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Three descriptive essays and numerous fascinating photographs, taken especially for this volume, allow the reader to experience a major monument of Indian art: the sixth century temple cave on Elephanta Island, in Bombay harbor, and its extraordinary stone sculptures. The authors and the photographer capture the atmosphere of the cave and the spirit of the sculptures, which portray the relentless energy and paradoxical power of Shiva, greatest of all Hindu gods. The photographs are particularly successful in revealing the dramatic alternation of light and dark that is so much a part of the beauty of the cave`s interior. Ms. Berkson`s trained and loving eye picks out the subtleties of the main sculptures and humorous details that the visitor might miss even on the site. In the text Wendy O`Flaherty interprets the myths of Shiva depicted in the sculpture; Ms. berkson`s essay supplies historical background and a stylistic analysis; and George Michell examines the overall structure of the cave to show that it is a mandala-like image of the heavenly mountain residence of Shiva and even of the structure of the universe itself. The author as well as the publishers of the work deserve to be congratulated for providing this easily accessible guide to Elephanta. Research Bulletin Vishveshvaranand Vedic Research Institute,Vol.I, Dec.2002
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Bharat. Son of Kaikeyi. Brother of Rama. Reluctant king of Kosala. Bharat’s carefree life in Kekeya is turned upside down by the death of his father Raja Dashratha and the exile of his brother and crown prince Rama. Untrained in statecraft and unsure of himself, Bharat begins his rule over Kosala by tackling an audacious rakshasa attack on Ayodhya. There’s more trouble brewing. As the magic that sustains the kingdom starts weakening and a drought looms over Kosala, Ayodhya’s citizens begin to disappear mysteriously. Ambitious aristocrats manipulate the inexperienced king to their ends, while fickle allies seize the opportunity to assert their independence. And unknown to Bharat, the Lord of Lanka has put a cunning plan into action that will break the back of Ayodhya’s resistance. Beset by challenges, will Bharat lose Ayodhya so early in his reign? Crackling with characters overlooked and forgotten by the Ramayana, The Warlord of Ayodhya is a thrilling spinoff by bestselling fantasy author Shatrujeet Nath. SHATRUJEET NATH is the creator of the runaway national bestselling series Vikramaditya Veergatha, and the upcoming alternative mythology series Warlord of Ayodhya. Described as “a new face to Indian mythology” by DNA, Shatrujeet writes for movies and web shows as well.
The beautiful rock-cut Siva temple on Elephanta Island in Bombay Harbor is one of the finest monuments of Indian religion and art. Until now, interpretation of its magnificent sculptured scenes has been neglected. In this book, Collins systematically surveys the pertinent Vedic, Epic, and early Puranic literature as well as the contributions of India's foremost poet and dramatist, Kalidasa, to reveal sources for and interpretations of the subjects of the relief sculptures. This survey shows strong associations with areas formerly controlled by the classical Gupta dynasty in northern India. This book provides the first detailing of this link, intimated by others before, which helps to explain the grandeur of style found in the colossal reliefs. By applying certain aspects of ritual texts of the Lakulisa-Pasupata, the sect that probably used Elephanta originally, exceptional clarity is revealed for the worship of the sculptures in a counterclockwise sequence, quite unusual in India, but appropriate to this particular sect. Lakulisa-Pasupata texts are invoked in Collins' theory of how the cave-temple at Elephanta was used. This area of investigation has been virtually untouched by other scholars for any early Hindu shrine in India.
The 6th-century rock-cut cave temple on Elephanta island, in the middle of Mumbai harbor, is the home of Shiva, the greatest of all Hindu gods. Elephanta leads the reader through this magnificent cave temple, examining its overall architectural scheme and interpreting the myths of Shiva that are depicted so forcefully in the extraordinary stone sculptures. The outstanding photographs capture the beauty and magic of the cave. This book also contains fascinating accounts of European travelers, documenting their discovery of Elephanta from the 17th century onwards, and includes information on the ongoing efforts to preserve this monument that was designated a World Heritage Site by UNESCO in 1987.