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It is New Year’s Eve 1945 in a small Soviet town not long liberated from German occupation. Sashenka, a headstrong and self-centered teenage girl, resents her mother for taking a lover after her father’s death in the war, and denounces her to the authorities for the petty theft that keeps them from going hungry. When she meets a Jewish lieutenant who has returned to bury his family, betrayed and murdered by their neighbors during the occupation, both must come to terms with the trauma that surrounds them as their relationship deepens. Redemption is a stark and powerful portrait of humanity caught up in Stalin’s police state in the aftermath of the war and the Holocaust. In this short novel, written in 1967 but unpublished for many years, Friedrich Gorenstein effortlessly combines the concrete details of daily life in this devastated society with witness testimonies to the mass murder of Jews. He gives a realistic account of postwar Soviet suffering through nuanced psychological portraits of people confronted with harsh choices and a coming-of-age story underscored by the deep involvement of sexuality and violence. Interspersed are flights of philosophical consideration of the relationship between Christians and Jews, love and suffering, justice and forgiveness. A major addition to the canon of literature bearing witness to the Holocaust in the Soviet Union, Redemption is an important reckoning with anti-Semitism and Stalinist repression from a significant Soviet Jewish voice.
As an increasingly polarized America fights over the legacy of racism, Susan Neiman, author of the contemporary philosophical classic Evil in Modern Thought, asks what we can learn from the Germans about confronting the evils of the past In the wake of white nationalist attacks, the ongoing debate over reparations, and the controversy surrounding Confederate monuments and the contested memories they evoke, Susan Neiman’s Learning from the Germans delivers an urgently needed perspective on how a country can come to terms with its historical wrongdoings. Neiman is a white woman who came of age in the civil rights–era South and a Jewish woman who has spent much of her adult life in Berlin. Working from this unique perspective, she combines philosophical reflection, personal stories, and interviews with both Americans and Germans who are grappling with the evils of their own national histories. Through discussions with Germans, including Jan Philipp Reemtsma, who created the breakthrough Crimes of the Wehrmacht exhibit, and Friedrich Schorlemmer, the East German dissident preacher, Neiman tells the story of the long and difficult path Germans faced in their effort to atone for the crimes of the Holocaust. In the United States, she interviews James Meredith about his battle for equality in Mississippi and Bryan Stevenson about his monument to the victims of lynching, as well as lesser-known social justice activists in the South, to provide a compelling picture of the work contemporary Americans are doing to confront our violent history. In clear and gripping prose, Neiman urges us to consider the nuanced forms that evil can assume, so that we can recognize and avoid them in the future.
Lola Leser was a privileged sixteen-year-old in 1939 when Germany invaded Poland. The horrors of the Holocaust overtook her almost immediately when she moved to Krakow, Poland. Today in her eighties, Lola still paints, is a successful artist, and she is the mother of three, grandmother of twelve, and the great-grandmother of thirty-six and still counting. This truly is her triumph and her final victory over Hitler and the Reich.
Newly revised with a Foreword by Rabbi Nathan Lopes Cardozo He sold his soul to survive Auschwitz. Now he's taking it back! An embittered holocaust survivor cannot speak of what he was forced to do to survive. A young girl in Texas is haunted by a memory of something she could not have lived. Together, they must unlock the gates of memory to find the hope that lies beyond despair.
Witness through the Imagination presents a critical reading of themes and stylistic strategies of major American Holocaust fiction to determine its capacity to render the prelude, progress, and aftermath of the Holocaust. Criticism of Holocaust literature is an emerging field of inquiry, and as might be expected, the most innovative work has been concentrated on the vanguard of European and Israeli Holocaust literature. Now that American fiction has amassed an impressive and provocative Holocaust canon, the time is propitious for its evaluation. Witness Through the Imagination presents a critical reading of themes and stylistic strategies of major American Holocaust fiction to determine its capacity to render the prelude, progress, and aftermath of the Holocaust. The unifying critical approach is the textual explication of themes and literary method, occasional comparative references to international Holocaust literature, and a discussion of extra-literary Holocaust sources that have influenced the creative writers' treatment of the Holocaust universe.
"Langer, by the force of scholarship and literary precision rather than dogmatic affirmation and pathos, is one of the few writers, with the exception of significant poets and novelists, who unsettles both our customary language and conceptual instruments. His book is a moral as well as an intellectual act of a very high order." —Geoffrey Hartman, author of The Longest Shadow In this new volume, Langer—one of the most distinguished scholars writing on Holocaust literature and representation—assesses various literary efforts to establish a place in modern consciousness for the ordeal of those victimized by Nazi Germany's crimes against humanity. Essays discuss the film Life Is Beautiful, the uncritical acclaim of Fragments, the fake memoir by Benjamin Wilkomirski, reasons for the exaggerated importance still given to Anne Frank's Diary, and a recent cycle of paintings on the Old Testament by Holocaust artist Samuel Bak.
Between 1945 and 1948, more than a quarter of a million Jews fled countries in Eastern Europe and the Balkans and began filling hastily erected displaced persons camps in Germany and Austria. As one of the victorious Allies, Britain had to help find a solution for the vast majority of these refugees who refused repatriation. Drawing on extensive research in British, American, and Israeli archives, Arieh Kochavi presents a comprehensive analysis of British policy toward Jewish displaced persons and reveals the crucial role the United States played in undermining that policy. Kochavi argues that political concerns--not human considerations--determined British policy regarding the refugees. Anxious to secure its interests in the Middle East, Britain feared its relations with Arab nations would suffer if it appeared to be too lax in thwarting Zionist efforts to bring Jewish Holocaust survivors to Palestine. In the United States, however, the American Jewish community was able to influence presidential policy by making its vote hinge on a solution to the displaced persons problem. Setting his analysis against the backdrop of the escalating Cold War, Kochavi reveals how, ironically, the Kremlin as well as the White House came to support the Zionists' goals, albeit for entirely different reasons.
A New York Times Bestseller “I’ll be forever changed by Dr. Eger’s story…The Choice is a reminder of what courage looks like in the worst of times and that we all have the ability to pay attention to what we’ve lost, or to pay attention to what we still have.”—Oprah “Dr. Eger’s life reveals our capacity to transcend even the greatest of horrors and to use that suffering for the benefit of others. She has found true freedom and forgiveness and shows us how we can as well.” —Desmond Tutu, Nobel Peace Prize Laureate “Dr. Edith Eva Eger is my kind of hero. She survived unspeakable horrors and brutality; but rather than let her painful past destroy her, she chose to transform it into a powerful gift—one she uses to help others heal.” —Jeannette Walls, New York Times bestselling author of The Glass Castle Winner of the National Jewish Book Award and Christopher Award At the age of sixteen, Edith Eger was sent to Auschwitz. Hours after her parents were killed, Nazi officer Dr. Josef Mengele, forced Edie to dance for his amusement and her survival. Edie was pulled from a pile of corpses when the American troops liberated the camps in 1945. Edie spent decades struggling with flashbacks and survivor’s guilt, determined to stay silent and hide from the past. Thirty-five years after the war ended, she returned to Auschwitz and was finally able to fully heal and forgive the one person she’d been unable to forgive—herself. Edie weaves her remarkable personal journey with the moving stories of those she has helped heal. She explores how we can be imprisoned in our own minds and shows us how to find the key to freedom. The Choice is a life-changing book that will provide hope and comfort to generations of readers.
Witnessing the Disaster examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them any more or less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold? These essayists aim to move past the notion that the Holocaust as an event defies representation. They look at specific cases of Holocaust representation and consider their effect, their structure, their authenticity, and the kind of knowledge they produce. Taken together they consider the tension between history and memory, the vexed problem of eyewitness testimony and its status as evidence, and the ethical imperatives of Holocaust representation.