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This illustrated history portrays one of England’s finest cities - Leicester. Using photographs taken from the unique Historic England Archive.
James Stirling was one of the most influential architects of the late twentieth century. He established his world-wide reputation in the 1960s while still in partnership with James Gowan, and his strong personal style is first seen to emerge in the extraordinary Leicester University Engineering Building, the last project to be completed by the partnership. Its slender, almost transparent, tower rises above the projecting forms of its wedge-shaped auditoria. This constructivist inspired ensemble is juxtaposed with the industrial toughness of the engineering workshops whose saw-tooth factory glazing cuts across its roof at an acute angle, setting up a powerful and contradictory geometry.
Pevsner wrote that "Leicestershire is not a county of extremes" and agreed that "no other county in England surpasses Rutland for unspoiled quiet charm". The large and the small Midland counties possess a varied and rewarding range of buildings. Church architecture encompasses the classical Normanton, preserved in remote isolation from the flood of Rutland Water, to Market Harborough with its elegant medieval steeple, and a fine group of Victorian churches in Leicester. The major country houses include Belvoir Castle, Staunton Harold and Burley-on-the-Hill, while the more modest homes of the late nineteenth century include notable work by Ernest Gimson, Voysey and a garden city at Leicester by Parker & Unwin. Leicestershire also possesses fine modern buildings, from its architecturally progressive schools to the justly renowned buildings of Leicester University, dominated by Stirling & Gowan's Engineering Building.
Since 1987 more than 300 buildings have been listed for their special architectural and historic interest. From humble prefabs to the colossal Park Hill, Sheffield, the range of listed buildings is staggering. This book lists all of them. Sir Albert Richardson's Bracken House, built for the Financial Times in 1955-59, was the first post-war building to be officially listed, when it was threatened with demolition. Listing led to its remodelling by Michael Hopkins in 1989-91, a demonstration of how the conservation process can inspire radical architectural interventions. Subsequent listings have been prompted by requests from the public when a building is threatened, or from detailed studies by building type. Buildings range from traditional works by Raymond Erith and Donald McMorran and many of the 'pop icons' of the 1960s such as Centre Point, to internationally outstanding modern works like Stirling and Gowans' Leicester Engineering Building and Foster Associates' offices for Willis Faber Dumas in Ipswich.
This illustrated history portrays the very heart of our great capital city - Central London. Using photographs taken from the unique Historic England Archive.
This is the first major book to study English architecture between 1945 and 1975 in its entirety. Challenging previous scholarship on the subject and uncovering vast amounts of new material at the boundaries between architectural and social history, Elain Harwood structures the book around building types to reveal why the architecture takes the form it does. Buildings of all budgets and styles are examined, from major universities to the modest café. The book is illustrated with stunning new photography that reveals the logic, aspirations, and beauty of hundreds of buildings throughout England, at the point where many are disappearing or are being mutilated. Space, Hope, and Brutalism offers a convincing and lively overview of a subject and period that fascinates younger scholars and appeals to those who were witnesses to this history. Published for the Paul Mellon Centre for Studies in British Art
An illustrated history one of England’s finest cities - Coventry.
This book presents the first overview of Muslim architecture in Britain, from the earliest examples in the late 19th century, to mosques being built today. Key architectural stages are identified and explained alongside the social history of Muslim settlement and growth. The analysis focuses on the way in which the mosque as a new cultural and architectural form has benefitted into the existing urban fabric of Britain’s towns and cities, and how this new building type has then impacted its urban landscape, socially, culturally and architecturally.The British Mosque is an architectural as well as a social history, and describes the evolution of Britain’s Muslim communities through the buildings they have built. By presenting this architectural narrative for the first time, the book opens up a new field of British Islamic Architecture. The architectural story charts a course from the earliest mosques formed through the conversion of houses, to other large scale conversions through to purpose built mosques and with these the emergence of an Islamic architectural expression in Britain.As the mosque is not solely considered in terms of its architectural style, but also from its social history and cultural meaning, this book provides an observation into the character of British Muslim life and practice and how these have been embodied through its buildings. The future of Islamic architecture in Britain is also considered, and how this will be affected by the growing cultural and social diversification of Britain’s Muslim communities.