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The Colorful Story of a Santa Barbara Landmark The Santa Barbara County Courthouse is a widely recognized icon of the city called the e oeCalifornia Riviera, e and just as widely known as a historic architectural achievement. Thousands, if not millions, visit it each yeare "jurists and tourists alikee "but although everyone appreciates its beauty, few really know how it came to be. Surprisingly, in the three-quarters of a century that the building has graced its grounds, no one has undertaken to document this architectural masterpiece. Authors Patricia Gebhard and Kathryn Masson have changed that once and for all with their book, The Santa Barbara County Courthouse. Together with photographer James Chen and book designer Eric Larson, they have created a work that is not only historically important, but nearly as beautiful as the courthouse itself. Many people know or assume that Santa Barbara had a courthouse before the present building was erected in 1929, but almost no one knows anything about it. Gebhard and Masson begin there, with historic photos of the original, classical-style courthouse and its Queen Anne hall of records add-on. In 1919 the county, needing more room, held a design competition for a new courthouse, and the entries received, as Gebhard and Masson show us, were heavily inA3/4uenced by the Spanish baroque style that was popularized by the 1915 Panama-California Exhibition in San Diego. None of these designs was built, however, because the county was unable to raise money to pay for construction. It wasne (TM)t until 1925, when the old courthouse was destroyed by the earthquake that leveled much of Santa Barbara, that a new building became imperative and funds were Aznally secured. Construction began in 1926, with the result we see today. (The footprint of the old building is reflected in the contours of the ! sunken gardens behind the present courthouse.) To document their story, Gebhard and Masson spent months poring over County Supervisorse (TM) minutes, news reports in the Santa Barbara Morning Press and articles in architectural magazines, and courthouse docentse (TM) records. They were able to identify nearly all of the architects, craftsmen, and artists who designed the building and created the exquisite tile, ironwork, furniture, murals and landscaping that grace it inside and out. Many of these individuals and companies are long gone, of course, but many are still active, and, as the authors point out, some of the courthousee (TM)s Azttings can still be ordered from their catalogs. Chene (TM)s 75 full-color photographs beautifully capture the courthousee (TM)s ambiance, and Larsone (TM)s open and asymmetrical book design reA3/4ects the buildinge (TM)s balance between void space and intricate detail. They combine with Gebhard and Massone (TM)s careful research to produce a deAznitive study and appreciation of the Santa Barbara County Courthouse, one that can hope to stand as long as the building itself.
When this book was first published as a bestseller in 1960, reviewers noted that the 400-year history of Ranchero Dos Pueblos mirrored in microcosm the history of California itself. Dos Pueblos bears one of California’s oldest place-name, christened by Cabrillo during his voyage of discovery in 1542. Dubbed a “royal rancho” by historians because it was a gift of King Carlos III of Spain, Dos Pueblos was intended to support Mission Santa Barbara during the presidio period following Santa Barbara’s founding in 1782. The first private owner, Irish-born Nicholas A. Den, a medical man, was awarded ownership of the ranch in 1842 by Mexican governor Juan B. Alvarado. When Col. John C. Fremont came over the mountain to seize Santa Barbara for the U.S. during the Mexican War, he emerged onto Dos Pueblos Ranch. During the Gold Rush of ‘49, Den made his fortune selling Dos Pueblos beef to mining camps. Following Den’s death in 1862 the ranch was subdivided among his widow and numerous children. Before and after the turn of the century Royal Ranch was the scene of many diverse activities. One of its later owners bred racehorses. Another converted Dos Pueblos into the world’s largest orchid farm. A major oil company established off-shore petroleum production from pumps operated on the ranch. At the present time the historic spread specializes in such exotic crops as macadamia, cherimoyas and avocados.
Winner of the 2021 California Book Award (Californiana category) A brilliant California history, in word and image, from an award-winning historian and a documentary photographer. “This is the West, sir. When the legend becomes fact, print the legend.” This indelible quote from The Man Who Shot Liberty Valance applies especially well to California, where legend has so thoroughly become fact that it is visible in everyday landscapes. Our foremost historian of the West, Richard White, never content to “print the legend,” collaborates here with his son, a talented photographer, in excavating the layers of legend built into California’s landscapes. Together they expose the bedrock of the past, and the history they uncover is astonishing. Jesse White’s evocative photographs illustrate the sites of Richard’s historical investigations. A vista of Drakes Estero conjures the darkly amusing story of the Drake Navigators Guild and its dubious efforts to establish an Anglo-Saxon heritage for California. The restored Spanish missions of Los Angeles frame another origin story in which California’s native inhabitants, civilized through contact with friars, gift their territories to white settlers. But the history is not so placid. A quiet riverside park in the Tulare Lake Basin belies scenes of horror from when settlers in the 1850s transformed native homelands into American property. Near the lake bed stands a small marker commemorating the Mussel Slough massacre, the culmination of a violent struggle over land titles between local farmers and the Southern Pacific Railroad in the 1870s. Tulare is today a fertile agricultural county, but its population is poor and unhealthy. The California Dream lives elsewhere. The lake itself disappeared when tributary rivers were rerouted to deliver government-subsidized water to big agriculture and cities. But climate change ensures that it will be back—the only question is when.