive, accessible and jargon-free guide to the forms and structures of the Spanish currently used in Spain and Latin America. This new edition has been carefully revised and updated, and its explanations have been checked against the findings of the Royal Spanish Academy's Gramática descriptiva de la lengua española and other new works in the field. Many new Peninsular and Latin American examples have been included, the English text has been thoroughly revised and in many places expanded or clarified. A glossary of grammatical terms has also been included. As a result this new version of 'B & B' should now be invaluable to an even wider readership ranging from intermediate to advanced students of Spanish. A Workbook is available for use with A New Reference Grammar of Modern Spanish, 4th edition; Practising Spanish Grammar by Christopher J Pountain and Teresa de Carlos. ISBN 0340 66223 9
Almudena Grandes is one of Spain ́s foremost women ́s writers, having sold over 1.1 million copies of her episodios de una guerra interminable, her six-volume series that ranges from the Spanish Civil War to the democratic period; the myriad prizes awarded to her, 18 in total, confirm her pre-eminence. This book situates Grandes ́s novels within gendered, philosophical, and mnemonic theoretical concepts that illuminate hidden dimensions of her much-studied work. Lorraine Ryan considers and expands on existing critical work on Grandes ́s oeuvre, proposing new avenues of interpretation and understanding. She seeks to debunk the arguments of those who portray Grandes as the proponent of a sectarian, eminently biased Republican memory by analysing the wide variety of gender and perpetrator memories that proliferate in her work. The intersection of perpetrator memory with masculinity, ecocriticism, medical ethics and the child’s perspectives confirms Grandes’ nuanced engagement with Spanish memory culture. Departing from a philosophical basis, Ryan reconfigures the Republican victim in the novels as a vulnerable subject who attempts to flourish, thus refuting the current critical opinion of the victim as overly-empowered. The new perspectives produced in this monograph do not aim to suggest that Grandes is an advocate of perpetrator memory; rather, it suggests that Grandes is committed to a more pluralistic idea of memory culture, whereby her novels generate understanding of multiple victim, perpetrator and gender memories, an analysis that produces new and meaningful engagements with these novels. Thus, Ryan contends that Grandes ́s historical novels are infinitely more complex and nuanced than heretofore conceived.
Frank Bascombe has a younger girlfriend and a job as a sportswriter. To many men of his age, thirty-eight, this would be a cause for optimism, yet Frank feels the pull of his inner despair and especially of his recent losses - his preferred career has ended, his wife has divorced him, and a tragic accident took his elder son. In the course of this Easter weekend, Frank will lose all the remnants of his familiar life, though he will emerge heroic with spirits soaring. This is a magnificent novel that propelled Richard Ford into the first rank of American writers.
The ceiling paintings in the Hall of Justice of the Alhambra have not received serious scholarly attention for the past thirty years, perhaps due to their difficult incorporation into a discrete program of Christian vs. Islamic art, categories that until recently remained unchallenged themselves. The Alhambra itself continues to elicit the interest of many scholars, and several recent interpretations of the function of the Palace of the Lions, which houses the paintings, have been put forth. This collection brings together art historians, literary critics and historians who suggest new ways of approaching the paintings through their immediate social, historical, architectural and literary contexts, proposing a porous and flexible model for the production of culture in Iberia. Contributors are Jerrylin Dodds, Ana Echevarria, Jennifer Borland, Rosa María Rodríguez Porto, Oscar Martin, Amanda Luyster, Cynthia Robinson and Simone Pinet.
Featuring canonical Spanish American and Brazilian texts of the 1920s and 30s, Corporeality in Early Twentieth-Century Latin American Literature is an innovative analysis of the body as site of inscription for avant-garde objectives such as originality, subjectivity, and subversion.
This volume reconsiders the work and cultural import of Adolfo Bioy Casares (1914-1999), who is best known for his collaborations with Jorge Luis Borges.
This classic collection includes the title story, acclaimed as Asimov's single finest Robot tale, and now made into a Hollywood movie starring Robin Williams. Each of the eleven stories here sparkle with characteristic Asimov inventiveness and imagination.