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The official title for this work is "Pictures from the Famous Places of the Fifty-three Stations". Hiroshige produced these prints in 1855 more than 20 years after his first horizontal Hoeido series published 1833-34, which is included as thumbnails for comparison. It is instructive to see Hiroshiges use of his now mature experience as he develops the vertical format for the narrative. He does designs as he would do a photograph. He set the standard for landscape photography, without a camera. The Tokaido series was the most popular print series ever made in Japan. Hiroshige returned to this theme again and again, with delightful results. It is possible to travel the same road today and some villages are still looking quite like they did back then. The postal stations were constructed between 1601 and 1624.
Hiroshige produced these prints for the Vertica; Tokaido in 1855 more than 20 years after his first horizontal Hoeidō edition published 1833-34, which is included for comparison.
Hiroshige produced these prints for the Vertica; Tokaido in 1855 more than 20 years after his first horizontal Hoeidō edition published 1833-34, which is included for comparison.
Hiroshige produced these prints for the Vertica; Tokaido 1855 more than 20 years after his first horizontal Hoeidō edition published 1833-34, which is included for comparison.
The Aritaya Fifty Three Stations of the Tokaido Road is one of the most beautiful of Hiroshiges huge production of landscape print series in spite of its small size. It is only abt 10 x 15 cm (with variations), Yotsugiri yokoban (quarter oban). It is also unusual in that it is a veritable full course and manual in landscape print design. It is a very rewarding study. All the way through Hiroshige follows certain design principles of proportion of elements, arranging elements and views by diagonals and parallels and balancing of color elements. Compared to most of his other Tokaido series Hiroshige in Aritaya focus on letting the landscape tell the story instead of letting people or legend do that, although this is not followed through completely.
The official title for this work is "Pictures from the Famous Places of the Fifty-three Stations". Hiroshige produced these prints in 1855 more than 20 years after his first horizontal Hoeido series published 1833-34, which is included as thumbnails for comparison. It is instructive to see Hiroshiges use of his now mature experience as he develops the vertical format for the narrative. He does designs as he would do a photograph. He set the standard for landscape photography, without a camera. The Tokaido series was the most popular print series ever made in Japan. Hiroshige returned to this theme again and again, with delightful results. It is possible to travel the same road today and some villages are still looking quite like they did back then. The postal stations were constructed between 1601 and 1624.
The e Fifty-Three Stations of the Tōkaidō Vertical;Vertical Tokaido;Hiroshige;Pictures from the Famous Places of the Fifty-three Stations
Hokusai ́s 53 Stations of the Tokaido 1804 Vertical is something completely different from his 1801 and 1802 series and from the 1804 horizontal. It is different from his famous 36 Views of Mt Fuji 1832, which are sublime artistic expressions distilling a long life ́s work. This series shows his development of the themes based on the two first series, 1801 and 1802, and a transition to his 1804 horizontal series, which again is a precursor to his sublime 36 Views of Mt Fuji. As the reader progresses through Hokusai ́s Tokaido series it will become evident how Hokusai develops the concept, develops the format, the themes and then mixes them with true genius. This series is different from the many other well known 53 Stations of the Tokaido in that Hokusai does not focus only on the landscape and the markers that Hiroshige and others showed.
This series, Fifty-three Pairings of the Tokaido Road, Tokaido gojusan tsui, popularly called Pairs Tokaido or 53 Parallels for the Tokaido Road, was published in 1845-1846. It is a unique cooperation between three artists: Utagawa Hiroshige, Utagawa Kunisada and Utagawa Kuniyoshi and five publishers: Ibaya Kyubei, (Ibaya Senzaburo (Dansendo)) and Kojimaya Jubei, Enshuya Matabei, Ebiya Rinnosuke (Kaijudo) and Iseya Ichibei. The special feature of this Pairs Tokaido is the pairing of a print for each station with a legend, a wonderful, dramatic, historic or supranatural story. These stories are told partly by the print theme, partly by accompanying text in a cartouche. Sometimes there is a poem. It is a very enjoyable tour!
This was the most popular print series ever made in Japan. It was even more popular series ever made in Japan. It was even more popular than the Hokusai series Thirty-six Views of Mount Fuji, which had been recently published and which had influenced Hiroshige tremendously (ISBN 9783756844104). There were 53 post stations along this important road, apart from the start and terminus, in all 55 prints, which are all here in the order from Edo to Kyoto, as in the Hoeido edition (1833-34).