Download Free Holding Fast To An Image Of The Past Book in PDF and EPUB Free Download. You can read online Holding Fast To An Image Of The Past and write the review.

Davidson discusses how Marxism can retain a sense of historical tradition without becoming fossilized.
From NYT bestselling author Blue Balliett, the story of a girl who falls into Chicago's shelter system, and from there must solve the mystery of her father's strange disappearance. Where is Early's father? He's not the kind of father who would disappear. But he's gone . . . and he's left a whole lot of trouble behind.As danger closes in, Early, her mom, and her brother have to flee their apartment. With nowhere else to go, they are forced to move into a city shelter. Once there, Early starts asking questions and looking for answers. Because her father hasn't disappeared without a trace. There are patterns and rhythms to what's happened, and Early might be the only one who can use them to track him down and make her way out of a very tough place.With her signature, singular love of language and sense of mystery, Blue Balliett weaves a story that takes readers from the cold, snowy Chicago streets to the darkest corner of the public library, on an unforgettable hunt for deep truths and a reunited family.
Davidson explores classic themes in historical materialism as he explains: the moments of transition from the dominance of one mode of production to another; the process of social revolution which accompany these transitions; and the problem of nationalism, both as a theoretical challenge to Marxism's capacity for historical explanation and as a practical obstacle to socialist consciousness.
Walter Benjamin is often viewed as a cultural critic who produced a vast array of brilliant and idiosyncratic pieces of writing with little more to unify them than the feeling that they all bear the stamp of his "unclassifiable" genius. Eli Friedlander argues that Walter Benjamin's corpus of writings must be recognized as a unique configuration of philosophy with an overarching coherence and a deep-seated commitment to engage the philosophical tradition. Friedlander finds in Benjamin's early works initial formulations of the different dimensions of his philosophical thinking. He leads through them to Benjamin's views on the dialectical image, the nature of language, the relation of beauty and truth, embodiment, dream and historical awakening, myth and history, as well as the afterlife and realization of meaning. Those notions are articulated both in themselves and in relation to central figures of the philosophical tradition. They are further viewed as leading to and coming together in The Arcades Project. Friedlander takes that incomplete work to be the central theater where these earlier philosophical preoccupations were to be played out. Benjamin envisaged in it the possibility of the highest order of thought taking the form of writing whose contents are the concrete time-bound particularities of human experience. Addressing the question of the possibility of such a presentation of philosophical truth provides the guiding thread for constellating the disparate moments of Benjamin's writings.
An abridged edition of the insightful work praised as “an impressive contribution both to the history of ideas and to political philosophy” (Alasdair MacIntyre, author of After Virtue). Once of central importance to left historians and activists alike, recently the concept of the “bourgeois revolution” has come in for sustained criticism from both Marxists and conservatives. In this abridged edition of his magisterial How Revolutionary Were the Bourgeois Revolutions? Neil Davidson expertly distills his theoretical and historical insights about the nature of revolutions, making them accessible for general readers. Through extensive research and comprehensive analysis, Davidson demonstrates that what’s at stake is far from a stale issue for the history books—understanding that these struggles of the past offer far reaching lessons for today’s radicals.
Are you struggling today? Do you look back and long for what used to be, or are you looking ahead and have no idea what's coming? Are you stuck in the middle of a mess because life has not turned out as you expected? When you run to God for answers, do you often feel like you aren't getting them--or at least aren't getting the answers you want? Are you holding on . . . but not sure how much longer you can? In times of not knowing, Sheila Walsh offers a lifeline of hope. With great compassion born of experience and hardship, Walsh comes alongside the hurting, fearful, and exhausted to remind us that we serve a God who is so much greater than our momentary troubles, no matter how insurmountable they feel. She doesn't offer a quick fix. She offers a God fix. Sharing from her own painful struggles and digging deep into biblical stories of rescue, hope, and miracles, she gives you the strength to keep going, to keep holding on to God in a world turned upside down. The accompanying study includes 10 lessons to help individuals or groups dive deeper.
This ambitious volume examines revolutionary situations during a non-revolutionary historical conjuncture--the neoliberal era. The last three decades have seen an increase in the number of political upheavals that challenge existing power structures, many of them taking the form of urban revolts. This book compellingly explores a series of such upheavals--in Eastern Europe, South Africa, Indonesia, Argentina, Bolivia, Venezuela, sub-Saharan Africa (including Congo, Zimbabwe, Burkina Faso) and Egypt. Each chapter studies the ways in which protest movements developed into insurgent challenges to state power, and the strategies that regimes have deployed to contain and repress revolt. In addition to empirical chapters, the book engages in theorization of revolution, dealing with questions such as the patterning of revolution in contemporary history, the relationship between class struggle and social movements, and the prospects of socialist revolution in the twenty-first century.
The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book's principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of alternative theories of meaning and understanding from the Anglophone analytic tradition. The book takes as its starting point the claim that Holocaust artworks must fulfill at least two specific yet potentially reciprocally countervailing desiderata: they must meet aesthetic criteria (lest they be, say, merely historical documents) and they must meet historical criteria (they must accurately represent the Holocaust, lest they be merely artworks). I locate this problematic within the tradition of philosophical aesthetics, as a version of the conflict between aesthetic autonomy and aesthetic heteronomy, and claim that Theodor W. Adorno's "dialectic of aesthetic semblance" describes the normative demand that a successful artwork maintain a dynamic tension between these dual desiderata. While working within a framework inspired by Adorno, the book further claims that certain concepts and lines of reasoning from contemporary philosophy best explicate how individual artworks fulfill these dual desiderata, including the causal theory of names, the philosophy of tacit knowledge, analytic philosophy of quotation, Sartre's theory of the imaginary, work in the epistemology of testimony, and Walter Benjamin's theory of dialectical images. Individual chapters provide close readings of lyric poetry by Paul Celan (including a critique of Derridean deconstruction), Holocaust memorials in Berlin, texts by the Austrian quotational artist Heimrad Bäcker, Claude Lanzmann's film Shoah and Art Spiegelman's graphic novel Maus. The result is a set of interpretations of Holocaust artworks that, in their precision, specificity and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art.
“At once a captivating life story made up of a rich history, and a beautiful reflection on loves lost. Tender, moving, and highly readable.” —Torre DeRoche Author of Love with a Chance of Drowning “This book is one part “Hero’s Journey” and two parts love story; an alchemy of high adventure and keen insights that will take your breath away and expand your capacity to love. Empowering, entertaining, and most of all inspiring. I thoroughly enjoyed it and I know you will too.” —Brian Luke Seaward Author of Stand Like Mountain, Flow Like Water HOLDING FAST: A Memoir of Sailing, Love, and Loss is Susan’s story of leaving everything behind to follow her husband’s lifelong dream of sailing away. Blond, blue-eyed, irreverent John bursts into Susan’s life in her twenties with a dream of sailing off. Susan dreams of settling down and doesn’t want to go. A three-year voyage with their young daughter to the Caribbean profoundly changes their lives. A gripping adventure story and an inspirational memoir of finding our power in the unlikeliest of places.
This book narrates Kazantzakis' life —- his poverty, his life in exile, his struggle as a writer groping for a 'voice,' and describes the conditions under which that voice brought forth the prolific range of work that included The Odyssey, Zorba the Greek, and the controversial Last Temptation of Christ.