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The Lost History of Cosmopolitanism challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today.
New arts created in the context of new social realities are impacting our traditional ideas about aesthetics. Art, art markets and aesthetics now interact in ways that demand new forms of thought and revision of old. Cosmopolitan Aesthetics presents the first thorough account of the challenges facing aesthetics today in the light of globalization, introducing the history that underpins them. This is an ideal starting point for anyone looking to better understand 21st century art and aesthetics. Beginning with globalization and the nature of global art markets today, Daniel Herwitz offers new insight into postcolonial aesthetics, colonial legacies, cultural property, the problems of global communication and aesthetic diversity, and the uneasy connection between aesthetics and politics, before providing a crucial grounding in 18th and 19th century aesthetics, with discussion of the three great modern aestheticians David Hume, Immanuel Kant and G.W.F. Hegel.
"The Outlaws of Cave-in-Rock: Historical Accounts of the Famous Highwaymen and River Pirates" by Otto Arthur Rothert is a fascinating and fast-paced story that seems like it could be a complete work of fiction. This adventure, however, is non-fiction, which almost makes it more compelling. American history and action lovers will enjoy this book even now, many years after its first publication.
The Civil War in Southern Appalachian Methodism addresses a much-neglected topic in both Appalachian and Civil War history—the role of organized religion in the sectional strife and the war itself. Meticulously researched, well written, and full of fresh facts, this new book brings an original perspective to the study of the conflict and the region. In many important respects, the actual Civil War that began in 1861 unveiled an internal civil war within the Holston Conference of the Methodist Episcopal Church, South—comprising churches in southwestern Virginia, eastern Tennessee, western North Carolina, and a small portion of northern Georgia—that had been waged surreptitiously for the previous five decades. This work examines the split within the Methodist Church that occurred with mounting tensions over the slavery question and the rise of the Confederacy. Specifically, it looks at how the church was changing from its early roots as a reform movement grounded in a strong local pastoral ministry to a church with a more intellectual, professionalized clergy that often identified with Southern secessionists. The author has mined an exhaustive trove of primary sources, especially the extensive, yet often-overlooked minutes from frequent local and regional Methodist gatherings. He has also explored East Tennessee newspapers and other published works on the topic. The author’s deep research into obscure church records and other resources results not only in a surprising interpretation of the division within the Methodist Church but also new insights into the roles of African Americans, women, and especially lay people and local clergy in the decades prior to the war and through its aftermath. In addition, Dunn presents important information about what the inner Civil War was like in East Tennessee, an area deeply divided between Union and Confederate sympathizers. Students and scholars of religious history, southern history, and Appalachian studies will be enlightened by this volume and its bold new way of looking at the history of the Methodist Church and this part of the nation.