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About The Book Lily Gladstone's Journey to the Golden Globe takes you behind the scenes of a groundbreaking Hollywood moment. Join us on a captivating exploration of Lily Gladstone's extraordinary path to becoming the first Indigenous actress to win a Golden Globe for Best Actress in a Drama. Discover the compelling story of Gladstone's life, from her roots in the Amskapi Pikuni (Blackfeet) and Nez Perce tribes to her early career in independent cinema. Uncover the roles that shaped her trajectory, leading to the historic night at the Golden Globes. The book provides an in-depth analysis of Gladstone's powerful performance as Mollie Burkhart in "Killers of the Flower Moon," unraveling the impact of her portrayal on the film's narrative. Journey with Gladstone through her acceptance speech, where she defies norms by speaking in the Blackfeet language, underscoring the cultural pride that fuels her artistry. Explore her dedication of the award to Indigenous youth, unraveling the profound importance of representation and storytelling for marginalized communities. As we go further into Gladstone's collaborations with Hollywood icons Martin Scorsese and Leonardo DiCaprio, witness the dynamics on set and gain insights into her experiences working alongside these renowned figures. Beyond the glitz of red carpet events, the book delves into Gladstone's family and cultural influences, showcasing the roots that ground her in her Blackfeet Nation heritage. We explore the reactions from the Osage Nation to the film and Gladstone's performance, emphasizing the role of community support in her success. The journey doesn't end at the Golden Globes; we navigate the potential Oscar prospects for Gladstone and reflect on her contributions to breaking stereotypes in Hollywood. From her commitment to environmental activism to her personal insights, this book provides an intimate portrait of Lily Gladstone, celebrating her impact on the industry and paving the way for the future of Native representation in Hollywood. This book is not just a story about an actress; it's a narrative of resilience, cultural pride, and the transformative power of representation in shaping the future of cinema. Scroll Up and Click the Buy Button Now to Order.
#1 NEW YORK TIMES BESTSELLER • A twisting, haunting true-life murder mystery about one of the most monstrous crimes in American history, from the author of The Wager and The Lost City of Z, “one of the preeminent adventure and true-crime writers working today."—New York Magazine • NATIONAL BOOK AWARD FINALIST • NOW A MARTIN SCORSESE PICTURE “A shocking whodunit…What more could fans of true-crime thrillers ask?”—USA Today “A masterful work of literary journalism crafted with the urgency of a mystery.” —The Boston Globe In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe. Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. One of her relatives was shot. Another was poisoned. And it was just the beginning, as more and more Osage were dying under mysterious circumstances, and many of those who dared to investigate the killings were themselves murdered. As the death toll rose, the newly created FBI took up the case, and the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to try to unravel the mystery. White put together an undercover team, including a Native American agent who infiltrated the region, and together with the Osage began to expose one of the most chilling conspiracies in American history. Look for David Grann’s latest bestselling book, The Wager!
Echoing and expanding the aims of the first volume, Visualities: Perspectives on Contemporary American Indian Film and Art, this second volume contains illuminating global Indigenous visualities concerning First Nations, Aboriginal Australian, Maori, and Sami peoples. This insightful collection of essays explores how identity is created and communicated through Indigenous film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities Two draws on American Indian studies, film studies, art history, cultural studies, visual culture studies, women’s studies, and postcolonial studies. Among the artists and media makers examined are Tasha Hubbard, Rachel Perkins, and Ehren “Bear Witness” Thomas, as well as contemporary Inuit artists and Indigenous agents of cultural production working to reimagine digital and social platforms. Films analyzed include The Exiles, Winter in the Blood, The Spirit of Annie Mae, Radiance, One Night the Moon, Bran Nue Dae, Ngati, Shimásání, and Sami Blood.
Outstanding new crime fiction spanning centuries of history from Dagger winner Kate Ellis, Edgar winner Martin Edwards, and many more. Collected by Anthony and Dagger Award-winner and eminent editor Maxim Jakubowski, The Book of Extraordinary Historical Mystery Stories features never-before-seen stories by some of the most renowned American and British crime and thriller authors of today, offering a showcase of puzzling, adventurous, and atmospheric short fiction—set in eras ranging from prehistory to medieval, Victorian to World War II, and starring detectives both professional and amateur. Contributors include Linda Stratmann, Amy Myers, Lavie Tidhar, Jane Finnis, O’Neil de Noux, Ashley Lister, Eric Brown, Kate Ellis, A.K. Benedict, and others.
Feminism in the United States: A Concise Introduction presents readers with the key debates and ideas central to contemporary US feminism. With a focus on intersectionality, the book highlights the goals, tactics, and varieties of feminism. This engaging, clear, and accessible text includes current examples, case studies, profiles of key figures in the movement, and opportunities/resources to gather more information. The reader will learn how to employ a feminist lens as an informed conversationalist, social media user, news consumer, and if so desired, activist. Readers will learn about the varieties of contemporary US feminism and how different strands of feminism emerge; the heterogeneity of the movement as it endures over generations in both hospitable and inhospitable climates; and the inequalities addressed and tactics used by feminists to create lasting social change. Feminism in the United States is ideal for undergraduate students, particularly those enrolled in introductory classes in feminist, gender, and sexuality studies and related programs, as well as for the anyone seeking to explore feminism for the first time.
*A future true crime classic featuring an introduction by Mary Gaitskill* 'Dreamy, mysterious and ultimately terrifying' Megan Abbott, author of Dare Me 'A swift, harrowing classic' Jenny Offill, author of Dept. of Speculation British Columbia, 1997. Under the Bridge traces the events surrounding the 1997 murder of fourteen-year-old Reena Virk by eight of her peers, in an account based on six years of research and interviews with the accused that offers insight into the social tensions that provoked the crime and the minds of teenage killers. By the author of The Torn Skirt. 'A modern day Crime and Punishment that keeps you on the edge of your seat. A stunning book' Gary Shteyngart, author of Lake Success 'Under the Bridge is brilliant, enthralling, heart breaking and disturbing' Nadine Matheson, author of The Binding Room 'A tour-de-force of true crime reportage' Kirkus Reviews 'Mixes novelistic suspense with a journalist's key eye for detail' Bustle 'Hypnotic, obsessive, wonderfully transformative' John Guare, author of Six Degrees of Separation
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
The interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.