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Arranged in three parts, this bibliography and guide to British directories in its second edition explains their evolution, describes the different types of directories and their content, and offers a new chapter on the use of directory material in historical studies. Over 2200 directory titles are listed, with indexes by publisher, place and subject. This updated edition also provides a guide to the 120 library collections of directories.
The establishment of ‘new police’ forces in early Victorian England has long attracted historical enquiry and debate, albeit with a general focus on London and the urban-industrial communities of the Midlands and the North. This original study contributes to the debate by examining the nature and process of police reform, the changing relationship between the police and the public, and their impact on crime in Cambridge, a medium-sized county town with a rural hinterland. It argues that the experience of Cambridge was unique, for the Corporation shared co-jurisdiction of policing arrangements with the University, and this fractious relationship, as well as political rivalries between Liberals and Tories, impeded the reform process, although the force was certified efficient in 1856. Case studies of the careers of individual policemen and of the crimes and criminals they encountered shed additional light on the darker side of life in early Victorian Cambridge and present a different and more nuanced picture of provincial police reform during a seminal period in police history than either the traditional Whig or early revisionist Marxist interpretations implied. As such, it will support undergraduate courses in local, social, and criminal justice history during the Victorian period.
A traveller through the length and breadth of England is soon aware of cultural differences, some of which are clearly visible in the landscape. The eminent English historian Charles Phythian-Adams has put forth that England, through much of the last millennium, could be divided into regional societies, which broadly coincided with groups of pre-1974 counties. These shire assemblages in turn lay largely within the major river drainage systems of the country. In this unusual study Alan Fox tests for, and establishes, the presence of an informal frontier between two of the proposed societies astride the Leicestershire-Lincolnshire border, which lies on the watershed between the Trent and Witham drainage basins. The evidence presented suggests a strong case for a cultural frontier zone, which is announced by a largely empty landscape astride the border between the contrasting settlement patterns of these neighbouring counties.
Enid Porter spent many years collecting and recording from Cambridgeshire people the folk beliefs and customs held and observed in the country, both past and present. The subjects covered in the book, first published in 1969, range from the folklore of courtship, marriage, birth and death, of trees and plants and the whole world of nature to traditional Cambridgeshire food and drink; from ghosts and witchcraft and the cure of disease to charity and land-letting customs. The traditional occupations of the county, as well as the dress worn by the workers in the various crafts and the tools and implements they used, are also recorded, and there are accounts of various Cambridgeshire sports and pastimes. There is a section on University customs, ranging from the ancient procedure observed at examinations and degree ceremonies, through College Stamps and Mock Funerals, to the appointment made formerly of a Christmas Lord in the Colleges. Miss Porter spent most of her life in Cambridge and her mother’s family have lived there since the sixteenth century, so she includes information based on her own observations and on those of members of her family. The Fenland material has largely been provided by W. H. Barrett, well known through his collections of Fen Tales.
First published in 2006. This book tells a number of plain tales of those who tried to save the English behind their collective backs under the term of Utopian Experiments in England between 1560 and 1960. It looks at the influences of the church to community experiments and groups, the ideas of Robert Owen, William Allen, George Mudie, Abraham Combe and more.
“As dangerous as if she stood on the corner of the street exploding gunpowder.” This was the view of ‘Miles’, a correspondent in the Bedfordshire Mercury, writing about the dangerousness of prostitutes in 1874. They were considered a scourge by the Victorians; a menace to society and a threat to the moral and physical wellbeing of a nation. Carrying disease, committing crime, corrupting others; prostitutes were the most feared ‘social evil’. These women were the focus of controlling and invasive legislation, designed to clear the streets. They were imprisoned and removed from their friends and family. They were scorned and shamed and deemed worthless by much of society. The contemporary view of prostitution in the nineteenth century is colored by years of Ripperology, a grim fascination with the lives of a few mutilated women living in London. However, prostitutes were far more than caricatures of sinners or inevitable victims and lived in every other part of England too. Searching through the plethora of newspaper, census, police, and local history records it is now possible to uncover the lives of prostitutes in greater detail than ever before and discover the real women behind the stereotypes. Piecing together these women’s movements from cradle to grave and from one side of the country to another builds a rich picture of what it meant to be a prostitute, including the lives of prostitutes living in small towns, villages, and islands that have all been previously over-looked. This book explores the lives of the women who were omitted from the genteel history books of the past, aiming to identify what they looked like, what life was like for them, and who the important people in their lives were. It also looks in depth at the lives of a select few prostitutes, examining what drew them into prostitution and what happened to them afterwards. From Whitehaven to North Shields, from Peterborough to Bloomsbury (via Paris), these women led extraordinary, richly textured lives that are still relevant today, and that we can continue to learn so much from. The perfect introduction to Victorian prostitutes for family and local historians, genealogists, and students of the Victorian era.
A complete geography of religion in England and Wales, including exhaustive analyses of many religious questions and debates.
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.