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Selected articles from quarterly journal Accounting research, published in Britain by Cambridge University Press from 1948-1958.
British Archives is the foremost reference guide to archive resources in the UK. Since publication of the first edition more than ten years ago, it has established itself as an indispensable reference source for everyone who needs rapid access on archives and archive repositories in this country. Over 1200 entries provide detailed information on the nature and extent of the collection as well as the organization holding it. A typical entry includes: name of repositiony; parent organization ; address, telephone, fax, email and website; number for enquiries; days and hours of opening; access restrictions; acquisitions policy; archives of organization; major collections; non-manuscript material; finding aids; facilities; conservation; publications New to this edition: email and web address; expanded bibliography; consolidated repository and collections index
Since it was first published in 1982 British Archives has established itself as the premier reference work to holdings of archives and manuscript collections throughout the UK. The 3rd edition has been extensively revised and enlarged with more than 150 new entries, further widening the range of the book. Entries are structured to show the archives of the organisation as distinct from deposited collections and significant non-manuscript material, and additional details of fax number and conservation provision are included for the first time. All the existing entries have been significantly updated, together with the select bibliography and list of useful addresses of various organisations involved in the care and custody of archives. The introduction provides an invaluable guide to researchers using archives, including a summary of the relevant legislation and a detailed description of the usual holdings of county and other local authority record offices.
This revised edition lists approximately 1200 libraries in the UK and the Republic of Ireland, some included for the first time, with details of their rare and special book collections. It covers mainly those printed before 1850, but includes manuscript and modern material where related.
To be one of "the middling sort" in urban England in the late seventeenth or eighteenth century was to live a life tied, one way or another, to the world of commerce. In a lively study that combines narrative and alternately poignant and hilarious anecdotes with convincing analysis, Margaret R. Hunt offers a view of middling society during the hundred years that separated the Glorious Revolution from the factory age. Thanks to her exploration of many family papers and court records, Hunt is able to examine what people thought, felt, and valued. She finds that early capitalism and early modern family life were far more insecure than their "classical" models supposed. Commercial needs and social needs coincided to a large extent. The family is central to Hunt's story, and she shows how financial struggles brought conflict, ambiguity, and tension to the home. She investigates the way gender intertwined with class and family hierarchy and the way many businesses survived as precarious successes, secured through the sacrifices made by female as well as male family members. The Middling Sort offers a dynamic portrait of a society struggling to minimize the considerable social and psychic dislocation that accompanied England's launch of a full-scale market economy.
"Recent influential work on Jacobean city comedies, by Jean-Christophe Agnew and Douglas Bruster in particular, is confined to the well-worn topics of urban alienation and the avaricious merchant, drawing on 1550s sermons and tracts against usury. In this model, where social credit is deemed to circulate without limit, the city comedy's specific reference to contemporary ideas of trade, cash, and credit is lost. The plays are reduced to moral satires against greed, humoural comedies of the hollow self, or self-referencing literary artifacts which create and interact with a coterie audience. Aging rants against avarice might account for earlier interludes which mock usurers and misers, but not for the slick, formal pleasures of the city comedy, bringing together gull, courtesan, prodigal gallant, virgin daughter, and jealous citizen father or husband."--BOOK JACKET.
The Routledge Companion to Accounting History shows how the seemingly innocuous practice of accounting has pervaded human existence in fascinating ways at numerous times and places; from ancient civilisations to the modern day, and from the personal to the political. Placing the history of accounting in context with other fields of study, the collection gives invaluable insights to subjects such as the rise of capitalism, the control of labour, gender and family relationships, racial exploitation, the functioning of the state, and the pursuit of military conflict. An engaging and comprehensive overview also examining geographical differences, this Companion is split into key sections, which explore: changing technologies used to represent financial and other data historical development of accounting theory and practice accounting institutions and those who perform accounting accountancy and the economy accounting, society, and culture the role of accounting in the government, protection and financing of states including chapters on the important role played by accountancy in religious organizations, a review of how the discipline is portrayed in fine art and popular culture, and analysis of sharp practice and corporate scandals. The Routledge Companion to Accounting History has a breadth of coverage that is unmatched in this growing area of study. Bringing together leading writers in the field, this is an essential reference work for any student of accounting, business and management, and history.
In the last few decades lithography has become the major book production process, but its versatility and potential for short-run, do it yourself publishing were first exploited early in the 19th century. The arrival of desk top publishing has stimulated an interest in this once neglected, but now very relevant, area of printing history, and Twyman's meticulous research presents the reader with a minute account of the subject. He describes the design and production of a wide range of publications, from a broad variety of sources, for whom lithography promised a flexibility unobtainable from letterpress. However, some of his most interesting accounts and demonstrations are of hopes disappointed and a return to letterpress.