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This "fly on the wall" perspective of the film and television industry brings to life, in a very unique way, a world our modern American culture, for better or worse, can't seem to get enough of. What is it like for just your average everyday person, who has no special knowledge of the business, to spend a day on the set of a movie or hit television series working with everyone's favorite celebrities. It's fun and exciting! There's no question, and the author makes you feel like you're right there with him. However, it won't take you long to realize that there's a lot more to it than that too, and in the end, it may be the "everything else" that truly makes this story worth reading... It's a lot of fun!
Pity the "extras." Mostly overlooked and forgotten. Especially those in the major Hollywood films 1913 to 1945--right through the dream factory's golden era. The struggles of extras to unionize were followed by internal struggles as the extras fought for a voice within that union. There were just too few jobs for far too many extras, some of whom were lured to Hollywood by what seemed to be rags-to-riches tales of stardom (but which were likely little more than industry publicity plants). Once lured to the film capital the reality was much different: low pay, little or no work, ripoffs from private employment agencies, and sexual harassment of the women, likely very much underreported. Some extras had special skills or language abilities, some had wardrobes replete with many period costumes.
The untold tale of bit players, doubles, Central Casting, and extras in American film
This book is for those who aspire to become an actor in Hollywood, a re-actor in the background as an extra, or just enjoy reading about the business. In Part 1 Shirley & Jeff each tell their many chances for stardom and why they decided to work as extras. Part 2 is about the movie business: how it was in the beginning and what it is like now. In Part 3 you will meet some interesting extras and also read true untold stories about stars, and directors. You can pick up a rag sheet and read all sorts of things that may or may not be true, but in this book are only the true accounts as seen and heard first hand. This may be the only book about both actors and extras - something that should be informative and fun reading for everyone.Our promise: You will be entertained!See our other products at www.hollywoodwithjeffandshirley.com
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films. This panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true centre of avant-garde cinema in the US.
In a dramatic change of role, the noted television and film star has written a vivid and incisive account of the House Committee on Un-American Activities' probe of the entertainment industry from 1938 to 1958. Formed to investigate alleged subversives, by the late fifties the committee had succeeded in ruining the careers and sometimes the lives of many of Hollywood and Broadway's top writers and performers. Quoting generously from transcripts of its hearings, Vaughn shows how the committee's primary purpose was punitive rather than legislative, and concludes that its most serious damage to American theatre and film is not easily documented: the loss of all the words never written or spoken because of the impact - and the fear - of the committee's misdeeds.
SAG working actor and comedy author Denny Dormody takes you along. Along to: Movie sets. TV shoots. Auditions. A-list insightful conversations to die for. Conversations with: Icons past: Jeff Corey, Lew Wasserman, Gregory Peck and Icons present; Directors David Fincher, Clint Eastwood and Kevin Costner. Actors like George Clooney, Al Pacino, John Goodman, Hugh Jackman, Rosamund Pike and many more. Youll be behind the movie scenes on: Jersey Boys, Danny Collins, Hail, Caesar and TV shows like 2 Broke Girls, FXs O.J Simpson Trial, Scandal and many more. This is Dormodys 4th book and perhaps his most candid look at unlocking LA LA Lands hard-to-open doors. His call-to-action anecdotal stories are: Hilarious. Touching. Poignant. Outrageous. Inspiring. Its all about staying in the game. All about going the distance. All about surviving Hollywood.
Set among the wistful Victorians of San Francisco, the second installment of the Darcy Lott series finds stuntwoman Darcy once again plagued by murder. Recently returned to San Francisco to assist her Zen teacher in his new zendo, Darcy cannot shake the pain of her brother's disappearance. When she spies him on the roof of the zendo, she hurries to catch him—and finds him gone. And when another disappearance rattles Darcy the very next day, she realizes something is afoot. A bit of digging uncovers a terrifying plot, and Darcy must once again race to thwart a killer.
The technical crafts of sound in classical Hollywood cinema have, until recently, remained largely 'unsung' by histories of the studio era. Yet film sound – voice, music and sound effects – is a crucial aspect of film style and has been key to engaging and holding audiences since the transition to sound by Hollywood's major studios in 1929. This innovative new text restores sound technicians to Hollywood's creative history. Exploring a range of films from the early sound period (1931) through to the late studio period (1948), and drawing on a wide range of archival sources, the book reveals how Hollywood's sound designers worked and why they worked in the ways that they did. The book demonstrates how sound technicians developed conventions designed to tell stories through sound, placing them within the production cultures of studio era filmmaking, and uncovering a history of collective and collaborative creativity. In doing so, it traces the emergence of a body of highly skilled sound personnel, able to apply expert technical knowledge in the science of sound to the creation of cinematic soundscapes that are alive with mood and sensation.