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Seeing God's hand in the everyday: 40 reflections to boost your spirit. -Before I could take one timid step towards him, Jesus leapt up and came running with his arms outstretched. 'Where have you been?' he shouted joyously. 'I've missed you!' -I was totally melted. I forgot my careful prayer and spent the next hour laughing, crying and worshipping. It was one of the most precious hours in my life. Sometime during that hour he lovingly chided me, 'Why do you shut me up here in your room? Let me come with you when you walk to the school, or when you go shopping. I can be with you when you tend to the baby in the night, when you are cleaning and ironing.'- Designed to be read as a quick pick-me-up, these meditations will prove an ideal way to start or end a busy day. Wendy's gentle, cheerful style combines a keen eye for detail with moments of profundity. Her underlying theme is gratitude.
The book is a detailed study on the structure and the topics of Ovid’s compedium of the Trojan Saga in Metamorphoses 12.1-13.622, the section also referred to as the “Little Iliad”. It explores the motives and the objectives behind the selected narrative moments from the Epic Cycle that found their way into the Ovidian version of the Trojan War. By thoroughly mastering and inspiringly refashioning a vast amount of literary material, Ovid generates a systematic reconstruction of the archetypal hero, Achilles. Thus, he projects himself as a worthy successor of Homer in the epic tradition, a master epicist, and a par to his great Latin predecessor, Vergil.
The idea for this book came from a desire I had to provide anyone who wanted to learn with easily understandable material from the Torah. My solution was to send out an e-mail every week to hundreds of people with interesting information on that weeks parsha (Torah portion). The difficulty was writing material that was simple enough for those who had no prior knowledge of the Parsha to understand while keeping it substantive enough to interest those who already had a deep knowledge. Since last June, there have been a few hundred people each week receiving words of Torah from me; Id say the project was, for the most part, successful. However, I wasnt yet satisfied. The recipients were limited to those who were on my e-mail list, and I didnt feel that reading a two minute dvar Torah once a week was enough. Firstly, I wanted to greatly expand the range of availability of my weekly divrei Torah. The number of people who could read and benefit from a weekly dvar Torah is limitless so I didnt want the availability of interesting and understandable words of Torah to have a limit. By writing this book, Im attempting to do everything in my power to ensure that anyone on any level has something that they can learn from, be fascinated by, and then teach to others. By closing every dvar Torah with a lesson taken from the Parsha, I hope that this book will not only be educationally enriching but morally enriching as well.
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The only sure thing you can count on when it comes to your kids . . . is that God has got them. As parents we strategize and agonize. We wish for secret formulas and surefire methods. But somewhere along the way, we discover that what our kids need most is for God to do in their lives what only He can do. This beautiful deluxe edition of The One Year Praying through the Bible for Your Kids is designed to provide you with a daily dose of parenting perspective and hope. Join trusted author Nancy Guthrie as she takes you through The One Year Bible reading plan, helping you to mine each day's passages to discover how the Scriptures speak into the triumphs and turbulence of parenting, as well as provide fresh ways to pray for each of your children. Day by day you'll find yourself worrying less and praying more as your dreams and desires for your kids are increasingly shaped by the Scriptures rather than the culture around you. Let go of fear, and expect God to work as you pray through the Bible for your kids.
Frontier Road uses the history of one road in southern Colombia—known locally as “the trampoline of death”—to demonstrate how state-building processes and practices have depended on the production and maintenance of frontiers as inclusive-exclusive zones, often through violent means. Considers the topic from multiple perspectives, including ethnography of the state, the dynamics of frontiers, and the nature of postcolonial power, space, and violence Draws attention to the political, environmental, and racial dynamics involved in the history and development of transport infrastructure in the Amazon region Examines the violence that has sustained the state through time and space, as well as the ways in which ordinary people have made sense of and contested that violence in everyday life Incorporates a broad range of engaging sources, such as missionary and government archives, travel writing, and oral histories
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.