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Contains over 400 masterpieces of Western painting from the very beginnings of art to the present day. The book includes nearly 200 close-ups to allow the reader to gain knowledge of each work and artist and Sister Wendy Beckett shares her love of painting.
The History of Painting in Italy Vol-4' by Luigi Lanzi is a comprehensive and academic work that indulges into the vibrant world of Italian painting. As the fourth volume in the series, this book focuses on the evolution of painting in Italy during a specific period, providing a detailed account of artistic developments and key artists. The author provides insightful analyses of notable paintings, discussing their composition, symbolism, and artistic innovations. Lanzi also delves into the cultural, political, and social contexts that influenced the Italian art scene, providing readers with a deeper understanding of the historical backdrop against which these masterpieces were created. The story is a valuable resource for art historians, scholars, and art enthusiasts alike. Lanzi's meticulous research, combined with his engaging writing style, makes this book an authoritative and captivating exploration of the rich and diverse world of Italian painting.
Reproduction of the original: The History of Modern Painting, Volume 2 (of 4) by Richard Muther
"Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.
The most famous and popular book on art ever published, this quintessential "introduction to art," now in its sixteenth edition, has been a worldwide bestseller for over four decades.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
This book is a revisionist account of central Italian painting in the period 1260 - 1370.