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Thoroughly researched, thoroughly in tune with the culture, "Hip Hop in America: A Regional Guide" profiles two dozen specific hip hop scenes across the United States, showing how each place shaped a singular identity. Through its unique geographic perspective, it captures the astonishing diversity of a genre that has captivated the nation and the world. In two volumes organized by broad regions (East Coast, West Coast and Midwest and the Dirty South), "Hip Hop in America" spans the complete history of rap-from its 1970s origins to the rap battles between Queens and the Bronx in the 1980s, from the well-publicized East Coast v. West Coast conflicts in the 1990s to the rise of the Midwest and South over the past ten years. Each essay showcases the history of the local scene, including the MCs, DJs, b-boys and b-girls, label owners, hip hop clubs, and radio shows that have created distinct styles of hip hop culture.
An insightful new resource that looks at the rise of American hip hop as a series of distinct regional events, with essays covering the growth of hip hop culture in specific cities across the nation. Thoroughly researched, thoroughly in tune with the culture, Hip Hop in America: A Regional Guide profiles two dozen specific hip hop scenes across the United States, showing how each place shaped a singular identity. Through its unique geographic perspective, it captures the astonishing diversity of a genre that has captivated the nation and the world. In two volumes organized by broad regions (East Coast, West Coast and Midwest and the Dirty South), Hip Hop in America spans the complete history of rap—from its 1970s origins to the rap battles between Queens and the Bronx in the 1980s, from the well-publicized East Coast vs. West Coast conflicts in the 1990s to the rise of the Midwest and South over the past ten years. Each essay showcases the history of the local scene, including the MCs, DJs, b-boys and b-girls, label owners, hip hop clubs, and radio shows that have created distinct styles of hip hop culture.
This book looks at the rise of American hip hop as a series of distinct regional events, with essays covering the growth of hip hop culture in specific cities across the nation. In the three decades since its beginnings on the streets of the Bronx, hip hop has become a signature genre of American music, a genuine cultural phenomenon. Although hip hop was once defined by its legendary East Coast/West Coast rivalries, New York and LA are not the whole story. Around the nation, places as unlikely as Honolulu and Louisville have put their own distinctive spin on the music. In tune with the culture, this work profiles two dozen specific hip hop scenes across the United States, showing how each place shaped a singular identity. Through its geographic perspective, it captures the astonishing diversity of a genre that has captivated the nation and the world. In two volumes organized by broad regions (East Coast, West Coast and Midwest and the Dirty South), it spans the complete history of rap from its 1970s origins to the rap battles between Queens and the Bronx in the 1980s, from the well-publicized East Coast v. West Coast conflicts in the 1990s, to the rise of the Midwest and South over the past ten years. Each essay showcases the history of the local scene, including the MCs, DJs, b-boys and b-girls, label owners, hip hop clubs, and radio shows that have created distinct styles of hip hop culture.
This book looks at the rise of American hip hop as a series of distinct regional events, with essays covering the growth of hip hop culture in specific cities across the nation. In the three decades since its beginnings on the streets of the Bronx, hip hop has become a signature genre of American music, a genuine cultural phenomenon. Although hip hop was once defined by its legendary East Coast/West Coast rivalries, New York and LA are not the whole story. Around the nation, places as unlikely as Honolulu and Louisville have put their own distinctive spin on the music. In tune with the culture, this work profiles two dozen specific hip hop scenes across the United States, showing how each place shaped a singular identity. Through its geographic perspective, it captures the astonishing diversity of a genre that has captivated the nation and the world. In two volumes organized by broad regions (East Coast, West Coast and Midwest and the Dirty South), it spans the complete history of rap from its 1970s origins to the rap battles between Queens and the Bronx in the 1980s, from the well-publicized East Coast v. West Coast conflicts in the 1990s, to the rise of the Midwest and South over the past ten years. Each essay showcases the history of the local scene, including the MCs, DJs, b-boys and b-girls, label owners, hip hop clubs, and radio shows that have created distinct styles of hip hop culture.
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.
Is Gangsta Rap just black noise? Or does it play the same role for urban youth that CNN plays in mainstream America? This provocative set of essays tells us how Gangsta Rap is a creative "report" about an urban crisis, our new American dilemma, and why we need to listen. Increasingly, police, politicians, and late-night talk show hosts portray today's inner cities as violent, crime-ridden war zones. The same moral panic that once focused on blacks in general has now been refocused on urban spaces and the black men who live there, especially those wearing saggy pants and hoodies. The media always spotlights the crime and violence, but rarely gives airtime to the conditions that produced these problems. The dominant narrative holds that the cause of the violence is the pathology of ghetto culture. Hip-hop music is at the center of this conversation. When 16-year-old Chicago youth Derrion Albert was brutally killed by gang members, many blamed rap music. Thus hip-hop music has been demonized not merely as black noise but as a root cause of crime and violence. Fear of a Hip-Hop Planet: America's New Dilemma explores—and demystifies—the politics in which the gulf between the inner city and suburbia have come to signify not only a socio-economic dividing line, but a new socio-cultural divide as well.
"Rhythms of Resistance: A Journey through 90s Hip-Hop" *** Author of "Rapper's Delight" essay currently archived at the Library of Congress *** *** Guest speaker of BBC2 Radio "Rapper's Delight 40th Anniversary" by DJ Trevor Nelson - September 2019 *** Immerse yourself in the dynamic world of 90s hip-hop with "The History of Hip Hop: Volume 3." This compact yet comprehensive guide by Eric Reese travels back to a critical decade that saw the genre evolve from its roots into an art form influencing millions around the world. Journey through the crowded streets of New York City, where groups like A Tribe Called Quest and Wu-Tang Clan were changing the game, to the sun-soaked boulevards of Los Angeles, where artists like Dr. Dre and Tupac were making their mark. Reese’s informative guide not only maps the geography of 90s hip-hop but also charts the cultural, political, and racial landscapes that shaped and were shaped by the genre. As the bling era dawned and hip-hop became a global business, its effects reverberated far beyond the music world, influencing fashion, film, and the broader popular culture. Key insights from this book include: East Coast vs West Coast: The legendary rivalry that defined a decade The Golden Age: An examination of hip-hop’s most creative period The Birth of Gangsta Rap: How a new sub-genre changed everything The Impact of TV and Film: From "Yo! MTV Raps" to "Boyz n the Hood" The Influence of Record Labels: The rise of Death Row Records and Bad Boy Records Social and Political Impact: How hip-hop gave a voice to the voiceless Dive deep into the complex narratives of an era that redefined musical expression, pioneering a sonic revolution that resonates to this day. From legendary artists like Notorious B.I.G., Nas, Queen Latifah, to influential groups like Public Enemy and De La Soul, explore the golden age of hip-hop and its enduring legacy. "The History of Hip Hop: Volume 3" chronicles a remarkable decade of creativity, diversity, controversy, and above all, timeless music. Experience the beat, the rhythm, and the resistance that made the 90s hip-hop scene a cultural touchstone. 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Looks at linguistic, cultural and economic aspects of hip-hop in parallel using various frameworks of analysis.
Although hip hop is now a well-established global music genre and cultural form, its history and current impact have not yet been sufficiently studied. The interdisciplinary contributions to this volume address hip hop's historical and regional struggles for representation of race, gender, generation, place, and language, as well as the tension between authenticity and commercialization. Contributors offer approaches to historicizing hip-hop culture, and present new theoretical perspectives and methodological tools for addressing hip hop's global impact. This volume targets not only scholars and students but also resonates with recent public debates about identity politics and cultural appropriation.