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This collection provides a comprehensive review of the current state of Georgian ethnomusicology, with the accent on historical trends. It presents a tribute to Anzor Erkomaishvili, a pivotal figure in Georgian traditional music, the author of many widely known masterpieces of Georgian traditional and church-song repertoires. The steadily increasing popularity of Georgian traditional music, among both professional ethnomusicologists and lovers of choral singing, provides an urgent need for this volume.
This collection provides a comprehensive review of the current state of, and new developments in, Georgian ethnomusicology, from raising the tourist industry for lovers of Georgian traditional music to the peculiarities of teaching Georgian traditional music to countless choirs around the world. It presents a tribute to Anzor Erkomaishvili, a pivotal figure in Georgian traditional music, the author of many widely known masterpieces of Georgian traditional and church-song repertoires. The steadily increasing popularity of Georgian traditional music, both among professional ethnomusicologists and lovers of choral singing, provides an urgent need for this volume.
Black Sea Sketches is a portrait of some of the diverse musical cultures surrounding the Black Sea and in its hinterlands. Its six separate chapters follow a very broad trajectory from close-ups of traditional music (chapters 1-4) towards wide-angle studies of art music (chapters 5-6), and each of them opens windows to big, border-crossing themes about music and place. A wide variety of repertoires is discussed: ancient layers of polyphonic music, bardic songs, traditional music from the coasts and mountains, the sacred music of Islam and Orthodox Christianity, the art music of Europe and West Asia, and present-day popular music ‘scenes’. The usual practice is for each chapter to begin with a Black Sea coastal location before reaching out into the hinterlands. The result is a collection of six relatively discrete essays on different locations and topics, but with underlying thematic continuities, and offering a wide-ranging commentary on cultural difference. Firmly grounded in ethnographic and documentary research, this is an important study for scholars and researchers of Ethnomusicology, as also of Caucasian and Russian/East European Studies.
Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal. Interdisciplinary perspectives shed new light on authenticity, recontextualization, transmission, institutionalization, globalization, and post-revival legacies.
The traditions of the Mediterranean island of Corsica have been well preserved and revitalized, yet little has been written about it in scholarly circles. This work represents the first treatise on Corsican music in the English language. Transported by Song: Corsican Voices from Oral Tradition to World Stage chronicles the evolution of Corsican music from the early 20th century to the present, charting its progression from the world of oral tradition to a vibrant new performance culture maintained by an expanding cohort of cosmopolitan players. Drawing on extensive fieldwork, comprehensive interviewing, and close observation of Corsican affairs, author Caroline Bithell maps out the social, cultural, economic, and political climate of Corsica in the 20th and early 21st centuries, offering insights into the way French cultural policy, decentralization legislation, and EU funding structures have impacted musical activity on the island. Key issues are explored through case studies of Corsican performing groups, allowing the reader to appreciate the musicians' inspirations and intentions, their ability to balance local and cosmopolitan frames of reference, and the relation of their new output to 'traditional' idioms and procedures. The book also offers new perspectives on debates about music and ethnicity and gender dynamics, and explores the use of modern technology in an oral idiom, and the psycho-physiological and transcendental experiences associated with polyphonic singing. Well researched and comprehensively written, Transported by Song also includes musical transcriptions, a glossary, discography, filmography, and bibliography.