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A scalding exploration of love, marriage, fidelity, and betrayal. “Meet me at five,” the voice said on the answering machine. Four ordinary words yet, when heard by the wrong person, enough to change the course of a marriage. Marooned in Hollywood while writing a screenplay based on his latest bestselling novel, Miles King records in his journals his escalating conviction that his glamorous wife, a New York-based journalist named Maggie, is having an affair with Miles’s favorite student. Amidst the sun-buffed egos and the longing for connection and fame he encounters at every cocktail party and no-name bar in Hollywood, Miles finds unexpected comfort in an affair of his own with Lucy, a young mother whose open, eager mind sparks an irresistible passion in him. A potent brew of lust, guilt, anger, and betrayal, Miles’s journals reveal his constantly shifting emotional state and the perils he must navigate as his fantasies become increasingly hard to distinguish from reality. In Hollywood Savage, acclaimed novelist Kristin McCloy probes one modern man’s psychological depths with stunning accuracy, and illuminates the ways men and women try desperately to reveal themselves to one another, while still always keeping a part of their hearts a secret. Kristin McCloy was born in San Francisco and spent her childhood in Spain, India, and Japan. A graduate of Duke University, she is the author of the novels Velocity and Some Girls. Her novels have been published in more than fifteen countries. She currently lives in Oakland, California.
Poetry. Asian & Asian American Studies. California Studies. Film. SAVAGE PAGEANT recounts the history of the defunct zoo, Jungleland, which housed Hollywood's show animals up until its closure in 1969. In it, Stark explores the concept of US American spectacle and its historic ties to celebrity culture, the maternal body, racist taxonomies, the mistreatment of animals, and ecological violence. With a hybrid, documentary poetics, SAVAGE PAGEANT reveals how we attempt to narrate and control geographical space and how ghosts (remainders, the sketch, unfinished stories) collapse the tidy corners of our collective, accumulative histories.
To escape an abusive relationship is not necessarily to find personal Liberty. But for Anne Delaney, the protagonist of Lois Schwarz's contemporary novel Hollywood Con Man, this realization takes almost too long to discover. An unloved and abused child, Anne begins her quest for freedom when she first encounters affection at the age of six. Her methods for finding freedom, however, are merely escape tactics. When she is seventeen, married and pregnant, she leaves her hometown of Bridgeport, Connecticut for Hollywood, California. Rather than finding happiness and liberty there, she in only further abused by her controlling husband, who succumbs to the perfidious Hollywood addictions to sex and drugs. Anne, already accustomed to accepting physical abuse, soon learns also to endure emotional and sexual abuse. It is not until she realizes all that her husband killed within her that Anne stands up for herself. This is one woman's story not only of escape, but also of freedom and it's implications in her life
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
From the New York Times bestselling author of The Cartel, The Force, and The Border A New York Times, Entertainment Weekly, and Chicago Sun-Times Favorite Book of the Year “A revelation…This is Butch Cassidy and the Sundance Kid on autoload.” —Stephen King, Entertainment Weekly “Startling…Stylish…Mega-cool.” —Janet Maslin, The New York Times Ben, Chon, and O are twentysomething best friends living the dream in Southern California. Together they have made a small fortune producing premium grade marijuana, a product so potent that the Mexican Baja Cartel demands a cut. When Ben and Chon refuse to back down, the cartel kidnaps O, igniting a dizzying array of high-octane negotiations and stunning plot twists as they risk everything to free her. The result is a provocative, sexy, and darkly engrossing thrill ride, an ultracontemporary love story that will leave you breathless.
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.
They were the Bundy Drive Boys: hard-drinking, brilliantly talented, world-famous men of golden-age Hollywood - John Barrymore, Errol Flynn and W.C. Fields. Heroes with Hangovers tells the uncensored and ultimately moving story of these lost-soul geniuses. The partying and antics of the Rat Pack seem tame in comparison, but beneath the boozy bravado was a devoted mutual affection. Illustrated with dozens of never-before-seen photos and illustrations, this is the sozzled side of Hollywood's great era.
Robert Polito recounts Thompson's relationship with his father, a disgraced Oklahoma sheriff, with the women he adored in life and murdered on the page, with alcohol, would-be censors, and Hollywood auteurs. Unrelenting and empathetic, casting light into the darker caverns of our collective psyche, Savage Art is an exemplary homage to an American original. A National Book Critics Circle Award winner. 57 photos.
Greedy schemer. Family Slayer. It was a night of celebration for the Whitaker family. Their son Bart was graduating from college. But when Bart’s brother Kevin opened the door to their house, a masked intruder shot him point blank. His mother took the next bullet, followed by Mr. Whitaker and Bart. Blood was everywhere, but somehow Bart and his father survived . . . To the cops the story didn’t add up, and their investigation discovered a stunning web of lies. Bart was living a double life. He hadn’t been enrolled in college since his freshman year. Instead of attending classes, he’d spent his days playing video games with his friends—while planning to murder his family to inherit their million-dollar estate . . . Bestselling author Corey Mitchell takes us inside this chilling murder case to reveal the twisted motives of a seemingly All-American Boy-Next Door who turned into a cold-blooded killer now residing on Death Row . . . “Corey Mitchell empathized with crime victims in a unique and personal way. That empathy is evident in every true crime book he wrote.” —Suzy Spencer INCLUDES 16 PAGES OF HAUNTING PHOTOS
Examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production. A stylistic history of American screen violence that is grounded in industry documentation. [back cover].