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This lively and accessible text provides an introduction to the history of crime and crime control. It explains the historical background that is essential for an understanding of contemporary criminal justice, and examines the historical context for contemporary criminological debates. Topics covered include: Crime statistics Constructions of criminality Policing Prisons Surveillance Governance White-collar crime Immigration and crime For each topic, the book provides an overview of current research, comment on current arguments and links to wider debates. The Key Approaches to Criminology series celebrates the removal of traditional barriers between disciplines and, specifically, reflects criminology’s interdisciplinary nature and focus. It brings together some of the leading scholars working at the intersections of criminology and related subjects. Each book in the series helps readers to make intellectual connections between criminology and other discourses, and to understand the importance of studying crime and criminal justice within the context of broader debates. The series is intended to have appeal across the entire range of undergraduate and postgraduate studies and beyond, comprising books which offer introductions to the fields as well as advancing ideas and knowledge in their subject areas.
Several encyclopedias overview the contemporary system of criminal justice in America, but full understanding of current social problems and contemporary strategies to deal with them can come only with clear appreciation of the historical underpinnings of those problems. Thus, this five-volume work surveys the history and philosophy of crime, punishment, and criminal justice institutions in America from colonial times to the present. It covers the whole of the criminal justice system, from crimes, law enforcement and policing, to courts, corrections and human services. Among other things, this encyclopedia: explicates philosophical foundations underpinning our system of justice; charts changing patterns in criminal activity and subsequent effects on legal responses; identifies major periods in the development of our system of criminal justice; and explores in the first four volumes - supplemented by a fifth volume containing annotated primary documents - evolving debates and conflicts on how best to address issues of crime and punishment. Its signed entries in the first four volumes--supplemented by a fifth volume containing annotated primary documents--provide the historical context for students to better understand contemporary criminological debates and the contemporary shape of the U.S. system of law and justice.
In order to gain a better understanding of how criminal justice history is presented in major motion pictures, ten such films were selected for Crime, History, and Hollywood. The films were selected as good representations of criminal justice subject matter, mostly centered on specific crimes, their investigation, and courtroom outcomes. Films made across a wide range of times were also selected, and ones that represented American history from the mid-1800s (Amistad) and into the 1970s (All the President's Men). The most important aspect of the film selection was that they were based on actual historical events. While films such as the Shawshank Redemption and Twelve Angry Men are excellent criminal justice films, they are not based on true historical crimes or events. Each film (chapter) will open with an introduction to the historical event and film. The authors will then present the true historical events that the film was based on. Next, they will present a review of the film's narrative and how Hollywood portrayed the historical event. It should be noted here that the viewing of the film would best complement this section of each chapter. Then a review of the historical accuracy of each film will be reviewed, mentioning the various types of historical inaccuracies employed in each film. Finally, each chapter will present a conclusion in regard to the accuracy of the film, a list of books for further reading on the topic, and the endnotes. "Their passion for history shines through their writing, which is clear, engaging, and efficient....an important contribution to criminological studies of crime films..." -- Criminal Law and Criminal Justice Books "[The] book creates a wonderful path for discussion and connection." -- Lee Ayers, Criminal Justice Review 39(4) PowerPoint slides are available to professors upon adoption of this book. Download sample slides from the full 17-slide presentation here. If you have adopted the book for a course, contact bhall (at) cap-press (dot) com to request the PowerPoint slides.
Renowned historical sociologist Charles Tilly wrote many years ago that “banditry, piracy, gangland rivalry, policing, and war-making all belong on the same continuum.” This volume pursues the idea by revealing how lawbreakers and lawmakers have related to one another on the shadowy terrains of power over wide stretches of time and space. Illicit activities and forces have been more important in state building and state maintenance than conventional histories have acknowledged. Covering vast chronological and global terrain, this book traces the contested and often overlapping boundaries between these practices in such very different polities as the pre-modern city-states of Europe, the modern nation-states of France and Japan, the imperial power of Britain in India and North America, Africa’s and Southeast Asia’s postcolonial states, and the emerging postmodern regional entity of the Mediterranean Sea. Indeed, the contemporary explosion of transnational crime raises the question of whether or not the relationship of illicit to licit practices may be mutating once more, leading to new political forms beyond the nation-state.
Scholarly interest in the history of crime has grown dramatically in recent years and, because scholars associated with this work have relied on a broad social definition of crime which includes acts that are against the law as well as acts of social banditry and political rebellion, crime history has become a major aspect not only of social history, but also of cultural as well as legal studies. This collection explores how the history of crime provides a way to study time, place and culture. Adopting an international and interdisciplinary perspective to investigate the historical discourses of crime in Europe and the United States from the sixteenth to the late twentieth century, these original works provide new approaches to understanding the meaning of crime in modern western culture and underscore the new importance given to crime and criminal events in historical studies. Written by both well-known historians and younger scholars from across the globe, the essays reveal that there are important continuities in the history of crime and its representations in modern culture, despite particularities of time and place.
Historisch overzicht van de samenhang en wederzijdse beïnvloeding van de georganiseerde misdaad en de politiek in de Verenigde Staten.
Organized crime is the world's biggest & most profitable business. Tackling the crimes, methods, & the key figures in the world's largest & most powerful outlaw organizations, this book traces the evolution of organized crime in major territories to present the comprehensive illustrated exploration of organized crime.
The historical study of crime has expanded in criminology during the past few decades, forming an active niche area in social history. Indeed, the history of crime is more relevant than ever as scholars seek to address contemporary issues in criminology and criminal justice. Thus, The Oxford Handbook of the History of Crime and Criminal Justice provides a systematic and comprehensive examination of recent developments across both fields. Chapters examine existing research, explain on-going debates and controversies, and point to new areas of interest, covering topics such as criminal law and courts, police and policing, and the rise of criminology as a field. This Handbook also analyzes some of the most pressing criminological issues of our time, including drug trafficking, terrorism, and the intersections of gender, race, and class in the context of crime and punishment. The definitive volume on the history of crime, The Oxford Handbook of the History of Crime and Criminal Justice is an invaluable resource for students and scholars of criminology, criminal justice, and legal history.
This book offers a history of crime and the criminal justice system in America, written particularly for students of criminal justice and those interested in the history of crime and punishment. It follows the evolution of the criminal justice system chronologically and, when necessary, offers parallels between related criminal justice issues in different historical eras. From its antecedents in England to revolutionary times, to the American Civil War, right through the twentieth century to the age of terrorism, this book combines a wealth of resources with keen historical judgement to offer a fascinating account of the development of criminal justice in America. A new chapter brings the story up to date, looking at criminal justice through the Obama era and the early days of the Trump administration. Each chapter is broken down into four crucial components related to the American criminal justice system from the historical perspective: lawmakers and the judiciary; law enforcement; corrections; and crime and punishment. A range of pedagogical features, including timelines of key events, learning objectives, critical thinking questions and sources, as well as a full glossary of key terms and a Who’s Who in Criminal Justice History, ensures that readers are well-equipped to navigate the immense body of knowledge related to criminal justice history. Essential reading for Criminal Justice majors and historians alike, this book will be a fascinating text for anyone interested in the development of the American criminal justice system from ancient times to the present day.
A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.