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The world has gone mad. One man is at the center of it all, determined to hold back a toxic tide of hatred. One man with a bunch of trick bowling balls is all that stands between us and the end of civilization as we know it.
Julie Lyons was working as a crime reporter when she followed a hunch into the South Dallas ghetto. She wasn’t hunting drug dealers, but drug addicts who had been supernaturally healed of their addictions. Was there a church in the most violent part of the city that prayed for addicts and got results? At The Body of Christ Assembly, a rundown church on an out-of-the-way street, Lyons found the story she was looking for. The minister welcomed criminals, prostitutes, and street people–anyone who needed God. He prayed for the sick, the addicted, and the demon-possessed, and people were supernaturally healed. Lyons’s story landed on the front page of the Dallas Times Herald. But she got much more than just a great story, she found an unlikely spiritual home. Though the parishioners at The Body of Christ Assembly are black and Pentecostal, and Lyons is white and from a traditional church background, she embraced their spirituality–that of “the Holy Ghost and fire.” It’s all here in Holy Roller–the stories of people desperate for God’s help. And the actions of a God who doesn’t forget the people who need His power.
Distributed by the University of Nebraska Press for Caxton Press When Edmund Creffield and his "Holy Roller" religious cult made headlines in 1903, it was page one news - not just in the Pacific Northwest, but around the nation. Yet few people in the region today have heard Creffield's name or his story. In fact, the descendants of the people who were involved still refuse to discuss those events of a century ago.
There's a festering rot in Levi Cohen's hometown. We can't wait for somebody else to save us, can't wait for somebody else to stand up and set things right. It's our time to turn and face the rotÑit's time for the Holy Roller to lead the charge.
Up is down, foes are friends, haywire holograms signal plummeting property values while the demise and rise of heroes and sidekicks all manifest the end times, but don't worry…there's still plenty of pudding for everyone.
MINISERIES PREMIERE Two best-friend outcasts navigate the Sacramento suburbs of 1984, where they find a home in skateboard culture and punk rock. On one side of the coin, GROMMETS is an authentic look at Õ80s skater culture, a snapshot of the generation that turned skating into a worldwide phenomenon. On the other, itÕs a heartfelt coming-of-age story that follows two friends from troubled homes as they navigate their damage in an era when no one cared.
Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, this book tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard--and changed the world. Describing the genesis of rock and roll, the author covers everything from its deep roots in the Mississippi Delta, key early figures, like deejay "Daddy-O" Dewey Phillips and gospel star Sister Rosetta Tharpe, and the influence of so-called "holy rollers" of the Pentecostal church who became crucial performers--Elvis Presley, Jerry Lee Lewis and Little Richard.
Levi Cohen’s return home is short-lived as he retreats to the rock he climbed from underneath. But sometimes the rock has different ideas. And I’m not talking about the movie star. What am I talking about? You’ll have to buy this comic to find out!
At least since the time of Paul (see Acts 18), Christians have wrestled with the power and danger of religious imagery in the visual arts. It was not until the middle of the twentieth century that there emerged in Western Christianity an integrated, academic study of theology and the arts. Here, one of the pioneers of that movement, H. Wilson Yates, along with fourteen theologians, examine how visual culture reflects or addresses pressing contemporary religious questions. The aim throughout is to engage the reader in theological reflection, mediated and enhanced by the arts. This beautifully illustrated book includes more than fifty images in full color.