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Translation of: Geschichte der Kriegskunst im Rahmen der politischen Geschichte.
How the history of art begins with the myth of the barbarian invasion—the romantic fragmentation of classical eternity. The history of art, argues Éric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood—and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of “races” and “peoples” rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity. This narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups—denouncing or praising certain qualities as “Latin” or “Germanic.” Thus the predominance of linear elements was thought to betray a southern origin, and the “painterly” a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works—categorized, for example, as “African American,” “Latino,” or “Native American”—creates added value. The market displays the same competition among “races” that was present at the foundation of art history as a discipline.
Translation of: Geschichte der Kriegskunst im Rahmen der politischen Geschichte.
Veteran author Thomas J. Craughwell reveals the fascinating tales of how the barbarian rampages across Europe, North Africa, and Asia -- killing, plundering, and destroying whole kingdoms and empires -- actually created the modern nations of England, France, Russia, and China.
The period 1866–1920 saw the rise and ruin of imperial Germany, and Hans Delbrück (1848–1929) reported on the events of those years from a uniquely privileged position. A professor of history at the University of Berlin, editor of the Prussian Annals—the most famous journal of political commentary of his day—and a delegate to the Paris Peace Conference, he also moved among political, cultural, and military elites. Delbrück pioneered the techniques of modern military history, studying tactics and technology as well as the social, political, and economic context of military operations. His four-volume History of the Art of War is a classic of German and military history. This volume reveals the tension between Delbrück’s patriotism and his scholarship, which helped him to recognize German military failings. The twenty-four readings, comprising letters written to his mother while he served in the Franco-Prussian War of 1870 and essays, reviews, commentaries, and speeches on military figures, historians, and events through World War I, show his talents as a historian and political commentator. Arden Bucholz’s introduction and headnotes illuminate the context of Delbrück’s life and work.
Translation of: Geschichte der Kriegskunst im Rahmen der politischen Geschichte.
“A great book that summarizes pieces of Roman military history that are often not mentioned or difficult to find sources for . . . an entertaining read.”—War History Online As Rome grew from a small city state to the mightiest empire of the west, her dominion was contested not only by the civilizations of the Mediterranean, but also by the “barbarians”—the tribal peoples of Europe. The Celtic, the Spanish-Iberian and the Germanic tribes lacked the pomp and grandeur of Rome, but they were fiercely proud of their freedom and gave birth to some of Rome’s greatest adversaries. Romans and barbarians, iron legions and wild tribesmen clashed in dramatic battles on whose fate hinged the existence of entire peoples and, at times, the future of Rome. Far from reducing the legions and tribes to names and numbers, The Roman Barbarian Wars: The Era of Roman Conquest reveals how they fought and how they lived and what their world was like. Through his exhaustive research and lively text, Ludwig H. Dyck immerses the reader into the epic world of the Roman barbarian wars. “I was reminded, as I picked up this superb book, of that magnificent scene from Gladiator when they unleashed hell on the Barbarian hordes at the beginning of the film. Dyck has produced a book that celebrates the brilliance of the Roman commanders and of Rome itself from its foundation to its eventual demise.”—Books Monthly “Dyck’s details of ancient battles and the people involved provide as much sword-slashing excitement as any fictional account.”—Kirkus Reviews “His vivid prose makes for a gripping read.”—Military Heritage
This engrossing anthology gathers together a remarkable collection of writings on the use of strategy in war. Gérard Chaliand has ranged over the whole of human history in assembling this collection—the result is an integration of the annals of military thought that provides a learned framework for understanding global political history. Included are writings from ancient and modern Europe, China, Byzantium, the Arab world, Persia, and the Ottoman Empire. Alongside well-known militarists such as Julius Caesar, Napoleon, Walter Raleigh, Rommel, and many others are "irregulars" such as Cortés, Lawrence of Arabia, and even Gandhi. Contrary to standard interpretations stressing competition between land and sea powers, or among rival Christian societies, Chaliand shows the great importance of the struggles between nomadic and sedentary peoples, and of the conflicts between Christianity and Islam. With the invention of firepower, a relatively recent occurrence in the history of warfare, modes of organization and strategic concepts—elements reflecting the nature of a society—have been key to how war is waged. Unparalleled in its breadth, this anthology will become the standard work for understanding a fundamental part of human history—the conduct of war. "This anthology is not only an unparalleled corpus of information and an aid to failing memory; it is also and above all a reliable and liberating guide for research. . . . Ranging "from the origins to the nuclear age," it compels us to widen our narrow perspectives on conflicts and strategic action and open ourselves up to the universal."—from the Foreword