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A history of South Africa's largest union federation, COSATU. Traces the history of the trade union movement in South Africa.
This book brings together the voices of a variety of women on some of the critical issues of the times: women organising in their own communities, in trade unions and in political organisations, violence against women and personal struggles regarding relationships, lobola, lesbianism and abortion.
Spanning 80 years of Indian servitude in South Africa, this novel ebbs and flows with four generations of characters who work as indentured laborers in the cane fields of Natal and Durban. Eventually, the families move to the Casbah district, home of the infamous "Grey Street system." With meticulous research and magnetic, taut storytelling, this work weaves a narrative that is rich in character, history, and place.
A riveting and emotional portrait of abusive conditions in rural Zimbabwe during the 1920s, this novel follows the terrible misfortunes of a brave and likable young girl as she grows to womanhood. Chinongwa always has been told that her paternal grandfather was shot and beheaded in front of her father's eyes, but she can't be sure whether this story is real because it is so intertwined in her mind with fantastical tales of talking snakes and men buried alive with mice tied to their backs. At age nine, however, her own life becomes nightmare when, in exchange for food, she is given to a man older than her father, and at age 11 she has her first baby. Throughout her ordeal, Chinongwa is sustained by the natural beauty of the countryside and her hopes that better times lie ahead, but the story sadly foreshadows the plight of present-day Zimbabwe.
This dramatically revealing memoir follows Barry Feinberg's 45 years of activism, travel, relationships, and creative expression. While the twin narratives of private life and political doings are equally absorbing on their own, it is the relationship between the two—and the story of this relationship's expression through Feinberg's pen, brush, and lens—that provide a unique and compelling perspective on the most significant and volatile decades in South Africa's history.
At the end of apartheid, under pressure from local and transnational capital and the hegemony of Western-style parliamentary democracy, South Africans felt called upon to normalize their conceptions of economics, politics, and culture in line with these Western models. In Against Normalization, however, Anthony O’Brien examines recent South African literature and theoretical debate which take a different line, resisting this neocolonial outcome, and investigating the role of culture in the formation of a more radically democratic society. O’Brien brings together an unusual array of contemporary South African writing: cultural theory and debate, worker poetry, black and white feminist writing, Black Consciousness drama, the letters of exiled writers, and postapartheid fiction and film. Paying subtle attention to well-known figures like Nadine Gordimer, Bessie Head, and Njabulo Ndebele, but also foregrounding less-studied writers like Ingrid de Kok, Nise Malange, Maishe Maponya, and the Zimbabwean Dambudzo Marechera, he reveals in their work the construction of a political aesthetic more radically democratic than the current normalization of nationalism, ballot-box democracy, and liberal humanism in culture could imagine. Juxtaposing his readings of these writers with the theoretical traditions of postcolonial thinkers about race, gender, and nation like Paul Gilroy, bell hooks, and Gayatri Spivak, and with others such as Samuel Beckett and Vaclav Havel, O’Brien adopts a uniquely comparatist and internationalist approach to understanding South African writing and its relationship to the cultural settlement after apartheid. With its appeal to specialists in South African fiction, poetry, history, and politics, to other Africanists, and to those in the fields of colonial, postcolonial, race, and gender studies, Against Normalization will make a significant intervention in the debates about cultural production in the postcolonial areas of global capitalism.
South Africa was born in war, has been cursed by crises and ruptures, and today stands on a precipice once again. This book explores the country's tumultuous journey from the Second Anglo-Boer War to 2021. Drawing on diaries, letters, oral testimony and diplomatic reports, Thula Simpson follows the South African people through the battles, elections, repression, resistance, strikes, insurrections, massacres, crashes and epidemics that have shaped the nation. Tracking South Africa's path from colony to Union and from apartheid to democracy, Simpson documents the influence of key figures including Jan Smuts, Nelson Mandela, Steve Biko, P.W. Botha, Thabo Mbeki and Cyril Ramaphosa. He offers detailed accounts of watershed events like the 1922 Rand Revolt, the Defiance Campaign, Sharpeville, the Soweto uprising and the Marikana massacre. He sheds light on the roles of Gandhi, Churchill, Castro and Thatcher, and explores the impact of the World Wars, the armed struggle and the Border War. Simpson's history charts the post-apartheid transition and the phases of ANC rule, from Rainbow Nation to transformation; state capture to 'New Dawn'. Along the way, it reveals the divisions and solidarities of sport; the nation's economic travails; and painful pandemics, from the Spanish flu to AIDS and Covid-19.
A true story, this gripping narrative reads like a political thriller as it describes one South African town's year of terror in the early days of the new post-apartheid government. Sifiso Nkabinde, the regional leader of the African National Congress (ANC) in the town of Richmond, KwaZulu Natal, is expelled for being a police spy. A self-proclaimed warlord during the conflict in the area in the early 1990s, he reverts to violent activities following his expulsion and is believed by the townspeople to be responsible for inciting a small-scale civil war in Richmond that leaves more than 100 people dead over the course of a year. The mayor of the town, who is the author of this account, stands firmly in charge even as he is under constant threat by Nkabinde's henchmen. This deeply moving account stands as a testament to the importance and fragility of democracy.