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The story of Scheherazade is retold here in Kabuki style. Animals and birds are interchanged with humans. Symbolic use of scenery and dance movements defines the style.
Introduction: Play -- Childhood and play in colonial America -- Domesticating children, 1800-1850 -- The arrival of toys, 1850-1900 -- The invasion of children's play culture, 1900-1950 -- The golden age, 1900-1950 -- The commercialization of children's play, 1950 to the present -- Children's play goes underground, 1950 to the present -- Conclusion
For fans of Press Here, this new interactive picture book invites readers to touch and move and "play" with the book. To start our show we need a band--maybe you can lend a hand! There are lots of ways little hands can make music. Each page of this interactive book invites readers to strum the guitar, slide the trombone, crash the cymbals, and more--no instruments required! With a delightful rhyming text and engaging illustrations, this book is full of instruments waiting to share their sounds. The only thing this band needs is YOU! Just use your imagination, turn the pages, and Play This Book! Pair with Pet This Book, another title by author Jessica Young and illustrator Daniel Wiseman that comes printed on heavy-duty card stock pages to stand up to all kinds of play!
'Reading has a history. But how can we recover it?' This volume brings together original research essays focusing on the history of reading in the British Isles, using evidence ranging from library records to Mass Observation surveys to highlight the social factors that influence a seemingly private, individual activity.
Vols. for 1898-1968 include a directory of publishers.
Emily Dickinson on sex, desire, and “the chapter . . . in the night.” Emma Goldman against the tyranny of marriage. Ida B. Wells against lynching. Anna Julia Cooper on Black American womanhood. Frances Willard on riding a bicycle. Perhaps the first of its kind, Radicals is a two-volume collection of writings by American women of the nineteenth and early twentieth centuries, with special attention paid to the voices of Black, Indigenous, and Asian American women. In Volume 2: Memoir, Essays, and Oratory, selections span from early works like Sarah Mapps Douglass’s anti-slavery appeal “A Mother’s Love” (1832) and Maria W. Stewart’s “Address Delivered at the African Masonic Hall” (1833), to Zitkala-Sa’s memories in “The Land of Red Apples” (1921) and Charlotte Perkins Gilman’s moving final essay “The Right to Die” (1935). In between, readers will discover a whole host of vibrant and challenging lesser-known texts that are rarely collected today. Some, indeed, have been out of print for more than a century. Unique among anthologies of American literature, Radicals undoes such silences by collecting the underrepresented, the uncategorizable, the unbowed—powerful writings by American women of genius and audacity who looked toward, and wrote toward, what Charlotte Perkins Gilman called “a lifted world.”