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Focusing on the era in which the modern idea of nationalism emerged as a way of establishing the preferred political, cultural, and social order for society, this book demonstrates that across different European societies the most important constituent of nationalism has been a specific understanding of the nation's historical past. Analysing Ireland and Germany, two largely unconnected societies in which the past was peculiarly contemporary in politics and where the meaning of the nation was highly contested, this volume examines how narratives of origins, religion, territory and race produced by historians who were central figures in the cultural and intellectual histories of both countries interacted; it also explores the similarities and differences between the interactions in these societies. Histories of Nationalism in Ireland and Germany investigates whether we can speak of a particular common form of nationalism in Europe. The book draws attention to cultural and intellectual links between the Irish and the Germans during this period, and what this meant for how people in either society understood their national identity in a pivotal time for the development of the historical discipline in Europe. Contributing to a growing body of research on the 'transnationality' of nationalism, this new study of a hitherto-unexplored area will be of interest to historians of modern Germany and Ireland, comparative and transnational historians, and students and scholars of nationalism, as well as those interested in the relationship between biography and writing history.
This book attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns.
Strange Country identifies the origin, the development, and the success of the Irish literary tradition in English as one of the first literature that is both national and colonial.
Between 1878 and 1881, Standish O’Grady published a three-volume History of Ireland that simultaneously recounted the heroic ancient past of the Irish people and helped to usher in a new era of cultural revival and political upheaval. At the heart of this history was the figure of Cuculain, the great mythic hero who would inspire a generation of writers and revolutionaries, from W. B. Yeats and Lady Augusta Gregory to Patrick Pearse. Despite the profound influence O’Grady’s writings had on literary and political culture in Ireland, they are not as well known as they should be, particularly in view of the increasingly global interest in Irish culture. This critical edition of the Cuculain legend offers a concise, abridged version of the central story in History of Ireland—the rise of the young warrior, his famous exploits in the Táin Bó Cualinge (The Cattle Raid of Cooley), and his heroic death. Castle and Bixby’s edition also includes a scholarly introduction, biography, timeline, glossary, editorial notes, and critical essays, demonstrating the significance of O’Grady’s writing for the continued reimagining of Ireland’s past, present, and future. Inviting a new generation of readers to encounter this work, the volume provides the tools necessary to appreciate both O’Grady’s enduring importance as a writer and Cuculain’s continuing resonance as a cultural icon.
"Birth of an Independent Ireland" is a study of the rise of a distinctly Irish nationalist youth in the early twentieth century, which is analysed by focusing on how and to what extent the parallel advent of dedicated periodicals stimulated it. As Ireland moves through the centenary of commemoration of the War of Independence and the establishment of the Free State, it seems only right to direct our attention to the primary role played by the young in the revolutionary years between 1913 and 1923, when Irish boys and girls actively participated in the life of their country as agents of nation-building. In part, they had been taught how to do so. Although they were never mere recipients who passively absorbed pre-formed systems of values, the young had been mentored by nationalist groups and individuals to become active citizens and the builders of a free, independent Ireland. Multiple actors of nationalist sympathies impacted on their lives through social and cultural activities and cultural production ranging from historical works to popular periodical literature. Regarding the latter, a prominent part was played by Our Boys, Fianna, Young Ireland, and St. Enda’s – periodicals for juveniles that carried out a political and cultural programme by catering for both the delight and instruction of Ireland’s youth. They published creative literary work alongside political and critical commentary on pressing matters, as the imperative of these newly-formed papers was to bring their readers into the public space of politics, so that they would contribute to the nation-building process. Therefore, this volume explores how the periodicals constructed very specific images of Irish girlhood and boyhood that were designed to foster a sense of loyalty to Ireland and the nationalist cause, and how they popularised particular receptions of momentous events in Irish history, such as the First World War and the 1916 Easter Rising, so as to buttress their political agenda.
The first full account of North America’s largest collection of traditional Irish-language manuscripts. Harvard University has the largest collection of Irish-language codices in North America, held in Houghton Library, its rare book repository. The manuscripts are a part of the age-old heritage of Irish book production, dating to the early Middle Ages. Handwritten works in Houghton contain versions of medieval poetry and sagas, recopied in the eighteenth and nineteenth centuries, to which period most of the library’s documents belong. Contemporary writings from that time, as well as ones by the post-Famine Irish immigrant community in the United States, are included. This catalogue describes the collection in full for the first time and will be an invaluable aid to research on Irish and Irish American cultural and literary output. The author’s introduction examines how the collection was formed. This untold story is an important chapter in America’s intellectual history, reflecting a phase of unprecedented expansion in Harvard University’s scholarship and teaching during the early twentieth century when the institution’s program of studies began to accommodate an increasing range of European languages and literatures and their sources. This indispensable guide to a major repository’s records of the Irish past, and of America’s Irish diaspora, will interest specialists in early and post-medieval codices. It should prove of relevance as well to scholars and students of comparative literature, cultural studies, and Irish and Irish American history.