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The Vulgate Bible was used from the early Middle Ages through the 12th century in the Western European Christian (and, later, Catholic) tradition. This volume elegantly and affordably presents the text of the Pentateuch, the first five books of the Bible. It is the first volume of the projected six-volume set of the complete Vulgate Bible.
This second volume of a projected six-volume set of the complete Vulgate Bible presents the Historical Books of the Bible, which tell of Joshua’s leading the Israelites into the Promised Land, the leadership of judges and kings, Israel’s steady departure from many of God’s precepts, the Babylonian Captivity, and the return of Israel from exile.
This book sheds light on the shaping of the English Bible and its impact on early modern English society and culture.
Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators. Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy. This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.
Just as there was no man on earth like Job, there is no book on earth like the book of Job. In this new commentary, biblical scholar Michael Brown brings Job to life for the twenty-first-century reader, exploring the raw spirituality of Job, his extraordinary faith, his friends’ theological errors, the mysteries of God’s speeches, and the unique answers to the problem of suffering offered in the book of Job. Undergirded by solid Hebrew scholarship but written with clarity for all serious students of Scripture, the commentary provides an important introduction to the study of Job, a new translation, a series of theological reflections, and additional exegetical essays providing in-depth discussion of key passages. Additional topics covered in the theological reflections include the following: Challenging God as an Act of Faith How Would Job Comfort a Sufferer? Who Was the Satan? Job and Jesus Job and the New Atheists