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Historicism and the Human Sciences in Victorian Britain explores the rise and nature of historicist thinking about such varied topics as life, race, character, literature, language, economics, empire, and law. The contributors show that the Victorians typically understood life and society as developing historically in a way that made history central to their intellectual inquiries and their public culture. Although their historicist ideas drew on some Enlightenment themes, they drew at least as much on organic ideas and metaphors in ways that lent them a developmental character. This developmental historicism flourished alongside evolutionary motifs and romantic ideas of the self. The human sciences were approached through narratives, and often narratives of reason and progress. Life, individuals, society, government, and literature all unfolded gradually in accord with underlying principles, such as those of rationality, nationhood, and liberty. This book will appeal to those interested in Victorian Britain, historiography, and intellectual history.
This book studies the rise and nature of historicist approaches to life, race, character, language, political economy, and empire. Arguing that Victorians understood life and society as developing historically in a way that made history central to public culture, it will appeal to those interested in Victorian Britain, historiography, and intellectual history.
This collection of essays explores the questions of what counted as knowledge in Victorian Britain, who defined knowledge and the knowledgeable, by what means and by what criteria. During the Victorian period, the structure of knowledge took on a new and recognizably modern form, and the disciplines we now take for granted took shape. The ways in which knowledge was tested also took on a new form, with the rise of written examinations. New institutions of knowledge were created: museums were important at the start of the period, universities had become prominent by the end. Victorians needed to make sense of the sheer scale of new information, to popularize it, and at the same time to exclude ignorance and error - a role carried out by encyclopaedias and popular publications. By studying the Victorian organization of knowledge in its institutional, social, and intellectual settings, these essays contribute to our wider consideration of the complex and much debated concept of knowledge.
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
This study explores the rise and nature of modernist approaches to economics, sociology, international relations, administration, language, history and anthropology.
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
Exploring the rich relationship between historical thought and religious debate in Victorian culture, God and Progress offers a unique and authoritative account of intellectual change in nineteenth-century Britain. The volume recovers a twofold process in which the growth of progressive ideas of history transformed British Protestant traditions, as religious debate, in turn, profoundly shaped Victorian ideas of history. It adopts a remarkably wide contextual perspective, embracing believers and unbelievers, Anglicans and nonconformists, and writers from different parts of the British Isles, fully situating British debates in relation to their European and especially German Idealist surroundings. The Victorian intellectual mainstream came to terms with religious diversity, changing ethical sensibilities, and new kinds of knowledge by encouraging providential, spiritualized, and developmental understandings of human time. A secular counter-culture simultaneously disturbed this complex consensus, grounding progress in appeals to scientific advances and the retreat of metaphysics. God and Progress thus explores the ways in which divisions within British liberalism were fundamentally related to differences over the past, present, and future of religion. It also demonstrates that religious debate powered the process by which historicism acquired cultural authority in Victorian national life, and later began to lose it. The study reconstructs the ways in which theological dynamics, often relegated to the margins of nineteenth-century British intellectual history, effectively forged its leading patterns.
The Reception of Darwinian Evolution in Britain, 1859-1909: Darwinism's Generations uses the impact of Charles Darwin's On the Origin of Species (1859) in the 50 years after its publication to demonstrate the effectiveness of a generational framework for understanding the cultural and intellectual history of Britain in the nineteenth century. It challenges conventional notions of the 'Darwinian Revolution' by examining how people from across all sections of society actually responded to Darwin's writings. Drawing on the opinions and interventions of over 2,000 Victorians, drawn from an exceptionally wide range of archival and printed sources, it argues that the spread of Darwinian belief was slower, more complicated, more stratified by age, and ultimately shaped far more powerfully by divergent generational responses, than has previously been recognised. In doing so, it makes a number of important contributions. It offers by far the richest and most comprehensive account to date of how contemporaries came to terms with the intellectual and emotional shocks of evolutionary theory. It makes a compelling case for taking proper account of age as a fundamental historical dynamic, and for the powerful generational patternings of the effects that age produced. It demonstrates the extent to which the most common sub-periodisation of the Victorian period are best understood not merely as constituted by the exigencies of events, but are also formed by the shifting balance generational influence. Taken together these insights present a significant challenge to the ways historians currently approach the task of describing the nature and experience of historical change, and have fundamental implications for our current conceptions of the shape and pace of historical time.