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Between ancient Greece and modern psyche lies a divide of not only three thousand years, but two cultures that are worlds apart in art, technology, economics and the accelerating flood of historical events. This unique collection of essays from an international selection of contributors offers compelling evidence for the natural connection and relevance of ancient myth to contemporary psyche, and emerges from the second 'Ancient Greece, Modern Psyche' conference held in Santorini, Greece, in 2012. This volume is a powerful homecoming for those seeking a living connection between the psyche of the ancients and our modern psyche. This book looks at eternal themes such as love, beauty, death, suicide, dreams, ancient Greek myths, the Homeric heroes and the stories of Demeter, Persephone, Apollo and Hermes as they connect with themes of the modern psyche. The contributors propose that that the link between them lies in the underlying archetypal patterns of human behaviour, emotion, image, thought, and memory. Ancient Greece, Modern Psyche: Archetypes Evolving makes clear that an essential part of deciphering our dilemmas resides in a familiarity with Western civilization's oldest stories about our origins, our suffering, and the meaning or meaninglessness in life. It will be of great interest to Jungian psychotherapists, academics and students as well as scholars of classics and mythology.
As inequality widens in all sectors of contemporary society, we must ask: is psychoanalysis too white and well-to-do to be relevant to social, economic, and racial justice struggles? Are its ideas and practices too alien for people of color? Can it help us understand why systems of oppression are so stable and how oppression becomes internalized? In A People’s Historyof Psychoanalysis: From Freud to Liberation Psychology, Daniel José Gaztambide reviews the oft-forgotten history of social justice in psychoanalysis. Starting with the work of Sigmund Freud and the first generation of left-leaning psychoanalysts, Gaztambide traces a series of interrelated psychoanalytic ideas and social justice movements that culminated in the work of Frantz Fanon, Paulo Freire, and Ignacio Martín-Baró. Through this intellectual genealogy, Gaztambide presents a psychoanalytically informed theory of race, class, and internalized oppression that resulted from the intertwined efforts of psychoanalysts and racial justice advocates over the course of generations and gave rise to liberation psychology. This book is recommended for students and scholars engaged in political activism, critical pedagogy, and clinical work.
It’s a troubling phenomenon that many of us think of as a modern psychological epidemic, a symptom of extreme emotional turmoil in young people, especially young women: cutting and self-harm. But few of us know that it was 150 years ago—with the introduction of institutional asylum psychiatry—that self-mutilation was first described as a category of behavior, which psychiatrists, and later psychologists and social workers, attempted to understand. With care and focus, Psyche on the Skin tells the secret but necessary history of self-harm from the 1860s to the present, showing just how deeply entrenched this practice is in human culture. Sarah Chaney looks at many different kinds of self-injurious acts, including sexual self-mutilation and hysterical malingering in the late Victorian period, self-marking religious sects, and self-mutilation and self-destruction in art, music, and popular culture. As she shows, while self-harm is a widespread phenomenon found in many different contexts, it doesn’t necessarily have any kind of universal meaning—it always has to be understood within the historical and cultural context that surrounds it. Bravely sharing her own personal experiences with self-harm and placing them within its wider history, Chaney offers a sensitive but engaging account—supported with powerful images—that challenges the misconceptions and controversies that surround this often misunderstood phenomenon. The result is crucial reading for therapists and other professionals in the field, as well as those affected by this emotive, challenging act.
Today, a widening range of historical phenomena are being examined through the psychoanalytic lens, while the psychoanalytic tradition itself is coming in for unprecedented historical scrutiny. This collection of essays showcases the innovative, and sometimes contentious, encounters between psychoanalysis and history.
The Greek god of love, Cupid, falls in love with the beautiful mortal, Psyche.
1987 American Book Award Winner A A A This ambitious and enchanting novel is both modern-day epic and a work of great emotional and spiritual death. Bold in its historical scope, rich in colorful settings, and eminently readable, Confessions of Madame Psyche also reaches inward, toward quieter truths. A A A The novel is narrated by Mei0li Murrow, born in San Francisco in 1895, the illegitimate daughter of a charismatic confidence man and the Chinese prostitute he has "rescued" from the streets. After her mother's early death, Mei-li is left to care of her mercenary half-sister Erika. When the young Mei-li, by pure coincidence, predicts the San Francisco earthquake of 1906, Erika contructs her identity as "Madame Psyche"-exploiting Mei'li's exoticism and her clients' yearnings for contact with the dead in a series of ingeniously orchestrated seances that win her renown as a medium in California and then in the death-soaked Europe of the First World War. A A A Ironically, it is when she manages to finally reject the popular "spirituality" that has made her famous that Mei-li experiences a truer spiritual vision: One day, while walking on the beach, she has a revelation of her connection to all of life-"an experience of hidden reality which I have never doubted...and which left me permanently changed by what I then knew and know still and will always know." A A A Mei-li's subsequent journey leads her through the aspirations and disappointments of a utopian commune in the Santa Cruz Mountains in the 1920s; to the poverty of migrant work camps in the Depression-era Salinas Valley; and to the courage of the first strikes on San Jose's cannery row. Finally, when the relentless Erika cheats her out of an inheritance by having her committed to the Napa State Hospital, Mee-li finds her greatest wisdom and peace among the outcasts of the asylum-and there writes her "confessions." A A A Mei'li's story is ensconed in the rich history of Northern California in the first half of the twentieth century, and peopled by comrades of many classes and cultures and lovers both male and female; but her central odyssey remains one of inner discovery. In Confessions of Madame Psyche, Dorothy Bryant has created a character who is so honest in her search for truth, growth, and spiritual understanding that this quest becomes inherent to her survival.
Cupid and Psyche Apuleius - Cupid and Psyche is a story from the Latin novel Metamorphoses, also known as The Golden Ass, written in the 2nd century AD by Apuleius. It concerns the overcoming of obstacles to the love between Psyche (Soul or Breath of Life) and Cupid (Desire), and their ultimate union in a sacred marriage.
But this is what I could not give up: I could not give up myself Psyche has known Love—scented with jasmine and tasting of fresh oranges. Yet he is fleeting and fragile, lost to her too quickly. Punished by self-doubt, Psyche yearns to be transformed, like the beautiful and brutal figures in the myths her lover once spoke of. Attempting to uncover beauty in the darkness, she is challenged, tested, and changed by the gods and demons who tempt her. Her faith must be found again, for if she is to love, she must never look back.
Seeks to demonstrate the existence of a direct connection between the planetary movements and human history, and examines such ancient and modern events as the French Revolution and September 11th.