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This is the first modern edition of Book X of the Historia Animalium. It argues that the first five chapters are a summary, from the hand of Aristotle, of a medical treatise by a physician practicing in the fourth-century BCE. This gives short shrift to Hippocratic staples such as trapped menses and the wandering womb, and describes a woman's climax during sex in terms that can be easily mapped onto modern accounts. In summarizing the treatise and examining its claims in the last two chapters, Aristotle follows the method described in the Topics for a philosopher embarking on a new field of study. Here we see Aristotle's ruminations over the conundrum of a woman's contribution to conception at an early stage in the development of his theory of reproduction. Far from being an insignificant pseudepigraphon, this is a central text for understanding the development of ancient gynaecology and Aristotelian methodology.
First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.
A new critical edition of the Greek text of Aristotle's Historia Animalium by one of the foremost scholars of Aristotle's biological works and their philosophical significance. Based on a study of every surviving manuscript, this edition is a considerable advance on previous texts.
Aristotle’s Historia Animalium is one of the most famous and influential zoological works that was ever written. It was translated into Arabic in the 9th century CE together with Aristotle’s other zoological works, On the Generation of Animals and On the Parts of Animals. As a result, the influence of Aristotelian zoology is widely traceable in classical Arabic literary culture and thought. The Arabic translation found its way into Europe through the 13th-century Latin translation by Michael Scotus, which was extensively used by medieval European scholars. A critical edition of the Arabic Historia Animalium has long been awaited, and Lourus Filius’s edition, based on all extant Arabic MSS, as well as on Scotus’s Latin translation, can rightly be seen as a scholarly landmark.
Explores the development of natural history since the Renaissance and contextualizes current discussions of biodiversity.
The Swiss physician and polymath Conrad Gessner (1516-1565) was one of the most prominent scientists of the early modern period and wrote numerous important works. During the last two decades were discovered nearly 400 titles from his private library. They give an interesting insight into his interests and his sources. The present book contains not only an introduction and a catalogue of these books, but also inventories of the lost works as well as the still extant and lost manuscripts possessed by Gessner. They open the door to Gessner's study and to the intellectual world of a fascinating Renaissance scholar.
Welcome to the museum! There are more than 160 animal specimens to be discovered in Animalium, the first in a series of virtual museums. Wander the galleries - open 365 days a year - and discover a collection of curated exhibits on every page, accompanied by informative text. Each chapter features a different branch of the tree of life, from the simple sponge to the enormous elephant.
In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, History of Science, Art History) explore the fascinating early modern discourses on animals in science, literature and the visual arts.
The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the seventeenth century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, history of science, art history) explore the fascinating early modern discourses on animals in science, literature and the visual arts. The volume is of interest for all students of the history of science and intellectual life, of literature and art history of the early modern period. Contributors include Rebecca Parker Brienen, Paulette Choné, Sarah Cohen, Pia Cuneo, Louise Hill Curth, Florike Egmond, Karl A.E. Enenkel, Susanne Hehenberger, Annemarie Jordan-Gschwendt, Erik Jorink, Johan Koppenol, Almudena Perez de Tudela, Vibeke Roggen, Franziska Schnoor, Paul J. Smith, Thea Vignau-Wilberg, and Suzanne J. Walker.