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Bloomington and Normal have grown from small, pioneer settlements into the "Twin Cities" of central Illinois, linked by their proximity and shared history. Surviving and rebuilding after a devastating fire in 1900, the area has continued to grow and prosper. It is home to many businesses, including State Farm, the nation's largest auto and homeowners insurance company. The vintage postcards in this collection feature the delights and difficulties of Bloomington-Normal at the turn-of-the-century. These images capture historic events such as the Street Car Strike of 1917 in which workers took their demands to the streets. The businesses that closed-up shop years ago are opened again through these historic postcards, many of which were originally produced by Bloomington-based postcard publisher C.U. Williams.
Starting in the 1870s, the barns, icehouses, gymnasiums and empty theaters of central Illinois provided the practice sites for aerial performers whose names still command reverence in the annals of American circus history. Meet Fred Miltimore and the Green Brothers, runaways from the Fourth Ward School who became the first Bloomington-born flyers. Watch Art Concello, a ten-year-old truant, become first a world-class flyer, then a famous trapeze impresario and finally Ringling Brothers and Barnum and Bailey Circus's most successful general manager. The entire art of the trapeze--instruction, training, performance and management--became a Bloomington-Normal industry during the tented shows' golden age, when finding a circus flying act without a connection to this area would have been virtually impossible.
This volume, for the first time, presents the total physical world of the college campus as a bona fide art form. It analyzes the aesthetic elements involved in the spawning and savaging of college grounds. The ideal campus design, once defined, is held up to over 100 campuses throughout the United States, and the relative artistic merit of each evaluated. Both the best and the worst in campus design are critically observed from the standpoint of urban space, architectural quality, landscape, and overall appeal. Variables such as regional differences, historical perspective, expansion, and visual focus also figure in the evaluation. A list of the fifty most artistically successful campuses in the country concludes this highly readable and yet academically valid work exploring a discrete artistic discipline.
Amid the forested hills of southern Indiana stands one of America's most beautiful college campuses. Indiana University Bloomington: America's Legacy Campus, the new edition, returns the reader to this architectural gem and cultural touchstone. Revised and updated to include new buildings and features of campus life, it is a must have for any Hoosier. The IU Bloomington campus, rich in architectural tradition, harmonious in building scale and materials, and surrounded by natural beauty, stands today as a testimony to careful campus planning and committed stewardship. Planning principles adopted in the very early stages of campus development have been protected, enhanced, and faithfully preserved, resulting in an institution that can truly be called America's Legacy Campus. Lavishly illustrated and brimming with fascinating details, this book tells the story of Indiana University—a tale not only of buildings, architecture, and growth, but of the talented, dedicated people who brought the buildings to life. Completely updated with new buildings and an epilogue, and now even more lavishly illustrated, this new edition is a lasting tribute to the treasure that is Indiana University Bloomington.
An amateur photographer's astonishing collection of images showcase the oftenunexpected psyche of a developing American suburb in the 1950s and 1960s.
This is a comprehensive description of McClean County as it existed when the authors were writing and researching about it at the end of the nineteenth century. It contains a full history of the area, extant laws, descriptions of famous inhabitants, maps, and much more. It will be of interest to sociological studies, historical studies, and geographical studies.
A detailed historical look at how copyright was negotiated and protected by authors, publishers, and the state in late imperial and modern China In Pirates and Publishers, Fei-Hsien Wang reveals the unknown social and cultural history of copyright in China from the 1890s through the 1950s, a time of profound sociopolitical changes. Wang draws on a vast range of previously underutilized archival sources to show how copyright was received, appropriated, and practiced in China, within and beyond the legal institutions of the state. Contrary to common belief, copyright was not a problematic doctrine simply imposed on China by foreign powers with little regard for Chinese cultural and social traditions. Shifting the focus from the state legislation of copyright to the daily, on-the-ground negotiations among Chinese authors, publishers, and state agents, Wang presents a more dynamic, nuanced picture of the encounter between Chinese and foreign ideas and customs. Developing multiple ways for articulating their understanding of copyright, Chinese authors, booksellers, and publishers played a crucial role in its growth and eventual institutionalization in China. These individuals enforced what they viewed as copyright to justify their profit, protect their books, and crack down on piracy in a changing knowledge economy. As China transitioned from a late imperial system to a modern state, booksellers and publishers created and maintained their own economic rules and regulations when faced with the absence of an effective legal framework. Exploring how copyright was transplanted, adopted, and practiced, Pirates and Publishers demonstrates the pivotal roles of those who produce and circulate knowledge.