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For many, the name of Adolf Eichmann is synonymous with the Nazi murder of six million Jews. As a perpetuator of the Final Solution he stands alongside Adolf Hitler and Heinrich Himmler as one of history's most notorious murderers, yet ever since Hannah Arendt's seminal book, "Eichmann in Jerusalem: A Report on the Banality of Evil", there has been disagreement about the essence of Eichmann and by extension, about the definition of evil action. Was he a human monster or a petty bureaucrat? To what degree did the totalitarian organization to which he belonged absolve him and his staff from individual choice and responsibility for atrocities? This title looks at the words and actions of Eichmann and the bureaucrats he worked with in Berlin and throughout the more significant Gestapo offices in Western Europe. It claims that Hannah Arendt's thesis about the banality of evil was wrong. In chilling detail, it presents a group of people completely aware of what they were doing, people with high ideological motivation, people of initiative and dexterity who contributed far beyond what was necessary. While most of these bureaucrats sat behind desks rather than behind machine guns, there was nothing banal about the role they played in the destruction of European Jewry
For many, the name Adolf Eichmann is synonymous with the Nazi murder of six million Jews. Alongside Adolf Hitler and Heinrich Himmler, he is probably the most infamous of the Nazi murderers; unlike them, the aura linked to his name is that of the ultimate evil that may lurk in each and every one of us. This understanding can be attributed above all to Hannah Arendt, and her seminal book, Eichmann in Jersualem: A Report on the Banality of Evil, in which she suggested that Eighcmann and many bureaucrats like him never actually realized what they were doing:they were thoughtless rather than consciously evil. By taking this position, Arendt rejected the biblical story of Genesis, which sets the ability to distinguish between right and wrong at the very core of beign human. Instead, she implied that Eichmann represented a potential face of the future. This book claims that she was wrong. It describes the facts as they appear in the documentation created by Eichmann and his colleagues, and suggest that they fully understood what they were doing. The primary motivating force for their actions was a well-developed acceptance of th tenents of Nazi ideology, of which antisemitism was a central component. As far as one is able to determine, after the war not a single one of them ever expressed regret for their actions against the Jews, unless it was regret for having to pay the consequences. These were no run-of-the-mill bureaucrats who merely 'followed orders'.
Pitting fascists and communists in a showdown for supremacy, the Spanish Civil War has long been seen as a grim dress rehearsal for World War II. Francisco Franco’s Nationalists prevailed with German and Italian military assistance—a clear instance, it seemed, of like-minded regimes joining forces in the fight against global Bolshevism. In Hitler’s Shadow Empire Pierpaolo Barbieri revises this standard account of Axis intervention in the Spanish Civil War, arguing that economic ambitions—not ideology—drove Hitler’s Iberian intervention. The Nazis hoped to establish an economic empire in Europe, and in Spain they tested the tactics intended for future subject territories. “The Spanish Civil War is among the 20th-century military conflicts about which the most continues to be published...Hitler’s Shadow Empire is one of few recent studies offering fresh information, specifically describing German trade in the Franco-controlled zone. While it is typically assumed that Nazi Germany, like Stalinist Russia, became involved in the Spanish Civil War for ideological reasons, Pierpaolo Barbieri, an economic analyst, shows that the motives of the two main powers were quite different. —Stephen Schwartz, Weekly Standard
Six gentlemen, one goal: the destruction of Hitler's war machine In the spring of 1939, a top-secret organization was founded in London: its purpose was to plot the destruction of Hitler's war machine through spectacular acts of sabotage. The guerrilla campaign that followed was every bit as extraordinary as the six men who directed it. One of them, Cecil Clarke, was a maverick engineer who had spent the 1930s inventing futuristic caravans. Now, his talents were put to more devious use: he built the dirty bomb used to assassinate Hitler's favorite, Reinhard Heydrich. Another, William Fairbairn, was a portly pensioner with an unusual passion: he was the world's leading expert in silent killing, hired to train the guerrillas being parachuted behind enemy lines. Led by dapper Scotsman Colin Gubbins, these men—along with three others—formed a secret inner circle that, aided by a group of formidable ladies, single-handedly changed the course Second World War: a cohort hand-picked by Winston Churchill, whom he called his Ministry of Ungentlemanly Warfare. Giles Milton's Churchill's Ministry of Ungentlemanly Warfare is a gripping and vivid narrative of adventure and derring-do that is also, perhaps, the last great untold story of the Second World War.
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
This dramatic exposé of Allied subterfuge and betrayal uncovers the treachery of undercover fascists and American Nazi spy rings during the height of World War II. Between 1939 and 1945, more than seventy Allied men and women were convicted—mostly in secret trials—of working to help Nazi Germany win the war. In the same period, hundreds of British Fascists were also interned without trial on specific and detailed evidence that they were spying for, or working on behalf of, Germany. Collectively, these men and women were part of a little-known Fifth Column: traitors who committed crimes including espionage, sabotage, communicating with enemy intelligence agents and attempting to cause disaffection amongst Allied troops. Hundreds of official files, released piecemeal and in remarkably haphazard fashion in the years between 2002 and 2017, reveal the truth about the Allied men and women who formed these spy rings. Several were part of international espionage rings based in the United States. If these men and women were, for the most part, lone wolves or members of small networks, others were much more dangerous. In 1940, during some of the darkest days of the war, two well-connected British Nazi sympathizers planned overlapping conspiracies to bring about a “fascist revolution.” These plots were foiled by Allied spymasters through radical—and often contentious—methods of investigation.
An extraordinary expedition into the war zone of Hitler theories.
A riveting account of how the Nazi Party came to power and how the failures of the Weimar Republic and the shortsightedness of German politicians allowed it to happen. Why did democracy fall apart so quickly and completely in Germany in the 1930s? How did a democratic government allow Adolf Hitler to seize power? In The Death of Democracy, Benjamin Carter Hett answers these questions, and the story he tells has disturbing resonances for our own time. To say that Hitler was elected is too simple. He would never have come to power if Germany’s leading politicians had not responded to a spate of populist insurgencies by trying to co-opt him, a strategy that backed them into a corner from which the only way out was to bring the Nazis in. Hett lays bare the misguided confidence of conservative politicians who believed that Hitler and his followers would willingly support them, not recognizing that their efforts to use the Nazis actually played into Hitler’s hands. They had willingly given him the tools to turn Germany into a vicious dictatorship. Benjamin Carter Hett is a leading scholar of twentieth-century Germany and a gifted storyteller whose portraits of these feckless politicians show how fragile democracy can be when those in power do not respect it. He offers a powerful lesson for today, when democracy once again finds itself embattled and the siren song of strongmen sounds ever louder.
David Cesarani’s Final Solution is a magisterial work of history that chronicles the fate of Europe’s Jews. Based on decades of scholarship, documentation newly available from the opening of Soviet archives, declassification of Western intelligence service records, as well as diaries and reports written in the camps, Cesarani provides a sweeping reappraisal that challenges accepted explanations for the anti-Jewish politics of Nazi Germany and the inevitability of the “final solution.” The persecution of the Jews, as Cesarani sees it, was not always the Nazis’ central preoccupation, nor was it inevitable. He shows how, in German-occupied countries, it unfolded erratically, often due to local initiatives. For Cesarani, war was critical to the Jewish fate. Military failure denied the Germans opportunities to expel Jews into a distant territory and created a crisis of resources that led to the starvation of the ghettos and intensified anti-Jewish measures. Looking at the historical record, he disputes the iconic role of railways and deportation trains. From prisoner diaries, he exposes the extent of sexual violence and abuse of Jewish women and follows the journey of some Jewish prisoners to displaced persons camps. David Cesarani’s Final Solution is the new standard chronicle of the fate of a heroic people caught in the hell that was Hitler’s Germany.