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Long ago dubbed the fourth branch of government, the American press remains to most of the general public an inscrutable enterprise whose influence and behavior are alternately welcomed and maligned; yet the proper functioning of a democracy depends upon a media-literate populace to act as the ultimate watchdog. With wit and authority, John Hamilton and George Krimsky lead readers through the whirl of print journalism. They offer a curiosity-satisfying blend of explanation and interpretation, history, anecdotes aplenty, and statistical analysis to show what's wrong and what works with today's newspapers.
Poetry. "Gina Myers' aptly-named HOLD IT DOWN chronicles the endless effort to keep a lid on hope, that feathered thing that must be denied so the rent can be paid. Everything else Pandora's box let loose has hung around boredom, sickness, loneliness but if hope gets out, it gets away. Moving among Brooklyn, Saginaw, and Atlanta, with a soundtrack looping Otis Redding and Johnny Cash, these poems forgo hipster irony for genuine dismay with consumerism, war, and others of the world's ills. Myers' lines break like hearts. Let her speak plainly to you: 'This is my life, / this is my life." Evie Shockley "Like a flaneur walking an abandoned shopping mall past boarded up storefronts, Gina Myers surveys the streets of late capitalism recording wreckage in work that gives voice to our disappointment, fear, and longing for a place where we might find some rest. 'A kitchen table does not make a home, ' Myers reminds us. Moving 'in and out of / the security camera's range, ' from Brooklyn to Saginaw, the poems in HOLD IT DOWN trace our 'boom & bust, minus / the boom' and serve as testimony for 'those of us who still live here' at the edges of the economy." Susan Briante "The poems in Gina Myers' HOLD IT DOWN seem part protest, part prayer, but not in the usual sense of either of those words. As the speakers confront a purgatorial daily grind of headlines, hangovers, debt, self-doubt, political and economic injustice, and the repeated mistakes of humankind, they never make the one 'of placing hope in seasons, / to look forward to the days to come & expect things to be better.' Instead they bear the unbearable, point at the sources of suffering and ask the question, who holds us down?" Laura Solomon "Since Gina Myers' move to where I grew up, her poetry carries us, as a subway line, between the Brooklyn she left and the Bible Belt of dogwood trees and Atlanta MARTA buses. Myers' is a tale of the magical mundane and a long distance love with Saginaw: part Whitman ('I stop somewhere waiting') part Stein ('What I look forward to is, is '), and part Lorca ('Signs of summer: / tulips, baseball, & violence.'). You'll spy a heart not breaking and the work-a-day walk to happy hours in a city of drivers. You may not know where the places these poems came to life, 'but this is one / of them, one / of the best days' to visit." Amy King "The city we mourn was an unsustainable promise made in a time of need, like a pension. Plural. Cities. Gina Myers narrates an American exodus with heartbreaking clarity and calm; she only wants to love her neighbor and do no harm. I want to say cheer up Nobody listened to Moses either. I want to say even more that when we finally make it past this time of brutality we repress so well, it will be important to remember what it felt like every day. HOLD IT DOWN is a beautiful, painful record of that psychic cost. Keep it safe for later. We're going to need it to live on." Jordan Davis"
"Bob Hicok is a spectrum... I’d love to see an MRI of his brain while he’s writing, as the neurons show us what’s possible, how a human can be a thought leader, taking us into the future... Hicok interrogates the world with mercy and wit and style and intelligence and modest swag. He’s one of America’s favorites—and to make the reader want to share the poet’s reality fulfills poetry’s finest aspiration." —Washington Independent Review of Books "In his ninth collection, Hicok navigates a world bereft of empathy and kindness, leading by example with a charm and emotional intelligence that speaks to a deep insight into the human condition... Mixing cleverness with tenderness, Hicok demonstrates how to be a beacon of light in the darkest of settings." —Publishers Weekly Bob Hicok’s tenth collection of poetry, Hold, moves nimbly between childlike revelry and serious introspection. While confronting the rampant hypocrisies of the American collective unconscious, Hicok is guided by his deep and tender sense of whimsy and humility. Pointing to the natural world as a mirror through which to rediscover human beauty, he pauses to unapologetically celebrate the wonder of living at all. From "About the size of it": . . . my breath shuttling in and out, as if it can’ t decide between stay and go, the little bird long gone by the time I realize the sun has set and it will soon feel like my father was never here, which is no big deal compared to the erasures the world endures and offers every day, except this one is mine Bob Hicok teaches at Virginia Tech University and is the author of ten collections, including Animal Soul, This Clumsy Living , Elegy Owed, and Sex & Love &. He is the recipient of two fellowships from the National Endowment for the Arts and the Guggenheim Foundation, respectively.
In December 1995, the FDA approved the release of protease inhibitors, the first effective treatment for AIDS. For countless people, the drug offered a reprieve from what had been a death sentence; for others, it was too late. In the United States alone, over 318,000 people had already died from AIDS-related complications—among them the singer Michael Callen and the poet Essex Hemphill. Meticulously researched and evocatively told, Hold Tight Gently is the celebrated historian Martin Duberman’s poignant memorial to those lost to AIDS and to two of the great unsung heroes of the early years of the epidemic. Callen, a white gay Midwesterner who had moved to New York, became a leading figure in the movement to increase awareness of AIDS in the face of willful and homophobic denial under the Reagan administration; Hemphill, an African American gay man, contributed to the black gay and lesbian scene in Washington, D.C., with poetry of searing intensity and introspection. A profound exploration of the intersection of race, sexuality, class, identity, and the politics of AIDS activism beyond ACT UP, Hold Tight Gently captures both a generation struggling to cope with the deadly disease and the extraordinary refusal of two men to give in to despair.
John Davis Jr.'s fifth collection of poetry, The Places That Hold, praises the dusty morning light of citrus farming and the pleasures of fatherhood as it explores the darkness of places like the infamous Dozier Reform School in Florida's panhandle. Intertwining past and present with rural life, social justice, and the value of family, The Places That Hold offers readers a glimpse into the lesser-known corridors of the Sunshine State.
The definitive career guide for grad students, adjuncts, post-docs and anyone else eager to get tenure or turn their Ph.D. into their ideal job Each year tens of thousands of students will, after years of hard work and enormous amounts of money, earn their Ph.D. And each year only a small percentage of them will land a job that justifies and rewards their investment. For every comfortably tenured professor or well-paid former academic, there are countless underpaid and overworked adjuncts, and many more who simply give up in frustration. Those who do make it share an important asset that separates them from the pack: they have a plan. They understand exactly what they need to do to set themselves up for success. They know what really moves the needle in academic job searches, how to avoid the all-too-common mistakes that sink so many of their peers, and how to decide when to point their Ph.D. toward other, non-academic options. Karen Kelsky has made it her mission to help readers join the select few who get the most out of their Ph.D. As a former tenured professor and department head who oversaw numerous academic job searches, she knows from experience exactly what gets an academic applicant a job. And as the creator of the popular and widely respected advice site The Professor is In, she has helped countless Ph.D.’s turn themselves into stronger applicants and land their dream careers. Now, for the first time ever, Karen has poured all her best advice into a single handy guide that addresses the most important issues facing any Ph.D., including: -When, where, and what to publish -Writing a foolproof grant application -Cultivating references and crafting the perfect CV -Acing the job talk and campus interview -Avoiding the adjunct trap -Making the leap to nonacademic work, when the time is right The Professor Is In addresses all of these issues, and many more.
In The Center Will Hold, Pemberton and Kinkead have compiled a major volume of essays on the signal issues of scholarship that have established the writing center field and that the field must successfully address in the coming decade. The new century opens with new institutional, demographic, and financial challenges, and writing centers, in order to hold and extend their contribution to research, teaching, and service, must continuously engage those challenges. Appropriately, the editors offer the work of Muriel Harris as a key pivot point in the emergence of writing centers as sites of pedagogy and research. The volume develops themes that Harris first brought to the field, and contributors here offer explicit recognition of the role that Harris has played in the development of writing center theory and practice. But they also use her work as a springboard from which to provide reflective, descriptive, and predictive looks at the field.
Drawing on interviews with American couples from the 1950s to the 1980s, Weiss creates a dynamic portrait of family and social change in the postwar era. She then pairs these firsthand accounts with deft analysis of movies, magazines, and advice books from each decade, providing an intimate look at ordinary marriages in a time of sweeping cultural change. 8 halftones.
Keeping Hold of Justice focuses on a select range of encounters between law and colonialism from the early nineteenth century to the present. It emphasizes the nature of colonialism as a distinctively structural injustice, one which becomes entrenched in the social, political, legal, and discursive structures of societies and thereby continues to affect people’s lives in the present. It charts, in particular, the role of law in both enabling and sustaining colonial injustice and in recognizing and redressing it. In so doing, the book seeks to demonstrate the possibilities for structural justice that still exist despite the enduring legacies and harms of colonialism. It puts forward that these possibilities can be found through collaborative methodologies and practices, such as those informing this book, that actively bring together different disciplines, peoples, temporalities, laws and ways of knowing. They reveal law not only as a source of colonial harm but also as a potential means of keeping hold of justice.
Finalist for the 2018 National Council on Crime & Delinquency’s Media for a Just Society Awards Nominated for the 49th NAACP Image Award for Outstanding Literary Work (Nonfiction) A 2017 Washington Post Notable Book A Kirkus Best Book of 2017 “Butler has hit his stride. This is a meditation, a sonnet, a legal brief, a poetry slam and a dissertation that represents the full bloom of his early thesis: The justice system does not work for blacks, particularly black men.” —The Washington Post “The most readable and provocative account of the consequences of the war on drugs since Michelle Alexander’s The New Jim Crow . . . .” —The New York Times Book Review “Powerful . . . deeply informed from a legal standpoint and yet in some ways still highly personal” —The Times Literary Supplement (London) With the eloquence of Ta-Nehisi Coates and the persuasive research of Michelle Alexander, a former federal prosecutor explains how the system really works, and how to disrupt it Cops, politicians, and ordinary people are afraid of black men. The result is the Chokehold: laws and practices that treat every African American man like a thug. In this explosive new book, an African American former federal prosecutor shows that the system is working exactly the way it's supposed to. Black men are always under watch, and police violence is widespread—all with the support of judges and politicians. In his no-holds-barred style, Butler, whose scholarship has been featured on 60 Minutes, uses new data to demonstrate that white men commit the majority of violent crime in the United States. For example, a white woman is ten times more likely to be raped by a white male acquaintance than be the victim of a violent crime perpetrated by a black man. Butler also frankly discusses the problem of black on black violence and how to keep communities safer—without relying as much on police. Chokehold powerfully demonstrates why current efforts to reform law enforcement will not create lasting change. Butler's controversial recommendations about how to crash the system, and when it's better for a black man to plead guilty—even if he's innocent—are sure to be game-changers in the national debate about policing, criminal justice, and race relations.