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The Immortal Life of Henrietta Lacks meets Get Out in this “startling…powerful” (Kirkus Reviews) investigation of racial inequality at the core of the heart transplant race. In 1968, Bruce Tucker, a black man, went into Virginia’s top research hospital with a head injury, only to have his heart taken out of his body and put into the chest of a white businessman. Now, in The Organ Thieves, Pulitzer Prize–nominated journalist Chip Jones exposes the horrifying inequality surrounding Tucker’s death and how he was used as a human guinea pig without his family’s permission or knowledge. The circumstances surrounding his death reflect the long legacy of mistreating African Americans that began more than a century before with cadaver harvesting and worse. It culminated in efforts to win the heart transplant race in the late 1960s. Featuring years of research and fresh reporting, along with a foreword from social justice activist Ben Jealous, “this powerful book weaves together a medical mystery, a legal drama, and a sweeping history, its characters confronting unprecedented issues of life and death under the shadows of centuries of racial injustice” (Edward L. Ayers, author of The Promise of the New South).
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When all hope is gone, can love still find a way? Tucker Simon has given up on love. After a tragedy, it’s just not in the cards for him, and he wishes his family would get off his back. He’s fine—or at least he thought he was–until a family wedding forces him to address a few things, namely his date, Abby Mathews. She’s been put in the ‘friend’ category, mostly because she deserves so much more than what he can give. But the more time that he spends with her, Tucker begins to think that maybe there is a chance for love after all… Abby Mathews has been in love with Tucker Simon since he walked into her family’s bar nearly a year ago. But he’s got baggage and heartache a plenty. His one-night-stands aren’t going to lessen that no matter what he thinks. Tucker needs a friend, but Abby wants to give him more, and as they navigate their way through a weekend in Florida, their attraction can’t be ignored. Abby has to make a choice. Does she cherish their friendship and take what she can get? Or does she go after what she really wants, which is Tucker’s heart…
This copiously documented volume sheds new light on one of the earliest families to settle in Virginia, that of Captain William Tucker of London, and on a number of allied families whose progenitors figured in the early history of the Virginia and Maryland colonies.
Acclaimed author, Dorothy Garlick, returns with another heart-wrenching tale set during WWI as Charlotte takes up the mantle of her mother's trade, threatening to overwhelm her entire world. Rachel Watkins has her hands full. Her mother had been the town midwife, but after her daughter Alice died under her care, she refused to assist in a childbirth ever again. Since then Rachel has assumed the work. She also takes care of Alice's six-year old, Charlotte, because the child's father was lost in World War I. But Rachel's principal job is running the boardinghouse that is the family's main source of income. One day, Charlotte befriends a stranger ill with influenza, a man who has taken refuge in an old cabin in the woods nearby. Although badly scarred by wounds suffered in the War, he is strong and slowly recovers. When he gradually takes on odd jobs around the house, Rachel accepts his help. She is drawn to him despite his disfigurement, and his voice is comforting, vaguely familiar . . .
A 2017 Michigan Notable Book After World War II, the American automobile industry was reeling. Having spent years building tanks and airplanes for the army, the car companies would need years more to retool their production to meet the demands of the American public, for whom they had not made any cars since 1942. And then in stepped Preston Tucker. This salesman extraordinaire from Ypsilanti, Michigan, had built race cars before the war, and had designed prototypes for the military during it. Now, gathering a group of brilliant automotive designers, engineers, and promoters, he announced the creation of a revolutionary new car: the Tucker '48, the first car in almost a decade to be built fresh from the ground up. Tucker's car would include ingenious advances in design and engineering that other car companies could not match. With a rear engine, rear-wheel drive, a safety-glass windshielf that would pop out in case of an accident, a padded dashboard, independent suspension, and automatic transmission, it would be more attractive and aerodynamic—and safer—than any other car on the road. But as the public eagerly awaited Tucker's car of tomorrow, powerful forces in Washington were trying to bring him down. An SEC commissioner with close ties to Detroit's Big Three automakers deliberately leaked information about an investigation the agency was conducting, suggesting that Tucker was bilking investors with a massive fraud scheme. Headlines accused him a perpetrating a hoax and claimed that his cars weren't real and his factory was a sham. In fact, the Tucker '48 sedan was genuine, and everyone who saw it was impressed by what this upstart carmaker had achieved. But the SEC's investigation had compounded the company's financial problems and management conflicts, and a superior product was not enough to keep Tucker's dream afloat. Here, Steve Lehto tackles the story of Tucker's amazing rise and tragic fall, relying on a huge trove of documents that has been used by no other writer to date. It is the first comprehensive, authoritative account of Tucker's magnificent car and his battles with the government. And in this book, Lehto finally answers the questions automobile aficionados have wondered about for decades: Exactly how and why was the production of such an innovative car killed?
A 2023 Lambda Literary Award Finalist in Nonfiction An Electric Literature “Most Anticipated LGBTQ+ Book of 2022” Selection A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture. What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations. Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a “category” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose lives, work, and activism drive home that very category. At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX’s Pose, Tucker’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.
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