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The Salvador Dali Museum in St. Petersburg, Florida, houses the most comprehensive collection in the world of the art of Salvador Dali (1904-1989), the renowned Surrealist painter. From the Museum's extensive holdings, forty masterpieces have been selected for this volume by the art historian Kenneth Wach. All forty are reproduced in color, as full-page plates. For each, Mr. Wach has written an illuminating commentary, discussing both the works' style, in art-historical terms, and their often complex psychological content. In addition, the book's general introduction provides a broad overview of Dali's flamboyant career as an artist. It traces the course of Dali's development from his first childhood efforts in Catalonia to his participation in the Surrealist movement in Paris in the 1920s and 1930s, to his sojourn in the United States during World War II and his late works executed in Spain. Among the famous images included here are luminous still lifes from Dali's youth, which show his debts to the Old Masters. There are also a number of his remarkable Surrealist beach scenes, with their mysterious vistas and obsessive sexuality. Several troubled depictions of the distorted human body, dating from the difficult period of the Spanish Civil War and World War II, culminate in the expectant Geopoliticus Child Watching the Birth of the New Man. The volume features as well some prime examples of Dali's later "nuclear mysticism," where traditional religious iconography is joined with motifs taken from modern physics. Notable among the later works is The Disintegration of the Persistence of Memory, a radical reinterpretation of his celebrated earlier painting with limp watches, now reconceived in terms of Albert Einstein's theories of space and time. In scale, the works reproduced as colorplates range from Dali's epic, mural-size canvas The Discovery of America by Christopher Columbus to a small, subtly rendered for his Christ of St. John of the Cross. Also illustrated, in black and white, is a representative selection of Dali's drawings, demonstrating his consistently fine draftsmanship through all the phases of his career. A brief preface on the history of the Salvador Dali Museum, a detailed chronology of the artist's life, a bibliography, and an index complete the volume.
This fascinating look at Dali éxplores the forces that shaped the life and works of one of the modern art world's most misunderstood figures.
Praise for False Memories: "It was rich. Like eating a large slice of cheese cake with blueberry topping. I finished reading it today-did what it was suppose to do-kept my interest, created a deeper mystery surrounding the artist, brought up controversy, cleared a few questions, and much, much more. This will be a book, not just for collectors, but for anyone wanting to know a little about the psyche of a painter. Brilliant!" -Lynn Vermillion False memories is a psychologist's term for memories cleverly and conveniently created by the subconscious mind. Since the theory of reincarnation is not widely accepted, we tend to explain away memories of previous lives as false memories. Contemporary American painter Anton Brzezinski would be the first to agree that his own memories of previous lives are productions of his prodigious imagination-but Brzezinski's memories of his own experiences need no exaggeration to make them fascinating. In False Memories: Adventures of the Living Dali, with the exception of the pseudo-author Gabrielle Mallarm, people who appear as characters in this book are not fictitious. This is a work of fiction, but even the wildest incidents described here really occurred!
Painter, designer, creator of bizarre objects, author and film maker, Dalí became the most famous of the Surrealists. Buñuel, Lorca, Picasso and Breton all had a great influence on his career. Dalí's film, An Andalusian Dog, produced with Buñuel, marked his official entry into the tightly-knit group of Parisian Surrealists, where he met Gala, the woman who became his lifelong companion and his source of inspiration. But his relationship soon deteriorated until his final rift with André Breton in 1939. Nevertheless Dalí's art remained surrealist in its philosophy and expression and a prime example of his freshness, humour and exploration of the subconscious mind. Throughout his life, Dalí was a genius at self-promotion, creating and maintaining his reputation as a mythical figure.
By taking Dali's "paranoiac-critical method" to the delirious extents Dali himself recommended, LaFountain demonstrates that Dali's Surrealism anticipates tactics practiced by postmodern and poststructural critics. In particular, LaFountain advances the notion that "phantom meaning" displaced Surrealism's "phantom object," thereby creating a crisis of the subject and the object far in excess of that sought by Surrealist revolutionaries. Focusing on Dali's magnificent painting, Endless Enigma, LaFountain inaugurates "New Dali Studies" by offering an original interpretation of Dali's close, yet strained, relationship with André Breton and the Surrealist canon.
In Cultures of Forgery, leading literary studies and cultural studies scholars examine the double meaning of the word "forge"-to create or to form, on the one hand, and to make falsely, on the other.
Catalogue of exhibition held 13 June - 4 October 2009, National Gallery of Victoria, Melbourne. The first comprehensive retrospective of the work of Salvador Dali to ever be staged in Australia, Salvador Dali: Liquid Desire is exclusive to the National Gallery of Victoria (NGV) and is the sixth exhibition in the Melbourne Winter Masterpieces series. Salvador Dali: Liquid Desire will bring together more than 200 stunning works by Salvador Dali in all media including painting, drawing, watercolour, etchings, sculpture, fashion, jewellery, cinema and photography. This 328-page full colour catalogue features full exhibition checklist, with contributions from curators of the two largest collections of Salvador Dali in the world, the Fundacio Gala - Salvador Dali in Figueres, Spain, the Salvador Dali Museum in St Petersburg, Florida as well as the National Gallery of Victoria and Independant scholars.
This immersive dive into the life and work of Salvador Dali unlocks the secret of this creative genius and reveals for the first time how his erotically charged paintings changed the world of modern art. In turns beloved and reviled, twentieth-century painter, filmmaker, and designer Salvador Dali set Europe and the United States ablaze with his uncompromising genius, sexual sadism, and flirtations with megalomania. His shocking behavior and work frequently alienated critics; his views were so outrageous, even prominent Surrealists tried to ostracize him. Still, every morning he experienced “an exquisite joy—the joy of being Salvador Dalí,” and because of his remarkable talent, Dali rose to unprecedented levels of fame—forever shifting the landscape of the art world and the nature of celebrity itself. In this stunning volume, rich with more than 150 full-color images, noted art historians Jean-Pierre Isbouts and Christopher Heath Brown discuss the historical, social, and political conditions that shaped Dali's work, identify the impact of modern as well as old master art, and present an unflinching view of the master's personal relationships and motivations. With their deeply compelling narrative, Isbouts and Brown uncover how Dalí's visual wit and enduring cult of personality still impacts fashion, literature, and art, from Andy Warhol to Lady Gaga, and answer why, in an age of shock and awe, Dali's art still manages to distress, perplex, and entertain. An unparalleled guide to Dali and a critical resource for anyone keen to understand the development of modern art, The Dali Legacy is complemented by a contextualizing foreword from Frank Hunter, director of the Salvador Dali Archives.
An extraordinary memoir of fortune, fraud, and the master of modern art Art dealer Stan Lauryssens made millions in modern art, but he sold only one name: Salvador Dalí. The surrealist painter's work was a hot commodity for the newly rich, investors, and shady businessmen looking to launder their black-market cash. Stan didn't mind looking the other way; he just hoped the buyers would look the other way as well. The artworks he sold came from some very questionable sources, but he soon discovered that the shadiest source of all was Dalí himself. The more successful Stan became, the closer he came to Dalí, until he found himself living next door to the aging artist, in the Catalonian hills. While hiding from Interpol's detectives, Stan spent his time with the artists, musicians, business associates, and eccentrics who surrounded Dalí. He learned about Dalí's secret history, the studio of artists who produced his work, and the moneymaking machine that kept Dalí's extravagant lifestyle afloat long after his creativity began to flounder. Dalí & I offers a behind-the-scenes view of the commerce and conspiracy that go hand in hand in the international art world, written by a man who has been to the top only to discover that it's not so different from the bottom.