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Uncover tales of gods and monsters, travel to kingdoms in the sky and below the sea, and meet a cast of magical animals in this lyrical retelling of some of the oldest and most famous stories from around the world. A First Book of Myths is a collection of fourteen well-known myths accompanied by delightful illustrations. From the story of Icarus—the boy who flew too close to the sun—to the tale of why dogs dislike cats, this enthralling collection is the perfect introduction to stories that continue to stand the test of time. Written by award-winning, best-selling children's writer Mary Hoffman, these poetic retellings are given a new life, and are perfect for reading alone or aloud. They're presented alongside beautiful and world-building illustrations, giving full immersion into the world of myths and legends.
This lovely two-volume set is a collection of 14 well-known myths and legends and 14 classic fairy tales from around the world. A First Book of Myths includes classics such as the Fall of Icarus, Andromeda, How Butterflies Began, and the Crocodile and the Baby. Perfect for reading aloud, Mary Hoffman's lively narratives and the delightful illustrations capture the amazing worlds full of gods and monsters. In A First Book of Fairy Tales, Mary retells 14 classic children's fairy tales, including favorites such as Cinderella, Jack and the Beanstalk, and the Little Mermaid. The charming illustrations throughout bring the best-loved fairy tale characters and events to life.
Ten of Hoffmann's greatest tales, enormously popular in Europe but rarely seen in the United States: "The Golden Flower Pot," "Automata," "Nutcracker and the King of Mice," "The Sand Man," and 6 others.
Meet Slovenly Kate, Envious Tom, Tell-Tale Jenny, and other disagreeablecharacters in this comic collection ofcautionary tales. Originally published in1874 as part of the Struwwelpeter series,these stories recount the horrible buthumorous fates of naughty children.Includes a wealth of additional rhymesand fables, plus delightful illustrationsby Theodor Hosemann.Reprint of the very rare 1875 edition.96pp.
Human beings are the only species to have evolved the trait of emotional crying. We weep at tragedies in our lives and in those of others - remarkably even when they are fictional characters in film, opera, music, novels, and theatre. Why have we developed art forms - most powerfully, music - which move us to sadness and tears? This question forms the backdrop to Michael Trimble's discussion of emotional crying, its physiology, and its evolutionary implications. His exploration examines the connections with other distinctively human features: the development of language, self-consciousness, religious practices, and empathy. Neuroanatomy and neurophysiology of the brain have uncovered unique human characteristics; mirror neurones, for example, explain why we unconsciously imitate actions and behaviour. Whereas Nietzsche argued that artistic tragedy was born with the ancient Greeks, Trimble places its origins far earlier. His neurophysiological and evolutionary insights shed fascinating light onto this enigmatic part of our humanity.
'Slovenly Betsy' is a children's rhyme book written by Heinrich Hoffmann. These rhymes, which combine elements of Roald Dahl, Charles Addams, and the Old Testament, are cautionary tales about unruly children. They cover the seven deadly sins of childhood and depict the potential negative consequences of misbehavior, as seen from the life of the book's main character, Betsy.
SUMMARY: Presents the texts of twenty-four well-known fairy tales as they were first printed in English and summarizes the history of each title, especially from the textual point of view.
1845 classic children's book relates the consequences, in funny rhyming couplets, that befall children who torment animals, play with matches, suck their thumbs, and fidget at meals.
This selection of Hoffmann's finest short stories vividly demonstrates his intense imagination and preoccupation with the supernatural, placing him at the forefront of both surrealism and the modern horror genre. Suspense dominates tales such as Mademoiselle de Scudery, in which an apprentice goldsmith and a female novelist find themselves caught up in a series of jewel thefts and murders. In the sinister Sandman, a young man's sanity is tormented by fears about a mysterious chemist, while in The Choosing of a Bride a greedy father preys on the weaknesses of his daughter's suitors. Master of the bizarre, Hoffman creates a sinister and unsettling world combining love and madness, black humour and bewildering illusion.